Monday, August 4, 2025

15th Anniversary Post: That Hamilton Woman (1941)

 Today is the 15th anniversary of the start of this blog. Over 700 reviews later, I am still going strong. If you had told me that after 15 years I still would have hundreds of war movies to watch and review, I would tell you that surely there are not that many war movies. I did manage to complete my reviews of Military History magazine's 100 Greatest War Movies a few years ago. And recently I completed my own 100 Best War Movies, but I am not stopping. I chose this movie for the 15th anniversary because "That Hamilton Woman" is a war movie about actual people who it attempts to tell the story of. Naturally, it can not be expected to be perfectly accurate, so the fun is to find out how accurate it is. I have an interest in the Napoleonic Wars and Horatio Nelson, so it makes sense to post this review now.  

                   “That Hamilton Woman” (“Lady Hamilton” in Great Britain) was one of the films made to encourage American support for Britain during its darkest days of WWII.  The treatment was suggested to director/producer Alexander Korda by Winston Churchill and supposedly became his favorite movie.  He once claimed to have seen it 83 times!  Churchill, a fan of Horatio Nelson, wanted a movie made about him and his famous romance with Emma Hamilton.  It was a tale all Englishmen were familiar with, but it would have been revelatory for American audiences.  Korda had the brilliant idea of casting the current Hollywood celebrity couple – the newly wed Laurence Olivier and Vivien Leigh.  It didn’t hurt marketing that their romance had some parallels to those of the movie’s characters.  The actors had fallen in love and conducted a public affair while still married.  It was their third movie together.  They had begun their affair during the filming of “Fire Over England” (1937).    The movie was scripted by Walter Reisch (“Ninotchka”) and R.C. Sheriff (“Journey’s End”).  They had the ulterior motive of slyly tying the tale to Britain’s current situation.  They succeeded in drawing the attention of the America First Committee, which encouraged a boycott of it and similar films (“The Great Dictator”, “Foreign Correspondent”, “The Mortal Storm”).  And Korda drew the attention of the Senate Foreign Relations Committee because of accusations he facilitated MI-5 agents in their ferreting out German activities and infiltration of isolationist groups in America.  Fortunately for Korda, his appearance before the committee was aborted by the attack on Pearl Harbor.  The movie was well-received by critics and audiences.  It was nominated for four Academy Awards -  Sound, Art Direction (Alexander’s brother Vincent, who did a wonderful job on a small budget), Cinematography, and Effects.  It won for Best Sound.

                   The movie opens in Calais where an alcoholic prostitute is arrested and thrown in jail.  She shocks her cell mates by revealing that she used to be the famous Lady Hamilton (Leigh).  Her tale results in a flashback to her better days.  When she was 18 and significantly more beautiful than her current jailed self, she arrived in Naples at he home of Sir William Hamilton (Alan Mowbray).  Although engaged to his nephew, Hamilton has paid off his nephew’s debts and “acquired” Emma.  She is offended at first, but what’s a stripper to do but make the best of it.  And the best of it is a lavish lifestyle with a husband who only requires she grace his arm.  He Eliza Doolittles her and soon she is running his Tara.  Two years later, in walks the dashing, but officious, Capt. Horatio Nelson (Olivier).  There is a spark there and when she intervenes with the rulers of Naples to support the British, Nelson is impressed.  At this point, the movie becomes a chronicle of Nelson’s career and the evolution of their romance.  Nelson’s greatest hits are simply alluded to.  If you are British, you can fill in the blanks.  If you are American, read up on it.  The romance progresses to the point where Sir William snarkily acknowledges it and Horatio has some very awkward moments with his wife.  But love will prevail and they manage to weather the storms.  While sailing by Nelson’s successes at the Nile and Copenhagen, the movie goes all in for the climactic Battle of Trafalgar.  And then it’s back to the Calais jail cell for the what-ifs.

                   “That Hamilton Woman” takes its title from the reaction of British crowds upon seeing the couple in public in London.  The original title of the film was to be “The Enchantress”, which might have been more accurate about Emma, but a 1941 movie could not have lived up to that title.  The Production Code was at its height of ludicrousness, so this famous love affair had to be depicted as chaste.  Olivier and Leigh could not be shown in bed together and not even slightly disrobed.  How Emma became pregnant with Nelson’s son is left to the imagination.  The passion had to come through the actor’s interaction and this is partially successful.  Olivier portrays Nelson as upright, but susceptible to a comely ankle.  Leigh has more fun with the flirtatious Emma.  There is some chemistry from the real-life couple, but the main appeal of the movie to viewers would have been seeing them act together.  Leigh is gorgeous, as is to be expected.  You don’t get the green eyes because the movie is black and white, but she still has the wow factor.  This despite the low budget which resulted in make-up only on the side of the face the camera was on.  She was the perfect choice to play a woman who was painted by George Romney.  Thankfully, the movie spares us from an accurate depiction of her portly later years.  (Leigh in a fat suit would not have been good for box office.) 

                   “That Hamilton Woman” is not a war movie until it gets to Trafalgar.  This sequence almost makes the movie worth the wait for war movie buffs (who tend to not be romance buffs).  It does a good job depicting the battle and includes the memorable moments like the signal “England expects everyone to do their duty” and Nelson’s refusal to dress less like a peacock begging to be shot.  There is plenty of action and cannonading by the models, but it is hard to follow who is who and the movie made the poor decision not to depict the “Nelson touch” by having Olivier explain his plan to his officers.  In fact, the movie makes no case for Nelson as a great leader.  (And frankly, it is not clear that he was a great lover either.)  Nelson’s death is spot on and surprisingly uses the accurate “Kiss me, Hardy” last words (instead of “Kismet, Hardy” which ended up in British textbooks).  I wonder how they got that past the censor.

                   As a war movie, “That Hamilton Woman” comes up short.  It reminds of “Gone with the Wind” in that it is more of a romance set in a war.  It gets credit for being based on a true story that deserved Hollywood treatment.  Even though it had a hidden agenda, it is not overly patriotic and I doubt viewers left the theater and immediately wrote a check to Great Britain.  I bet most simply enjoyed it for its entertainment value, which was high for the time, but seems tame today.  A miniseries on Nelson is definitely needed today.  Why has this not happened, BBC?

GRADE  =  C

HISTORICAL ACCURACY:  The movie is surprisingly accurate for a historical romance.  Emma was born poor and early in her life had to fend for herself.  She was blessed by striking beauty which meant her career path was obvious, especially for an ill-educated woman.  As early as age 15 she was a concubine for a wealthy gentleman.  She would dance nude on tables at his bacchanalian parties.  She eventually settled with George Greville.  He farmed her out to the artist George Romney, who became obsessed with her.  He did a lot of paintings of her and made her a celebrity.  Greville decided he needed to sleep with someone who was wealthy, so when he got engaged to an heiress and she was not into open marriages, he shuffled her off to Naples to entrance his uncle.  She did arrive with her mother.  Hamilton was 55 and newly widowed.  She was the best present he ever received.  He was an art collector and she was living art.   She was less excited, but once she realized her “vacation” on Naples was meant to be permanent, she decided to make the best of it.  Sir William was kind and doting and they fell in love.  When they married, he was 60 and she was 26.  She was quite the hostess and soon was best friends with Queen Maria Carolina (sister of Marie Antoinette).  Her fame swept Europe when she came up with her performance art called “Attitudes”.  She would dress up and portray famous statues and paintings.  Nelson had been married six years when they first met.  He was infatuated from the start.  They corresponded and the love grew.  When he returned five years later, crippled lacking some of his dash, she still fainted in his arms and the romance was on.  As the movie shows, they were often apart for long stretches, but they eventually returned to England together (with her mother and her husband). Nelson’s wife Fanny was not thrilled, especially since Emma was pregnant. Nelson treated her badly, which of course the movie does not show because Nelson was such a hero. The public excused Nelson for the very public affair. Nelson, Emma, William, and her mother openly lived together. When Nelson left to fight the Battle of Trafalgar, Emma did not cope well. She overdrank and overate and went deeply into debt. She escaped her debtors by escaping to France. Her downward spiral continued as she accumulated debts there too and was an alcoholic and a user of laudanum. I found no evidence that she died in debtor’s prison. She was 49 when she died.   

Saturday, August 2, 2025

MACARONI COMBAT #7: Battle of the Last Panzer (1969)

 

               Also known as “The Panzer Battalion”, “Battle of the Last Panzer” is a Spanish/Italian production directed by Jose Luis Merino.   The movie leads with the quote:  “As long as there are two men left on Earth, there will be war.”  That’s pretty deep for a macaroni combat movie, but don’t be fooled into thinking this movie has something to say.  It is set in WWII France. A German tank crew gets trapped in no man's land and endeavors to return to their own lines. It's a chase film as the obligatory has-been American "star" (Guy Madison) is on their trail. There is also the obligatory female to tease the male audience. Jeanette (Erna Schurer) is a French lukewarmie who is forced to go along with the Germans as a guide.  She’s in that hot tank with those sexy legs, but it’s the tank commander who is shirtless.  Boo!  This all devolves to a tank duel.

 

               The movie is surprisingly not terrible. The acting is actually a tad above average for this subgenre. There is not much tank action, so don't let the title fool you. And the final duel is hilarious. But that is the only LOL moment as the dialogue is not unintentionally funny.  Well, there is this line:  “Here comes Hitler and his little friends wearing their Tiger costumes.”  In case you are wondering, the tank used is not a Tiger.   It all makes no sense, naturally.  The combat shows some verve.  There is a night firefight where you can tell what the hell is happening.  Later, there is a surreal combat scene involving a fight with the resistance.  The combat choreography is shoddy.  At one point two tanks can’t hit each other from ten yards away.  The tank’s machine gun fires continuously for five minutes.  The tank crew never reloads.  This movie will make tank rivet counters go mental.  Hey, it’s not a documentary!  It’s barely a movie.

GRADE  =  D

Saturday, July 26, 2025

DUELING MOVIES: The Great Escaper (2023) vs. The Last Rifleman (2023)


            “The Great Escaper” is an Oliver Parker (“Dad’s Army”) film. It was based on the story of Bernard Jordan, a 90 year-old Royal Navy veteran who absconded from his nursing home to attend the 70th anniversary of D-Day ceremonies in Normandy, France. It was the last film for Glenda Jackson (who died nine months after the shoot) and Michael Caine (who announced his retirement after).

            Bernie Jordan (Caine) lives in an assisted living facility with his wife Rene (Jackson). Bernie leaves the home to make his way to Normandy. He meets some interesting people on his adventure, including some German veterans. He visits the grave of a tanker who he had befriended. The guy showed Bernie his girlfriend’s picture. Can you guess if he survived the landing? And why did Bernie promise the tanker that he was not doomed? Hadn’t Bernie seen any war movies? The movie uses flashbacks to remember the courtship of Bernie and Ray and to depict the meeting of Brendan and the tanker. It also intercuts between Bernie and Rene. Rene is in the middle of a media blitz as the press latches on to the story of an old dude on the lam. The title of the movie is what the press called Bernie.

            This is a very British movie. The best word to describe it is charming. Bernie and Rene  have an ideal marriage. Jackson actually does a better job than Caine, but they both are great. They are the only reasons to watch the film. The movie is a trifle, especially if you are not British. Jordan got his fifteen minutes of fame, but that did not cross the pond, as they say. He does not have a Wikipedia page. The plot sticks to the actual story well.  Too well. The film lacks any suspense or tension. For instance, nothing happens when he meets the Germans. That’s because nothing happened when he met the Germans. Bernie did not land on D-Day and he doesn’t stick around for the ceremony 70 years later. Sometimes a screenwriter should take some creative license.

            “The Last Rifleman” was released for streaming a few weeks after “The Great Escaper”. It was directed by Terry Loane. It is a fictionalized story about Bernard Jordan.

            The movie opens with a flashback to D-Day. Artie Crawford (Pierce Brosnan) and his best friend are in a British unit attacking a German position in Normandy. The movie then jumps 75 years to the elderly Artie living in a nursing home with his terminally ill wife. Artie is 89-years-old and has diabetes and heart problems. He’s no spring chicken, so when he asks the nursing home administrator for permission to go to the 75th anniversary commemoration of D-Day, he is turned down. Although this is a rational refusal, Artie decides to sneak out and go anyway. The movie turns into a road trip movie as Artie interacts with various people on his way to the ceremony. He is befriended by a young man who shares a love of the music of Ennio Marricone, is aided by a woman (Clémence Poésy), meets a German veteran (Jurgen Prochnow), and encounters a black G.I. (John Amos) who was in a barrage balloon unit. He is chased by a newspaper reporter who smells a good story. After overcoming some obstacles, Artie reaches the cemetery where his best friend is buried.

            “The Last Rifleman” is a heartwarming movie that avoids being sappy. The movie is a showcase for Pierce Brosnan who at 70 was made-up to be a 92 year-old Artie. The makeup artist did an excellent job and in case you didn’t notice, there is a scene thrown in with the 70-year-old Brosnan to contrast the two. His Artie is pretty frail and infirm. He is far from feisty, but he is able to evade capture with the help of sympathetic individuals. The rest of the cast is solid. It was John Amos last role. Jurgen Prochnow plays an SS officer who tries to talk to Artie. Artie is not willing to let bygones by bygones. But they end up singing “It’s a Long Way to Tipperary” together. (So that made the second time Prochnow has sung that song in a movie.)

            “The Last Rifleman” is based on the story of Bernard Jordan, but it takes significant liberties with the truth. Screenwriter Kevin Fitzpatrick sticks to the journey template, but he adds an interesting back-story for Artie. He was in a love triangle with his best friend and his future wife. He has PTSD from his best friend’s death and survivor guilt from marrying the woman who was meant for his friend. The trip to the cemetery brings closure for him.

            Which movie is better? They are both charming and sincere. Both treat D-Day veterans with respect and don’t make light of them. Both flashback to the cause of the main character’s

PTSD. The combat scenes in TLR are more compelling. Both take a road trip template. I found the people who Artie meets to be more interesting. The acting honors are hard to assign. Caine and Brosnan are wonderful, but I found that Brosnan stretched more. The casts are equivalent with sadly two cast members dying after their movies were completed (Jackson and Amos). If you are a purist when it comes to history, clearly TGE is the more accurate. But because of  that it is less entertaining than TLR. My recommendation is for you to watch both and make up your mind. You won’t regret either unless you want the elderly veteran to get revenge for his best friend’s death by killing a bunch of German veterans who attend the ceremony.

GRADES:  TGE  =  B-

                    TLR  =  B-

Saturday, July 19, 2025

MACARONI COMBAT #6: A Place in Hell (1969)

 


               “A Place in Hell” is an Italian Macaroni War film set in WWII in the Pacific and starring the classic spaghetti warrior Guy Madison.  This one has a theme of war is a disease, so you can expect it to be deep and intellectual.  Madison plays Maj. Groves who happens to be a hard-drinking war correspondent.  He and a loose woman named Betsy are bar hopping in Manila when the Japanese begin bombing.  They escape in a boat piloted by a Marine.  He takes them to his island, but they find his unit slaughtered.  They rescue three captives. It is surprisingly easy to mow down the Japanese captors.  One of the captives is a convicted rapist/murderer who happens to be an anachronistic black Marine in need of redemption.  Later, they hook up with a British bloke named Rodney.  He has two native guides. One is a woman named Esperanza.  When Rodney asks him where they are headed, Groves responds with: “I’m like you, I’m on my way to hell.”  Spoiler alert:  So is this movie.  Rodney convinces the motley crew to participate in his suicide mission to destroy a secret radar installation.  If the Japanese get it up and running, they will conquer the Philippines.  But before any of that can happen, the group has to wander in the jungle and occasionally stop to talk.  In case you can’t tell the difference, the movie conveniently provides the same musical theme for the walking scenes.  Eventually, they reach the installation and we get the usual hip-shooting, machine-gunning of Japanese fodder.  Grenade pins are pulled with teeth.  The Japanese do not put up much of a fight.  But they do chase well.  Our intrepid survivors must overcome a climactic ambush which features the dastardly Japanese hiding under sand.  The complete surprise does not keep them from being slaughtered, of course.  But they do deprive Guy Madison of some of his cast mates.

               There is nothing noteworthy about this movie.  I am beginning to wonder if any Macaroni War movies are above average.  I would at least expect some campy verve.  Maybe some unintentional humor.  You get that only in the sand-hidden Japs scene and that’s a long way to go for a chuckle.  The performances are not laughable, they are just mediocre.  The combat does not make up for the long periods of boring marching and mumbling.  When the foes do come to blows, there is never any doubt who will win.  There is also little suspense in the mission because bizarrely, the Japanese are not able to figure out how to use the radar.  So, they don’t conquer the Philippines?  I had no idea I was watching historical revisionism!

 

GRADE  =  D