Sunday, May 3, 2026

BINGEWORTHY? The Attackers (Istrebiteli) (2013)

 

                   I like to watch Amazon Prime Russian television series while walking on the treadmill.  Concentrating on the subtitles takes my mind off the walking.  Amazon has a surprising number of Russian series set in WWII.  The first series I watched was “Night Swallows”.  The series are similar in that they both cover air warfare on the Eastern Front.  “Night Swallows” is the story of a squadron of female bomber pilots and “The Attackers” is about a fighter squadron that includes female pilots. 

                   “The Attackers” is set in 1943 during the period when the situation was in flux.  The squadron of Yaks is based near the front line and is mainly tasked with determining and thwarting German intentions.  They occasionally tangle with “Messerschmitts” (Me. 109s).   The characters include the pilots, their commanders, and the ground crew.  The main characters are a count who is an excellent pilot but suspected of being a German supporter, two brash young male pilots, a no-nonsense female veteran pilot, her friend who is more feminine, a slimy political commissar, and their gruff, but empathetic boss.  The twelve episodes play out as an extended soap opera with the pilot’s lives intermixing and some romances ensuing.  The soap opera scenes are leavened with some action, usually brief missions to locate enemy bases or downed pilots.  Some of the missions are carried out by biplanes.  This all leads to a German assault on their airfield which forces them to defend themselves and it will not end well for several of the main characters. 

                   “The Attackers” is pretty typical for a Star Media production.  You can expect competent acting by a decent cast.  Usually  there are photogenic female actors and in this case, a particularly cute pilot who is worth watching while walking on a treadmill.  The characters are distinctive and appealing.  They are not as stereotypical as you would expect.  Noteworthy is the commander who goes to bat for his men and women and often stands up to his superiors (although not successfully).  The villain is the political commissar, but he is not totally evil and gets a bit of a redemption arc.  The Germans are faceless and not demonized.  The series is not particularly propagandistic.  It does have an interesting episode where the count is captured and put in a camp with Soviet collaborators who are treated well by the Germans, but it turns out to just be for propaganda purposes.

                   The weakness comes in the quantity and quality of the air combat.  The CGI is inferior.  The dogfights are too rudimentary and sometimes don’t fit the scenario.  However, at least the Yaks are not made to do things they were not capable of.  For a series about a fighter squadron, there is a surprising lack of action.  The missions are abbreviated and sometimes end abruptly.  And they tend to be repetitive.  Speaking of abruptly, the final episode is a major letdown.  It appears the producers ran out of time and had to rush the conclusion, which is decidedly unsatisfying and blew a clear opportunity to end with a bang.  Kudos for being willing to kill off major characters.

                   “The Attackers” is a decent watch.  It should be near the end of your to-be-binged list. I would watch “Night Swallows” before it.

GRADE  =  C

Wednesday, April 29, 2026

Hill 24 Doesn’t Answer (1955)


                   “Hill 24 Doesn’t Answer” is an Israeli film that was directed by Thorold Dickinson.  It was the first feature film produced in Israel.  It is a tale set in the last hours of the 1948 War for Independence.

                   The movie focuses on four people who are sent to occupy and defend a hill before the cease fire goes into effect.  The 24 refers to the height of the hill, which means the movie is making a mountain out of a molehill.  The story of the four is being told by James Finnegan (Edward Mulhare).  Finnegan was an Irish policeman who fell in love with a Jewish woman.  His flashback shows how he came to be a fighter for Israeli independence.  Each of the other four get their own flashbacks to explain why they are willing to die for Israel.  Finnegan’s is by far the longest back-story.  The movie is more about Finnegan than the group. 

                   This is a boring movie.  Finnegan’s tale is about an incompetent policeman who falls in love with a woman he is surveilling.  It does include some action that is realistic street-fighting, although  they do pull the grenade pins with their teeth.  The cinematography reminds of “Rome, Open City”, but the screenplay doesn’t.  It is Israeli propaganda, which doesn’t disqualify it.  It’s simply not an entertaining war movie.  The cast does not make it more interesting.  Mulhare is the only recognizable actor and he is just as week as the rest.  It had the making of a good film.  The flashback structure is nothing new, but it is botched.  One of the four is not even given a flashback!  And although you might have sensed the outcome, the movie foolishly leads with the results of the hill battle. 

                   I had “Hill 24 Doesn’t Answer” on my watch list because I had seen it on some best-of lists.  I have no idea what those critics were thinking.  This is not even a good movie, much less great.  When it comes calling, don’t answer.

GRADE  =  D

Monday, April 27, 2026

Jarhead 2: Field of Fire (2014)

               “Jarhead 2” is a straight to DVD sequel to “Jarhead”. It was directed by Don Michael Paul (who also directed Jarhead 4).  The movie sets the tone as it starts with a pompous, macho bull shit voiceover. The setting is Patrol Base Cobra in Afghanistan. It is under heavy fire. It doesn’t help that is is located in a valley with the enemy controlling the high ground. (This is a similarly ludicrous strategic situation that we get in “The Outpost”.) But this is not an Alamo movie, it is a lost patrol movie. A convoy of four trucks and Humvees is ambushed and all of the vehicles are destroyed. As  is typical for this type of combat porn, the Americans never miss when they fire at jihadists and every shot is a kill. Navy SEAL Fox (Cole Hauser) takes command as they attempt to reach a village. Included in the group is an Afghan collaborator and an educated Afghani woman named Anoosh. Being educated makes her a target for the Taliban. Along the way, the have a duel with a sniper and take on two technicals (pickup trucks with machine guns in the bed).  When they reach the village, they hold up in the police station. (So, I guess there is an Alamo after all.)  And a rescue mission as Anoosh gets taken and has to be saved. I have to credit the movie for having a variety of scenarios.

       If you saw “Jarhead” and complained about the lack of action, you might actually like this sequel better. It certainly has more combat in it. It is basically a series of set pieces connected by walking. But while the lack of killing in “Jarhead” is realistic, “Jarhead 2” is laughably implausible. The tactics are ridiculous, but it is entertaining fluff. It definitely fits into the combat porn subgenre. But you should have guessed that the moment you read that it was straight to DVD.  It is set apart from the usual sequel that plays off the success of the original because it has surprisingly good acting. The cast is not well known, except for Hauser who was a good casting. No one embarrasses themself. You may not know the actor, but you will recognize all the stereotypical characters. Their deaths are predictable and the movie is not afraid to kill off heroes.

            “Jarhead 2” is mindless entertainment. If you prefer violence over talking, it might fit the bill for rainy day where your mind does not want to do any heavy lifting.

GRADE  =  C

Friday, April 24, 2026

Nuremberg (2025)

 

 

            “Nuremberg” was written, directed, and co-produced by James Vanderbilt. He began research in 2013 after reading the book “The Nazi and the Psychiatrist: Hermann Goring, Dr. Douglas M. Kelley, and a Fateful Meeting of Minds at the End of WWII” by Jack El-Hai. He got Russell Crowe to star. Crowe was eight years older than the 53-year-old Goring. He reached 277 pounds for the role. Obviously the film was not filmed sequentially because Goering lost 65 pounds during his confinement. The film was nominated for several AARP Movies for Grownups awards: Best Supporting Actor (Michael Shannon), Best Screenplay, Best Ensemble, and Best Period Film. The movie was a box office success, making $73 million on a budget of $7-10 million.

            “What follows is based on the accounts of those who lived through it. And those who didn’t.” It is May 7, 1945, the day Germany surrenders. American soldiers watch a stream of refugees heading westward. One of the GIs pisses on a swastika. They stop a fancy car and Hermann Goring is captured. He is put in a prison with 23 other Nazi leaders. Supreme Court Justice Robert Jackson (Shannon) is appointed Chief Prosecutor at the Nuremberg Trials. In this position, he helps create an international code of laws governing war crimes. He insists the defendants deserve a fair trial. The fair trials includes having a psychiatrist interview the defendants to determine their mental capacity. Dr. Kelley (Rami Malek) is brought in for this job. He develops a relationship with Goring who he helps lose weight and kick his pervitin habit. (Pervitin was a methamphetamine that was given to German soldiers by the millions of pills.) Kelley enjoys verbal sparring with Goring, but he also has plans for writing a book about what made the Nazi leadership tick. Kelley acts a go-between for Goring and his wife and daughter, which was against the rules. Meanwhile, Jackson and his team are planning for the trial. They use footage of the death camps to show just how bad the “Final Solution” was. This builds to Goring’s time on the stand which is the moment he had been waiting for, confident that he will make fools of the prosecutors. He knows he will be found guilty, but loves the attention. The end is a foregone conclusion. However, the hangman is going to be disappointed.

            “Nuremberg” is a movie divided between two arcs that sometimes interconnect. The main core of the movie is the Kelley/Goring relationship. It is not quite the cat-and-mouse repartee that you would expect as the two men like each other and Goring is not trying to prove his innocence. He does insist he was not responsible for the death camps. Kelley is a strange bird as he violates orders, but sincerely cares about Goring’s wife and daughter and has some sympathy for Hermann. And yet, he becomes a spy for Jackson to help his prosecution efforts. There is some chemistry between Malek and Crowe. I don’t know how much Crowe fought for the role, but Goring is a fascinating person. Unfortunately, the film does not give him a lot of time on the stand. In fact, his confrontation with Jackson is something of a fizzle.

            The second arc is Jackson and his team preparing for the trial and then the trial itself. The movie glosses over the debate about whether Nazi leaders can be charged with crimes that did not exist before the war. There is no debate over the four charges that were arrived at. “Nuremberg” would seem to be a court room drama when it comes up short in that respect. Only Goring’s testimony is depicted and it is brief. By focusing on Jackson versus Goring, the film leaves the impression that Jackson wilted during the biggest moment in the trial. That may be true, but it is a disservice to his overall handling of the trial. There is no coverage of the defense offered for the defendants. The exoneration of two of the Nazis would have strengthened the theme of justice being served. And it would have been nice to know how their lawyers kept some off the gallows.

            The movie deserves credit for being mostly historically accurate. The transcripts from the trial were used for most of the dialogue in the trial scenes. The interactions between Kelley and Goring are accurate. And I assume his interactions with Streicher and Ley are probably true as well. I am confused that since there were 23 Nazis that Kelley interviewed, why were two of the least important ones focused on?

            I was disappointed in “Nuremberg”. It certainly is not in a league with “Judgment at Nuremberg”. The acting is excellent and is the main draw. As a behind the scenes look at the trial, it is interesting, but not fascinating. It provides Kelley with a traditional movie redemption that was not deserved, or true. It makes you wish that Goring versus Jackson had been given as much coverage as Goring versus Kelley.

GRADE  =  C+

HISTORICAL ACCURACY:  Goring’s arrest was actually arranged as far as the time and place. He was not trying to escape. Kelley had worked with thousands of PTSD (called combat fatigue) during the war. (He did dabble in magic.) His job was to determine the competence of the defendants to stand trial. He did use Rorschach tests. He did plan on using his findings to write a book. He worked with all the defendants, but spent more time with Goring than any of the others. Kelley did deliver letters between the Gorings. Emma did get arrested, but it was Bill Donovan of the OSS who got her released. Ley did commit suicide by hanging. Howie Triest was his translator and his back-story is accurate. He did emigrate to America in the 1930s and lost most of his family in the Holocaust. He only worked briefly with Kelley. The scene at the railway station where he opens up to Kelley was historical license. Dr. Gustave Gilbert (Colin Hanks) did work with Kelley. They had an adversarial relationship The fight did not occur, although Gilbert did have reason to be upset as Kelley broke their deal to publish a book together. Kelley did not work with Jackson on how to handle Goring. Kelley was not dismissed. He went home before the trial to be with his wife and write his book. Goring cried when he learned Kelley had left him. (Goring had wanted Kelley to raise his daughter if something happened to Emma as well as Hermann.) Having Kelley in the audience for the trial is necessary for plot purposes, but hard to justify historically. Kelley’s book “22 Cells in Nuremberg” was a flop. Americans were not interested in a theory that the Nazi leaders weren’t evil, he instead theorized they were opportunists motivated by ambition, immorality, and nationalism. It was Gilbert who had success with his books “Nuremberg Diary” and  “The Psychology of Dictatorship: Based on an Examination of the Leaders of Nazi Germany”. He believed leaders like Goring suffer from narcissistic psychopathy. 

              Jackson was torn a bit on accepting the job, especially since he was opposed to the death penalty. However, his belief in a fair trial convinced him to take on the daunting task of not only developing the law to cover the trials, but also prosecuting the Nazi leaders. (By the way, Elsie is his secretary, not his wife.) He believed in justice over vengeance. His dialogue in the trial scenes is almost verbatim from the transcripts. He gavegreat opening and closing statements, but Goring got the better of him as shown in the film. Sir David Maxwell Fyfe (Richard Grant) did save him. In reality, his questioning of Goring was not the overly simplified exchange of the movie. He broke Goring down by not responding to Goring’s baiting and he used persistent questioning to wear Goring down. It was not just Goring admitting he would still follow Hitler. The hanging of Streicher was accurate, as is Goring’s suicide. There is some belief that the hangman purposely put the Streicher’s noose so that he would not die immediately. Col. Burton Andrus (John Slattery) was a strict jailer, but the movie does not condemn him for gross negligence for not preventing the two suicides, especially Gorings since he clearly indicated he was not going to allow himself to be hanged.  

            The “adjustments” made to the facts are acceptable for a movie that is not meant to be a docudrama. The box office for a movie about Goring must have him smiling in Hell, but viewers do learn a good bit about the Nuremberg Trials. That is a good thing in today’s political landscape. Not that the movie is clearly commenting on that. It’s probably just a coincidence.