“Sword of Vengeance” is a film
by the esteemed Jim Weedon. It was
released in 2015 to less than universal acclaim. Instead of standing in the long lines at the
theater, you can now stream it on Netflix.
Thank God for Netflix! The movie
is historical fiction (heavy emphasis on the fiction) set in the time after the
Norman Conquest. William the Conqueror
has sent an army to northern England to carry out a campaign of “furious
destruction”. This is known as the
Harrowing. William’s most feared war
lord Earl Devant is responsible for killing 100,000 Saxons. Boy were his arms tired! He now rules with his sons Artus (Gianni
Giardinelli) and Romain (Edward Akrout).
They are both good boys. Just
kidding.
In an ominous development, the
movie goes to slo-mo in the first minute.
And an amputated hand within two minutes. A mysterious cloaked stranger called the
Shadow Walker (Stanley Weber) has an encounter with some lackeys with
predictable results. It’s very graphic,
naturally. Two men are dead before the
severed hand hits the ground. The Shadow
Walker then walks (slow motion) through the woods. There will be a lot of walking in this movie.
Artus and Romain don’t get
along. Artus is a bully. He sends Romain to bring back Shadow
Walker’s head. The encounter does not go well for Romain who
loses an eye. That’s better than the
heads three of his men lose. Shadow
Walker hooks up with a woman named Anna.
They have a slo-mo bonding scene.
This movie would be half as long without the slow motion. Artus begins a scorched earth program because
in the Middle Ages if someone offends you, the peasants have to pay. A blood spraying melee ensues and Artus is
captured. Romain arrives to negotiate,
but the Shadow Walker is not the talkative type. It looks like daddy will need to get
involved. Defensive preps montage. In slo-mo.
Bare-chested sword honing.
Flashback – it turns out Durand killed Shadow Walker’s father right in
front of him (is there any other way in movies like this?) Slo-mo sally from the fort. Durand has brought six berserkers with him
just so he can say “release Hell!”
Shadow Walker has to take on four baddies. Lucky for him, they nicely take him on one at
a time. These prelims lead to the main
bout with Durand. Clang and woosh go the
double swords and double axes. Post
script: the village is being
assaulted. This looks like a job for
Shadow Walker. Handing out weapons and
gearing up montage. They have plenty of
time because the enemy is coming in slo-mo.
“Sword of Vengeance” is
slow-moving. Get it? In fact, it would be better titled “The Slow
Walker”. It is poorly acted and the
characters are all cliché. The central
hero is a dud and so is the main hero.
The dialogue does not help the actors.
If you took a drink every time the Shadow Walker speaks, you’d have only
a slight buzz. If you drank every time
he said something intelligible, you’d be completely sober. There is a butch chick (Anna) who adds some
girl power. It would have been nice if
the director had added some color. The
film is close to being black and white.
Does it cost more to be more colorful?
There is a lot of blood splattering, but it’s drab. All the throat cuttings don’t redden the
screen much. Speaking of which, there is
not a lot of variety in the deaths.
Usually in a movie like this the director has a check list of various
decapitations and amputations. Weedon’s
list was not long. The fights are blah,
including the climactic duel. In other
words, the movie should have been entertainingly bad. Instead, it’s just bad.
No comments:
Post a Comment
Please fell free to comment. I would love to hear what you think and will respond.