“Devils on the Doorstep” is a Chinese
film co-written, directed, and produced by Jiang Wen. It premiered at Cannes and was awarded the Grand
Prix. This was quite an accomplishment
considering the Chinese Film Bureau did not want the film shown anywhere, much
less Cannes. The Chinese authorities
were upset with the depiction of the Chinese peasants. The movie was loosely based on the novel Survival
by You Fengwei. Jiang opted to film in
black and white to recall old time war movies.
The movie is set in a Chinese
village during the Sino-Japanese War in 1945.
The village is in Japanese occupied territory. A mysterious stranger drops off two prisoners
at the home of Ma Dasan (Jiang). Ma is
told to hold onto the two for a while and interrogate them. Ma goes to the village council and they argue
what to do. One of the council members
calls Ma a “turtle fucker”. They decide
to do as the stranger demanded. They
interrogate the two in a comic scene.
Hanaya (Kagawa Teruyuki) is a belligerent sergeant and Dong Hanchen
(Yuan Ding) is Chinese collaborator who interprets for the Japanese. During the questioning Hanaya tries to
provoke the villagers into killing him, but Dong translates what he says into
pleasantries. Dong tells them that “Japs
sound the same whether they’re happy or angry.”
The stranger does not show up and after six months the council orders Ma
to kill the prisoners. He hides them
instead. Eventually a hired beheader is
brought in named One Stroke Liu who used to be an ace executioner. He promises that the heads will roll nine
times, blink thrice, and smile. In a
Keystone Cops scene, he botches the job.
Ma then proposes to exchange the men for some grain. The Japanese agree to the deal and this leads
to a celebration with the Japanese garrison partying with the villagers. It ends in an atrocity as the movie turns
from black comedy to just black.
Jiang has made an entertaining
movie. The cinematography uses a variety
of shots which adds to the fun of viewing it. The acting is fine, especially Jiang. However, a lot of the acting is of the
Oriental screaming style. There are some
funny moments, but it does have a tendency to be on the silly side. And yet, the atrocity scene is jarring. The movie can give you whiplash.
I don’t normally side with the
Chinese Film Bureau, but I think they may have been right about this film. The fact that it was made in black and white led
me to believe it would be a propaganda piece.
It certainly is not. It has the
look of a Soviet film like “The Cranes Are Flying”, but even in the Khrushchev
thaw, you did not see movies that made fun of the Soviet people during the
Great Patriotic War. “Devils at the
Doorstep” portrays Chinese peasants as stupid, naïve, and cowards. They befriend Hanaya and can’t bring
themselves to kill him. It does not give
a realistic impression of how hard the occupation must have been for Chinese
villagers. Until the atrocity, the
Japanese are not demonized. They give
candy to the kids. They honor the deal
for the prisoners.
In spite of the caveats, “Devils
on the Doorstep” is a must see for foreign war movie lovers. It is certainly unique and entertaining.
GRADE
= B
I disagree with your assessment in the second last paragraph. As an ethnic Chinese, I have seen quite a few Chinese war films and far too many of them portray the Chinese as altruistic heroes and the Japanese as uniformly evil. This film provides contrast and stands out from other Chinese films by showing a much more honest portrayal of the nature of the Chinese people. I really can't fault this film for not portraying every single Japanese soldier as ones who committed the atrocities. Neither can I fault it for portraying peasants, who had no experience with violence, as people who cannot bring themselves to do what they've never done before.
ReplyDeleteIn a way, this film is self-criticism. It shows the Chinese peoples' willingness to bend to authority, which is still evident today. This film is an abundance of social commentary that is only visible to the Chinese or those who have spent a lot of time in Chinese cultures. It is also why I can understand your dismissal of the quality of this movie.