“The
317th Platoon” is a French film set in the First Indochina War. It is based on a novel by the director Pierre
Schoendoerffer. He was a war cameraman
with the French army at Dien Bien Phu.
He won the best screenplay award at Cannes. Two years later, he directed the documentary
“The Anderson Platoon” which was the Best Documentary Feature at the Academy
Awards.
The
film takes place in May, 1954. A French
platoon, with Laotian allies, is ordered to abandon its position and withdraw
to a base miles away. They are naïve
about the trek as evidenced by their taking a refrigerator with them. In a great action scene, they ambush a
Vietminh supply convoy that is using bikes.
Afterwards, they check a wounded soldier to see if he is pissing blood. It’s little details like this that set the
movie apart from the more big budget Vietnam War movies. The convoy was a juicy target, but the ambush
is a big mistake because now the unit is being chased. The leader is Lt. Torrens (Jacques
Perrin). He believes in obeying the
rules of war. However, he is superseded
by the arriving Adjutant Willsdorf (Bruno Cremer). Willsdorf is a fascinating character. He is a veteran from the German army in
WWII. He is a survivor who has seen
defeat and feels that in a guerrilla war, there are no rules. “In war, you must make sure your goals are
worth the losses. Otherwise you will
lose.” From this point on, the movie is
a lost patrol movie. Few of these men
will survive the journey. As Willsdorf
says: “This is not a stroll.” It sure ain’t.
“The
317th Platoon” is a classic that is hard to find, but its worth the
effort. It has been compared to “The Battle of Algiers” because of its documentary feel. It also has a cast of mostly
nonprofessionals, although Perrin and Cremer are acclaimed in France. The cast is excellent with no
scene-chewing. The movie is dominated by
the Torrens/Willsdorf dynamic. Each
represents a different take on the war.
They remind me a bit of Elias/Barnes in “Platoon”. Torrens reflects the American view of
fighting in Vietnam (at least in the early years) and Willsdorf represents the
French view circa Dien Bien Phu.
Willsdorf plants a grenade under a body while Torrens sniffs. Torrens will risk lives to save the wounded,
Willsdorf goes back to salvage a machine gun, but leaves the wounded
behind. After a bloody ambush, Torrens
is disgusted, to which Willsdorf responds:
“No, it’s not disgusting. It’s
war”. I have to admit that although I
don’t necessarily agree with him, Willsdorf is one of my favorite war movie
characters.
Another
movie it reminds of is “84 Charlie Mopic”.
The cinematography is intimate, for the most part. An ambush at a waterfall is filmed by a
stationary camera at the top of the waterfall.
There is no music, but outstanding sound effects. In fact, the soundtrack is used
sparingly. The movie puts you with the
unit. There are lots of close-ups. You get a feel for the last days of a losing
effort. This is war without the
frills. Thus, it is realistic. The soldiers are just doing their jobs. A great war movie gets us to empathize with
the men without having to undergo the hardships they went through. The soldiers of the platoon know fear,
bravado, stress, dissension, and exhaustion.
Few movies have done a better job of showing the effects of exhaustion
on soldiers. Torrens makes mistakes due
to tiredness. Mistakes even a good
commander might make. The enemy are not
demonized and are faceless. It is
implied they commit atrocities, but the movie concentrates on the way the war
has corrupted the French.
“The
317th Platoon” should have been required viewing at the Pentagon
when it came out. Since many of our
leaders did not bother to read about the French experience in Vietnam, perhaps
they would have sat down and watched a movie about it. Just as they should have watched “The Battle
of Algiers”. You should watch it
too. It is one of the best Vietnam War
movies. Pair it up with “The Anderson
Platoon” and then watch “Go Tell the Spartans”.
Your cinematic tutorial on the war has begun.
GRADE
= A
Historian Antony Beevor's favorite war film
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