Today is the anniversary of the start of Operation Dynamo (the British evacuation from Dunkirk) on May 26, 1940.
Dunkirk has been covered in two significant movies (I put
the word “significant” in so I don’t have to hear anyone piping up about some
obscure movie no one cares about. The 1958 movie is a standard war movie following a squad that makes it to the beach
and British civilians that cross the Channel to rescue soldiers. The Christopher Nolan 2017 movie that
daringly took a three part time frame to cover the soldiers, the small boats
and the RAF. We also have “Darkest Hour” which covers the time period when Churchill became Prime Minister and had
to deal with the crisis. If you watch
all three, you will get a decent feel for the history of Operation Dynamo, but
it won’t replace reading a good history of Dunkirk. If you say “to hell with reading”, I have an
alternative for you. In 2004, the BBC
made a docudrama about it. It falls
under the heading of edutainment.
The 3 hour
series covers Dunkirk day-to-day. There
is a little background on the Nazi blitzkrieg through France, but it then
concentrates on the soldiers, the little ships, and Churchill. The various characters are all real people
and the scenes are based on first-hand accounts. The series makes good use of archival
footage, including color footage. But
most of the series is actors reenacting the evacuation and the military and
political actions. These scenes are of
the quality of a movie and make use of a good cast of recognizable British
actors. For instance, Benedict
Cumberbatch plays an officer in command of a rearguard unit. It was one of his first acting roles and you can
see his potential. “Band of Brothers”
fans will recognize Rick Warden (Lt. Harry Welch) as a doctor dealing with the
casualties. Simon Beale is good as
Churchill. The series does a great job
covering Churchill’s conflict with Lord Halifax over whether to negotiate or
not.
For a
television series, the combat is quite good.
It doesn’t look like a low budget production. The series focuses on several small
units. One is a group that is retreating
and surrenders despite orders to fight to the last. The series is not afraid to show some warts. The captives are put in a shack and grenades
are thrown in. The two Dunkirk movies
did not show German war crimes, so kudos for going there. There is a scene where British soldiers
trying to avoid fighting to the death are shot by officers as they attempt to
get out of the trap. Another unit does
put up a last ditch stand and gets wiped out.
Cumberbatch’s unit is one of the ones left to hold the line to the
end. At one point, they use a machine
gun against advancing Germans. Later,
the Germans return with civilians to shield them. Cumberbatch’s character uses a rifle to pick
off the Germans, but it just postpones the inevitable. Rick Warden’s doctor is one of the medical
personnel that draw the short straws to stay with the wounded and go into
captivity with them. There are some
graphic surgeries that are shown. The
series is not for the squeamish.
“Dunkirk” eschews the standard talking heads combined with footage format of most documentaries. Clearly, many of the characters were interviewed, but their reminiscences are used for the screenplay and actors portray their experiences. The dialogue is excellent. The soldiers talk like soldiers and then we have the actual words spoken by Churchill. The production did not skimp on uniforms and weapons. Obviously, they did not want to hear from veterans and WWII buffs. The blending of footage is well done. Footage is used effectively to show the German air attacks by Stukas. I found this better than the clearly fake models used in “Battle of Britain”.
I was
surprised how good the series is. I
almost sent the Netflix DVD back, thinking I had better things to spend three
hours on. I am glad I watched it. I
should not have been surprised at its quality because I have used similar BBC
docudramas in my Western Civ classes.
“Colosseum” is excellent on gladiators and “Pompeii: The Last Day” uses actors to show various
people caught in the ill-fated city.
These kind of productions bridge the gap between documentaries and
movies. They are entertaining and
educational. You certainly will learn
more about Dunkirk than you will from the various movies.
GRADE = A
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