“The Land
That Time Forgot” was based on Edgar Rice Burroughs’ novel of 1918. It was produced by Amicus Productions which
was a competitor of Hammer Films. One
difference is Amicus tended to set its films in the present day as opposed to
the gothic world of Hammer movies.
Amicus was most famous for its portmanteau horror films (several short
films with a single theme), but it did some science fiction films, including
several based on Burroughs books. One
was a sequel to this - “The People That
Time Forgot” (1977). “Land” was directed
by Kevin Conner. He also helmed the
sequel and “At the Earth’s Core”. The
movie did surprisingly well at the box office, but was not a hit with critics.
The movie
opens with a message being thrown in the ocean and then we flashback to
1916. A German u-boat sinks an American
ship. The movie makes a point to specify
that the ship is American. Bowen Tyler
(Doug McClure) and Lisa (Susan Penhaligon) are in a lifeboat. They link up with a boat carrying several
crewmen who also survived. Before anyone
can even dream of eating raw sea gull, up pops the sub. Conveniently, none of the submariners bother
to come on deck until Tyler leads his men onto the conning tower. They take over the ship in a nifty action
scene. The Germans manage to sabotage
the radio, but any attempts to bamboozle these Americans will be fruitless
because it just so happens Tyler’s family built it! Tyler’s acumen allows him to sink a German
supply ship (actually a model through a periscope). They head for a friendly port in a temperate
zone, so why the ice bergs? And what’s
that uncharted land mass? The u-boat
captain (John McEnery) recalls the story of an explorer who discovered a continent
he called Caprona. They have no choice
but to come ashore, even though the terra incognita is distinctly hostile. Hostile as in populated by dinosaurs and
primitive humans. They have to battle
and kill a plesiosaur which begins the whittling down of the men (no need to
worry about Lisa). The Americans and the
Germans agree to work together to survive.
And refine Caprona’s oil for fuel. They will be aided by a collaborating cave man
named Ahm (Bobby Parr) and helped by the fact that guns can kill dinosaurs and
the natives. It may not be a war movie,
but it certainly has a lost patrol feel to it.
The
Burroughs’ estate had power over the script, so it had approval of the finished
product. Apparently, his descendants
cared more about the story than the effects.
The movie used puppets and stop motion for the dinosaurs. They look pretty cool … until they move. (Whoever decided to include pterodactyls
should have been stranded on an uncharted continent.) And God forbid the dinosaurs appear in the
same shot as the actors. The movie did
not aim for camp, but the fights with the monsters cross the border. As inferior as the dinosaur effects are, the
movie could have used more dino action.
The man-on-dino action is certainly preferable to the fisticuffs. Not that the actors deserved to be
eaten. The cast is fairly decent and
keeps a straight face. And nice
hair. Panhaligon is lovely and McClure
is manly and imperturbable. It’s like he
knows the man-eaters are fake. Compared
to other pulpy stories, the implausibilities are kept below average. Don’t spend too much time thinking about the
oil-refining. But you might want to
wonder why after encountering the plesiosaur, they settle down to eat some dino
steaks and no one seems amazed about what they have been through that day!
As far as
whether the estate got a decent treatment, the script is fairly good in lieu of
Cliff Notes. The framing device of the
message in the thermos is from the book.
The characters are basically the same with Burroughs getting the blame
for having Tyler being a u-boat savant.
The romance between Tyler and Lys takes center stage in the book and
it’s a rocky road. Lys is more of the
classic damsel in distress and Tyler is her knight in shining armor. Surprisingly, for a Saturday matinee creature
feature aimed at kids, the movie scraps Tyler’s dog Nobs. The Germans are more vile in the book,
reflecting the 1918 publishing date. The
u-boat shells women and children, for instance.
Given the target audience, the screenwriters dilute Burroughs’
mumbo-jumbo about the evolutionary cycles that are taking place on
Caprona. Apparently, Ahm is in the least
developed tribe, but during his lifetime he will go through stages that lead to
being a Galu. There aren’t just
dinosaurs in the book as there are animals all along the evolutionary
scale. The book is better literature
than the movie is film-making. However,
the movie has the benefit of providing closure.
It may be predictable, but at least we find out what happens to all the
characters and the sub.
GRADE = C
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