Young Washington (2026)

            “Young Washington” is the new biopic of George Washington’s early military career focusing on his role in the French and Indian War. The film comes from Angel Studios which has become known for films that have a tinge of religion to them. Its movies are “values-based”. It was co-written, produced and directed by Jon Erwin. I taught American History for decades and most of those years my American History course covered from after the Civil War to recent American History. When the change was made to just covering post-Civil War, I decided I could not teach an American History course without covering the most important American. So, I started my course with a unit on George Washington. My students knew more about George Washington than 90% of the people in our city. It seems trite to call him the “Father of Our Country”, but it certainly fits. The movie has a couple of instances where the young Washington could have died, which will hopefully cause viewers to contemplate how lucky America was that this “indispensable man” was not killed before the Revolution.

            The movie opens with a taste of the Battle of Monongahela which basically tells the audience to stick around for Washington (William Franklyn-Miller), the action hero. It then flashes back to the 11-year-old George mourning his father’s death. He is forced to forgo a formal education because he is now the man of the plantation. His half-brother Lawrence (John Foss) becomes his mentor. George is determined to become a British officer. The film hammers the fact that Washington’s social status will make that impossible. He flirts with Sally (Mia Rodgers), but she is a rung above, so it is doomed. Thomas Fairfax (Kelsey Grammer) hires George to survey his lands. He has his first brush with death. Then Governor Dinwiddie (Ben Kingsley) sends him off into the wilderness to tell the French to cease and desist their fort-building. This is British land. (George does not argue in favor of the Indians.) This leads to an incident that starts the French and Indian War. It should have ended Washington’s career, but he seeks redemption by volunteering to serve as an aide to Gen. Braddock (Andy Sirkis). His attempt to share his hard-won experiences in the new Indian style of warfare falls on snooty British ears. The Washington we know was born in the debacle of the Battle of the Monongahela which closes the movie.

            Lets get the most important stuff out of the way first. Is it an historical atrocity similar to “The Patriot”? No, but I would not show it in class. Franklyn-Miller portrays Washington as an ambitious young man whose career is not always upward. He occasionally gives a glimpse of Washington’s temper. He has a tendency to speak in platitudes and is “value-based”. Young Washington is debonair and adventuresome, not  the imposing, stoical older Washington. One recurring theme is “a pawn can take a king” which is cringe-worthy since Washington was more of a knight on the chessboard. His lower-class status is exaggerated, but the important point the movie makes is colonial soldiers were looked down on by the pompous British. The movie makes no connection to Washington’s later espousal of independence.  

Until the final act, I found myself hoping “Young Washington” will be the first of a few films covering Washington’s life. And then came the last act which was so silly, my enthusiasm waned. Until then, the coverage of Washington’s career was acceptably improved for entertainment purposes. However, the Battle of Monongahela is laughable. Washington makes three rides through the battlefield and one run (in slo-mo, of course). He leads a charge. He saves his men. He is targeted by Indian sharpshooters, but miraculously survives. As usual, the silliest thing in a historical war movie turns out to have some validity. That is if you consider Parson Weems to be a valid historian. 

The film is not low budget. We get a Fort Necessity that is actually a big improvement on the real one. The sets and costumes are appropriate for the period and we get some dancing which is accurately amusing. The dance choreography is matched by the combat scenes which feature the volley fire to make the reenactors happy and a melee to make the stuntmen happy. And the audience, too. Or so the studio assumes. It is willing to overlook the laughter from real war movie lovers.               

“Young Washington” is not a bad movie. It will be criticized because Angel Studios supposedly has a conservative, religious agenda. I found that it did not force that on the audience. It does have some religious references, but they are relatively subtle. It did not strike me as being propaganda. Although it obviously is meant to tap into the patriotism of the 250^th Anniversary, it does not avoid mistakes Washington made. However, the last act overwhelms the “nobody’s perfect” vibe. The movie actually spends more time convincing us the British officers were asses than that Washington was a hero. British arrogance oozes from the screen. We got independence from that! 

By the way, if you are interested in a more accurate portrayal of Washington’s early years, you can watch Netflix’s docudrama on Washington which includes historians discussing his life and actors reenacting key moments. The battle scenes are actually more realistic than those of the movie. 

GRADE =  C 

HISTORICAL ACCURACY:  Washington’s childhood in the movie emphasizes his being deprived a formal education in England, but implies he was self-taught by reading classics when in reality he did attend school. The role Lawrence plays as a pseudo-father is realistic. The movie does a good job introducing Americans to this key figure in his life. His flirtation with Sally is overblown as it did not reach the “I wish I could marry who I want to marry” stage. The surveying section is truthy, including his surviving a dunking in a freezing river. In a typical example of historical license, Washington’s life is not saved by his companion Christopher Gist because that would not fit the legend. There was a Native American called the Half-King that Washington had run-ins with. This gives the film the chance to imply the British were better for the Indians than the French, which was the opposite of the truth. The Jumonville Affair softens Washington’s role. In the movie, it seems the fight began with an unknown person firing the first shot, although it implies it is the Half-King or one of his men. In actuality, Washington gave the order to fire. The movie gets Washington’s loss of control of his men right. Jumonville was not the officer that Washington had dinner with in the French fort. The movie rightly assigns the blame for the “assassination” of Jumonville on Washington. He manfully accepts it whereas in real life he dodged the blame and made the excuse that the translator messed up. The section on Fort Necessity is well-done as far as the mistakes Washington made. The screenwriters deserve some credit for not omitting that. His location of the fort was indeed stupid. The battle is the first inkling that the combat in the movie is going to be enhanced. In reality, it was very one-sided, but at least the defeat is humiliating. One theme the movie presents, although probably not on purpose, is the British were very forgiving considering Washington started a war and then got his ass whipped. 

Gen. Braddock does not toss him out of his office when he offers to help him on his expedition. In fact, Braddock invited Washington by letter to join the expedition. The movie does not make it clear that Braddock’s army was slowly and painfully creating a road to the French Fort Duquesne. The movie is accurate in depicting Washington suffering from an ailment (it was dysentery and hemorrhoids), but he was not bedridden when the battle began. (He was riding his horse while sitting on a cushion.) The climactic Battle of  the Monongahela is where the historical license goes off the rails. The movie treats the battle as though there were two parts – an ambush of the main column in the woods and a separate engagement of the Virginia militia in a field. This gives Washington the chance to experience the chaos of the ambush and then lead his men to victory over their adversaries. In reality, Washington organized the rear guard for the retreat.  Washington did survive with bullet holes in his coat and hat. His bravery in the battle was true. However, it was the bravery of a man exposing himself to enemy fire while rallying the troops. It was not the bravery of a man leading charges. Braddock did put him in charge and Washington did step up under very difficult circumstances. The movie leaves the impression that Washington prevented the battle from being a disaster when it actually was. The movie is weak in the aftermath of the battle. It does not do a good job portraying how Washington came out of the battle famous as the best colonial soldier in the colonies. He was lauded for his leadership, not his fighting ability. Surprisingly, the movie does not have Washington ascribing his survival to divine providence, which is the way he explained it.