CRACKER? Tropic
Thunder (2008)
This is my 400th post. It sort of snuck up on me so I had to think
quick about what special movie I wanted to do.
It seems not that long ago I chose “300” for my 300th. Unfortunately, there was no movie with the
number 400 in its title. So I decided to
go with my favorite war comedy.
“Tropic Thunder”
is an action comedy produced, directed, co-written, and co-starring Ben
Stiller. Stiller was inspired by his bit
role in “Empire of the Sun” and spent many years developing the script. Originally the idea was to spoof actors who
attend the actor boot camps to prepare for roles as soldiers. The idea was to have the actors suffer from
PTSD after their experience. That is a
funny idea. As it turns out, the
original idea evolved into a satire of war movies, prima donna actors, and
movie productions. Stiller and co-writers Justin Theroux and Eton Cohen decided
to construct the script around a movie within a movie concept. The movie was a big box office success and
was similar to Stiller’s “Dodge Ball” in its unexpected success. It was well-reviewed, but there was some
offense taken with the “Simple Jack” retard subplot and the casting of a white
man as a black soldier. The movie was
also daringly R-rated for a summer comedy.
This was solely for language which can be quite raunchy, although a gratuitous shot of nudie pictures
was thrown in apparently to seal the deal.
The violence is cartoonish – just like most recent war movies.
The
movie famously begins with fake trailers to introduce the four main
actors. Tugg Speedman (Ben Stiller) is a
fading action star like an Arnold Schwarzenegger. Jeff Portnoy (Jack Black) is an Eddie
Murphyesque physical comedian who is making millions off fart jokes. Kirk Lazarus (Robert Downey, Jr.) is an Oscar
winning method actor who really gets into his characters. Alpa Cino (Brandon Jackson) is a rapper turned movie star who is mainly interested in product placement for his energy drink called "Bootie Sweat". They are filming the story of American hero
“Four Leaf” Taylor (Nick Nolte) who was rescued from a prison camp in Vietnam
and wrote a book called “Tropic Thunder”.
The movie opens with a gonzo battle scene that would be awesome in a
real war movie. Midway through the
mayhem a soldier takes a bullet in the head and the geyser of blood is the
first hint that this is going to be a no holds barred spoof of war films. This scene includes the first of the Vietnam
War movie parodies. I’ll list those in a
bit. It is, in my opinion, the funniest
scene in war movie comedy history.
Brooklyn, Motown, Four Leaf, Osiris, Fats, and the director |
So
we now know the movie is going to make fun of war movies, but it also becomes
apparent it will make fun of actors and movie-making as well. The movie within the movie is being directed
by a novice Brit named Cockburn (Steve Coogan).
This movie is not subtle. He is
freaking out in having to deal with his flaky cast and the production is way behind
schedule and way over budget. The
producer Les Grossman (Tom Cruise) threatens to shut down the production, so
Cockburn decides to take Tayback’s advice to make a guerrilla movie by dropping
the cast into “the shit” and getting them to improv the scenes while moving
through the jungle. The five leads are
dropped into the Golden Triangle of the heroin trade and quickly get the
attention of a drug gang called Flaming Dragon.
The actors (except Lazurus) assume this is part of the movie. When Speedman gets captured and taken to the
gang’s camp, the others attempt a rescue.
tastes like blood flavored corn syrup |
“Tropic
Thunder” won my March Madness 2012 tournament to determine the best war comedy
so obviously I like this movie. It is
the perfect war comedy in my opinion because it makes fun of war movies and the
making of war movies. It is funny on its
own, but if you are a war movie buff (especially Vietnam War movies), it is
hilarious. It is clear that the writers
have seen some key Vietnam War movies and have lovingly poked fun at them. Here are the references that I picked up:
1.
The opening chopper ingress is similar to that
of “We Were Soldiers”, but choppers navigating through dense jungle foliage and
hilly terrain is pretty standard.
2.
The combat scene has Speedman
reenacting the Elias death scene from “Platoon”.
3.
In that scene, Sgt. Lincoln Osiris
(Downey) uses the line “Ain’t nothin’ but a thang”. This is an obvious reference to “It don't mean nothing, man. Not a thing” from "Hamburger Hill".
4. The opening combat scene closes with a napalming nod to "Apocalypse Now"
5.
At the party to celebrate
one week of filming, there are dancers like the Playboy bunnies of “Apocalypse
Now”
6.
When they land in the
jungle for the guerrilla filming, there is the tail of a downed plane like in
AN
7.
The panda scene is a take-off of the
tiger scene from AN
8.
Osiris is a saucier in an homage to
Chef in AN
9.
Speedman gets tortured similar to
Rambo is “First Blood II”
10.
The water buffalo from AN has a cameo
11.
Motown (Brandon Jackson) and Sandusky
(Jay Barachel) infiltrate the camp like Willard in AN
12.
Speedman channels Brando’s Kurtz
13.
Tayback does his version of flame-throwing
like DeNiro in “The Deer Hunter”
14.
The aftermath of the RPG targeting of
the truck has a “Saving Private Ryan” sensory deprivation homage
15.
The bridge explosion is reminiscent of
“Bridge on the River Kwai”
Did I miss anything?
The
movie does more than mock famous scenes.
Some of it is more subtle, like the inclusion of a character named
Brooklyn (Sandusky) to poke fun at the presense of someone from Brooklyn in virtually every small unit movie and another named Motown (“Hamburger Hill” has a character
by that name). There are some funny
references to the fact that only Sandusky went to the boot camp. The movie also makes fun of the faux soldier
lingo that is put in clueless actors’ mouths in most war movies. Speedman says “load and lock”, for instance. Here are my two favorites from “Fats”
(Black):
“If our asses don’t get fragged in this valley, first thing I’m
doing is paying my two bucks so I can watch Brooklyn bust his cherry on a sweet
little mama-san’s dinky down poon-tang”.
“Listen,
you cherry fuck, you call in that snake n’ nape and get us some boom-boom now!”
The acting is very strong. It shows you what kind of director Stiller is
to see how he allows his cast to outshine him.
I guess this balanced his tough directing style. Downey is absolutely brilliant and deserved
his Supporting Actor Oscar nomination (he lost to Heath Ledger). His character Kirk Lazarus undergoes a
“pigmentation alteration” to play a black man.
This was slightly controversial, but the ultimate way to lampoon method
actors like Russell Crowe. He also stays
in character throughout (in fact all the way through the DVD commentary – which
is hilarious, by the way). One reason
the movie rewards repeat viewings is to catch his facial expressions. The real revelation is Tom Cruise. He earned back a lot of good will due to his
very game performance. He even developed
the character, including the look and the dancing. Nick Nolte also deserves special mention. He is perfect as the real Tayback. I haven’t even mentioned Matthew McConaughey
as Speedman’s agent. There are no false
notes from any of the performers.
The movie is well-made as it should be
for a $90 million comedy. Kudos for the
studio putting that amount of money in a risky project. The Hawaiian locations are lush and
appropriately jungley. The
cinematography by John Toll is excellent.
The sound-track has some great choices to remind of Vietnam and push the
story. Any movie with “Sympathy for the
Devil” is on the right track. The score
joins in the mocking of action films.
The special effects are noteworthy with the opening scene coming off as
a modern war combat film. There is the
massive napalm explosion and assorted other explosions courtesy of the
pyrotechnical Cody Underwood (Danny McBride). Obviously aimed at pleasing the people who are
unaware that they have wandered into a comedy.
Speaking of which, the movie does a great job blending comedy and
action. Keep in mind that only one
character dies in the movie (and it is one of the most unexpected deaths that
you will see).
Damn, that dude can act! |
For this review, I watched the
director’s cut (which has 14 more minutes) and two commentary tracks. I was still laughing the third go-around. Incidentally, the extended cut is better than
the theatrical version. Most of the
restored cuts were edited because of time constraints and the longer version
fleshes out the characters and includes some funny stuff that did not deserve
the cutting room floor. This is worth
mentioning because the theatrical version is the funniest war movie comedy
ever. Keep in mind that this is the
opinion of a war movie lover who does not mind hearing a guy tied to a tree
offer to perform oral sex to be set free.
Not everyone will find that sort of thing funny.
Bonus line: Osiris – “What would have happened in ‘The
Great Escape’ if Steve McQueen and those dudes had turned tail and ran?”
GRADE = A+
the trailer
Yep, a brilliant, hilarious movie filled with awesome lines.
ReplyDelete"I don't read scripts, scripts read me!"
I think whether you like this movie or not tells a lot about your sense of humor.
ReplyDeleteCongrats on your 400th post!
ReplyDeleteThanks. I find the number hard to believe. And when I think of how many movies I still want to review it becomes apparent that there are a lot of war movies!
DeleteI don't know if this counts as a reference, or was even intentional, but the scene where the actors are deciding whether the obviously fake body parts are movie props or actual human remains reminded me of all of the times in war movies when we viewers are asked to accept an unrealistic special effect (often, indeed, involving dead bodies) for what it is supposed to represent in order to allow the story to move along.
ReplyDeleteGood point. You make me think of the obvious dummy flying through the windshield when the car crashes in Where Eagles Dare.
DeleteThere are other small bits of dialog that reference other films, like the map-reading, "We're here, and we're supposed to be . . . here", from Full Metal Jacket, and, "When the machine breaks down, we break down", from Platoon.
ReplyDelete