Once
upon a time in Western cinema, there was a little Italian movie that had been
buried and forgotten. Then along came a
famous director who had fond memories of it and was inspired to make a movie of
the same title (sort of). This highly
renowned director urged people to get their shovels out and enlighten
themselves. It turns out the shovels
would serve double duty (dooty). The
undead movie is entitled “The Inglorious Bastards” and was directed by Enzo
Castellan. It is now probably the most
famous example of a subgenre called “macaroni combat”. Macaroni combat films first appeared in the
mid-60s. These movies were Italian
made. They were characterized by low
budgets and over the top violence. Many
of them starred a has-been American actor.
Another characteristic is they all were greatly improved if viewed while
ingesting copious quantities of alcohol and in the company of male friends who
were not missing a Mensa meeting.
The
movie is set in France in 1944. A group
of misfits are being transferred to a military stockade when a fortuitous
strafing allows them to escape. One of them
tells an MP “arrivederci” and the subtitle tells the target audience that this
means “see you later”. Here are our
dirty five:
1. Nick (Michael Pergolini) - the Italian thief in charge of comic relief
2. Berle
(Jackie Basehart) - the cowardly
deserter in need of redemption
3. Endfield
(Fred Williamson) - the black justifiable murderer
4. Tony
(Peter Hooten) - the wiseass mutineer
who is a racist
5. Yeager
(Bo Svenson) - the fighter jock who refused to kill
civilians
Yeager assumes
leadership of the motley crew and they head for Switzerland. On the way they add a
German deserter misfit. Along the way they get to kill a bunch of
Nazis with blazing machine guns (no rifles for these guys). And we get to see an encounter with some
German nurses who are bathing nude in a stream.
This movie has everything a macaroni movie male could ask for. In one of their firefights they accidentally
kill (no one gets wounded in this movie) an American commando team. The team was on a mission to steal a
gyroscope for the V-2 prototype from an armored train. Col. Buckner (the vaguely recognizable Ian
Bannen) needs a new team for his suicide mission. Where can he find five guys willing to risk
their lives in order to expend a lot of ordinance? Buckner and Yeager disguise themselves as
rocket scientists (ironic right?) to accomplish the mission and change the
course of the war, naturally. "Can you believe this piece of crap is going to inspire a future auteur?" |
If
Quentin Tarantino ever invites you to an Italian restaurant and suggests you
try some exotic dish, think twice. Just
because a hipster recommends something that he remembers fondly from his
childhood does not mean it’s guaranteed to be good. It should be noted that as much as Tarantino
loved the movie, his “remake” has absolutely nothing in common with the original. Thank God for that! There are no redeeming features to
Castellan’s movie. Other than the naked
ladies. The acting is horrible, but
Svenson (who appears in the “Nation’s Pride” movie within a movie in
“Inglourious Basterds”) is suave and appears to be enjoying the pay check, but the
rest of the cast is so bad that they make Svenson seem like Brad Pitt. Williamson makes Jim Brown look like a
thespian. That, by the way, is a very
appropriate analogy since the character was plagiarized from "The Dirty Dozen".. His character's name
is Fred which means they did not want to make things too confusing for the ex-football player. (The movie was
recut as a blaxploitation flick called “G.I. Bro” with Williamson’s character
bumped up to leading man. The tag line became:
“If you’re a Kraut, he’ll take you out.”) Two of the misfits (Tony and Nick) are
grating and I hated them (partly because the actors are abysmal). The loathsome Tony even gets a romantic
subplot! And Nick is put in Steve
McQueen’s motorcycle-riding shoes with vomit-inducing results.
The
movie is camp wannabe. It does have some
of the worst deaths of any war movie I have ever seen. People don’t think about how important it is
that the extras die competently. I
laughed out loud several times. Just as
movies sometimes have a boot camp to help the actors to realistically portray
soldiers, there needs to be training on how to flop. Otherwise your movie ends up looking like a
low budget, badly dubbed Italian macaroni combat movie. Speaking of deaths, quantity does not make up
for quality although there certainly are a lot of them in this movie. Needless to say the dialogue is trite and the
plot is full of clichés. Believe it or
not, it took five writers to work out the script (and rumor has it that
Williamson helped!). It still could have
been a fun movie like “The Secret Invasion”, but it isn’t. In fact, it is f'n terrible! Hey Tarantino, remember that cool dead skunk
you saw on the road when you were a teenager?
Keep it to yourself.
GRADE = F-
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