“Flying
Leathernecks” is a John Wayne movie directed by Nicholas Ray (“Bitter
Victory”). The movie got a lot of
cooperation from the Marine Corps, which was the branch that did the best job
of cozying up to Hollywood after WWII. Not only did
it allow the movie to be filmed at Camp Pendleton, but it flew down fighters to
provide aerial footage. The Marines
knew that in the post-WWII funding battles, public adulation would come in
handy. The movie opens with the credits
backed by the “Marine Corps Hymn”. The
movie is dedicated to the USMC and Marine Corps aviation.
Wayne
plays Maj. Kirby who is the new commander of VMF 247. He interrupts a party for the assumed
promotion of the current exec Capt. Griffin (Robert Ryan). Awkward!
(Same situation that Burt Lancaster was put in in “Run Silent, Run
Deep”.) You don’t have to be on a
submarine to have command dysfunction.
Not only has Griffin reason to be pissed, but he disagrees with Kirby’s
tough love philosophy with the boys.
(Similar situation to “Twelve O’Clock High”.)
The squadron is
posted to Guadalcanal during the darkest days of the campaign. The “Cactus Air Force” is taking losses and
morale is low. Kirby has an idea of how to
turn things around – close air support.
This new tactic is enacted without any training or even discussion. The fighter pilots are not thrilled with
strafing anddive bombing, but Kirby discourages them from engaging in dog fights. When one disobeys orders and gets himself
shot down, Kirby insists the ace-wannabes go look at the body. Meanwhile the empathetic “’Griff” is seething
over Kirby’s treatment of the boys. This
is brought to a head when a pilot incapacitated by malaria is forced to fly and
is lost. Kirby responds to Griffin’s
criticism with an epic reaming for being too caring.
"Extreme dysentery is no excuse for not flying" |
"Give the guy a break, we're out of Charmins" |
The new tactic is
effective and Kirby is sent stateside to promote ground support. Get ready to gag as he spends some time with
his wife and child. This registers
higher on the vomit meter than the earlier record from home. Kirby is assigned a new squadron to train in
his tactic and guess who his exec is!
Griff has learned his lesson and is now just as much of an asshole as
his mentor. He proves this when they are
sent to Okinawa and Griff declines to go to the aid of his brother-in-law who
is having engine trouble. He is finally
ready to take command and carry on.
There is a little
factual basis for the movie. Kirby is
based on Maj. John L. Smith who commanded VHF-223 on Guadalcanal. He shot down 19 Japanese planes to become one
of the leading aces in the Marine Corps in WWII. You don’t shoot down that many while
concentrating on ground support, so that part was apparently made up. Possibly because when the movie was being
made, Marine aviation was performing a mainly ground support role in
Korea. In actuality, Smith’s tactic was
to pounce on Japanese bomber formations from high above, passing through the
formation, then racing home if there were any Zero escorts. That practical, yet unsporting, tactic
probably did not go over well with the real flyboys either.
"I stole this from a future squadron. It will convert our Wildcats into Hellcats." |
The movie is
average Wayne. He plays himself, of
course. Anyone expecting him to have a
nervous breakdown like Gregory Peck in “Twelve O’clock High” does not know
Wayne movies. Ryan holds his own in a
role different from his usual war movie characters. He’s usually the Kirby. The director wanted an actor that could take
Wayne in a fight. The supporting cast is
familiar faces, but there is little character development. This is not a small unit movie. Comic relief is provided by the scrounging,
crusty crew chief Sgt. Clancy (Jay Flippen).
There is no humor between Kirby and Griffin.
The plot is
standard. The maverick with new ideas
comes in over the head of the traditional, more popular leader. They butt heads until the traditionalist
learns that the new ideas are war-winning and tough discipline is the key to
success in battle. The problem is the
character arc of Griffin is shaky. He
starts off surprisingly accommodating even though humiliatingly jilted from his
dream job. When Kirby is transferred,
their relationship has hit rock bottom, yet he is happy to become his exec
again. This makes no sense. The lame romantic subplot of Kirby’s family
was apparently geared toward getting a female onto the poster. The dialogue is boring, but not laughable. The music is typical for a movie of its ilk.
"Tell us the story of the time you made that guy with bad malaria fly a mission that killed him" |
The one big
selling point for the movie is the aerial combat. There is plenty of action. This was the first movie to use color gun
footage. And they used a lot of it. The footage fits the scenarios nicely, but if
you have an eye for this sort of thing you’ll notice that there is too much
variety in it. At least they don’t shoot
down any Stukas. You also might notice
that they are not flying F4F Wildcats over Guadalcanal, but the anachronistic
F6F Hellcats amply available in 1951.
The movie more appropriately features the F4U Corsair for the Okinawa
scenes. There is thankfully little
stupid cockpit banter. However, we do
get the common cinematographic trope of blending the actual footage with shots
of the guns firing and the pilots grimacing in the cockpits. Thankfully, the cockpit chatter is not lame.
Forgotten
gem? This is far down the list of Wayne
war movies. If you are not a Wayne fan,
there is little reason to watch it and if you are a Wayne fan, you are probably
going to be disappointed.
GRADE = C+
the trailer
Totally agree, this is far down my list of Wayne movies. It had an interesting subject, aerial combat in the Pacific, but was not an interesting movie.
ReplyDeleteWe are overdue for a move covering an air campaign that focuses on air tactics. Battle of Britain handled it pretty well, but modern CGI seems particularly fitted toward making aerial maneuvers comprehensible to an ordinary audience. The Solomons campaign would be a good subject for such a movie.
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