Friday, August 30, 2024

The Caine Mutiny Court-Martial (2023)

 

            “The Caine Mutiny Court-Martial” is a film based on the play that Herman Wouk adapted from his novel of 1954.  It was directed by 88-year-old William Friedkin (“Rules of Engagement”).  It was his first movie since 2011.  Because of his age, the insurance company insisted that Guillermo Del Toro be on set as back-up director.  Del Toro was not needed.  Friedkin finished the picture one day early after 14 days.  Sadly, Friedkin died after the film was finished.  And Lance Reddick also passed away before the movie premiered.  The movie is set in the Persian Gulf War, instead of WWII.

            For those of you who have seen “The Caine Mutiny” starring Humphrey Bogart, this movie covers just the trial.  It doesn’t use flashbacks to cover the incidents mentioned in the trial.  Lt. Meryk (Jake Lacy) is on trial for mutiny.  His defense attorney is Lt. Greenwald (Jason Clarke).  He makes it quite clear from the start that he thinks Meryk is guilty.  But you’re stuck with me because nobody else wanted to defend you.  But like every good defense lawyer, Greenwald is willing to disregard his feelings and put up a stout defense.  This begins with the first witness -  Capt. Queeg (Kiefer Sutherland).  Sutherland plays Queeg the same as Bogart.  He comes off as a captain with low self esteem and paranoia (which are what the psychiatrist testifies to) and a person who is clearly in denial about command problems.  This is the impression we get, but we do not see the incidents acted out, so it is not clear whether he screwed up in the incidents that the 1954 movie covers.  Another witness is Lt. Keefer (Lewis Pullman).  Keefer does not back up his supposed friend’s justifications for taking over command of the ship in a cyclone.  An expert witness testifies that Queeg’s preferred heading for the ship in the storm was the correct one, but he is forced to admit that under the circumstances, Meryk might have been right.  Throughout the trial, the officer in charge of the trial, Capt. Blakely (Reddick), reins in Greenwald for the good of the Navy’s reputation and the reputation of Queeg.  Meryk testifies and goes over the various incidents including the Caine cutting its own cable, the “yellow stain” incident, and of course, the strawberries incident.  Queeg is called back to refute all of that.  He rolls his marbles as he gets uncomfortable with everyone’s realization that he is a bit unhinged.  The movie concludes similar to the 1954 film.

            I rewatched the 1954 film in preparation for this review.  I have to admit I have been a bit harsh with the film because of Greenwald’s treatment of Meryk.  The movie makes it quite clear that Queeg was a poor leader and Meryk’s removal of him saved the ship and all its crew.  I still think Meryk was right, but I can see Greenwald’s disgust at Meryk and the rest of the officers not showing empathy when the Queeg asked for help.  I still think Greenwald could have climbed down from his high horse.  This movie makes it less clear whether Meryk was justified.  And Keefer’s testimony is the only evidence that he was an asshole.  The earlier film makes a stronger case for Greenwald’s disgust with him.  In this movie, you wonder why Greenwald is over the top in the final scene.  Why is he so upset with a guy who lied to save his skin, if Greenwald does not think Meryk is guilty?  The movie makes his motivation clearer because it establishes Keefer’s role in the mutiny.  This movie also makes the odd decision not to mention Queeg asking the officer’s for help.       

            One has to wonder what was the point of making this movie.  Sure, it is interesting to see different actors in the iconic roles, but the dialogue is essentially the same.  By forgoing flashbacks (probably due to the movie basically being a play), we don’t get the true story of what happens.  We get a “he said, he said” situation.  Neither movie has Meryk on the stand defending his actions during the cyclone, but the earlier movie enacts the incident.  This movie also completely abandons the subplot of Keith’s love life.  Keith just appears briefly as a witness who backs up Meryk.  He is not used as a rookie officer having to deal with the Captain and the other officers who turn on Queeg.  The trade-off for more witness testimony and a meatier role for the prosecuting attorney and the judge does not make up for the loss of the enactments.

            The movie is entertaining mainly as an actor’s showcase.  All of the cast hold their own in comparison to the original cast.  Kiefer Sutherland is fine filling Bogart’s shoes and it took balls to take the role.  He does have the balls (in his hands), but he does not try to replicate Bogie’s performance.  Monica Raymund is excellent as Lt. Commander Challee and her character is much more searing than that of E.G. Marshall in the original movie.  It was a nice touch putting a female in that role.  Speaking of roles, Dale Dye is part of the court-martial panel, but he has no lines!

            If you have not seen the 1954 movie, I strongly recommend that you watch it before watching this movie.  This movie is a fine as an addition, but as a stand alone, it lacks the coverage of the 1954 film.  This is not its fault because it puts the play on film and apparently does not change the plot.  I put the blame on Wouk.  He had to agree to changes in the novel in order to get Navy cooperation to make the movie.  He did not have to cave to do the play.

GRADE  =  B- 

Tuesday, August 27, 2024

Summer of My German Soldier (1978)

 

            “Summer of My German Soldier” was based on the best selling novel by Bette Greene.  The novel was turned into a made-for-tv special.  It was well received and was nominated for Outstanding Drama or Comedy Special and Outstanding Writing.  Esther Rolle won an Emmy for Outstanding Supporting Actress.

            The movie is set in a small town in Georgia in WWII.  The town is roiled by the arrival of German prisoners headed for a nearby prison camp.  The men are allowed to shop in town when they pass through.  13 -year-old Patty is intrigued by these exotic strangers.  She’s Jewish, so her empathy is pretty naïve.  She makes the acquaintance of the only German who speaks English.  Anton (Bruce Davison) is not a Nazi, of course.  Someone must have given him some false information about American prison camps because he escapes and Patty finds him.  She hides him in an empty house and brings him food.  She is a young woman who has a rough home life with an abusive father and an uncaring mother.  It's no surprise that she falls in love with Anton.  They are helped by the family cook Ruth (Rolle).  It’s a dangerous game Patty and the reluctant Ruth are playing.  After all, this is a small Southern town.  They were not exactly noted for understanding situations like that.  But were the townsfolk wrong?  You decide.

            This is not a war movie romance.  It is a war movie puppy love.  It has an odd vibe to it.  The characters behave unrealistically, although if you accept that they are just plain stupid in their decision-making, you can see their motivation.  Peggy deserves some slack because she’s a preteen girl that is starved for love.  The movie pushes her into the arms of Anton, but does not make clear why her father and mother hate her.  She seems to be a normal girl.  We don’t know what motivates Anton.  He has not even been to the camp before he escapes.  When he tries to hitch a train, he allows Patty to talk him out of it.  His accepting her help puts her in great danger, so he is something of a jerk.  Although we are not supposed to think that way about their relationship.  Thankfully, and surprisingly, the movie does not make the relationship a romance.  Anton is an idiot, not a child molester.  Ruth is a stereotype.  She’s the black mammy who loves the white children and is a mother figure to them.  We are supposed to feel she is a good person for helping Patty, but she is an adult that abets a foolish crime.  She should have known better.

            The movie is entertaining in a made-for-tv morality play sort of way.  The acting is fine.  Davison is charming and even manages a fairly good German accent.  McNichol is satisfactory.  She was five years into her career at this point.  Rolle deserved her Emmy, although she might have gotten it out of love for her as an actress.  Their characters may be stereotypes and the town is a standard conservative southern burg, but it is hard not to feel that the townspeople are right about the hiding of a German soldier.  I know I am being unsympathetic and I admit I am not a big romance movie fan.  I definitely give the film credit for having an unpredictable conclusion.  It is highly unlikely that I will read the book and since I have been aware of this movie since it debuted, it did give me the plot of the book.

GRADE  =  C    

Monday, August 26, 2024

100 BEST WAR MOVIES #42. Hornblower: The Duel (1998)

 

                “Hornblower:  The Duel” (entitled “The Even Chance” in Great Britain) is the first in a series of movies produced by ITV and A&E.  This movie introduces Midshipman Horatio Hornblower (Ion Groffudd) as he joins the crew of the HMS Justinian in 1793.  “Welcome to Purgatory”, he is told as soon as he boards.  It will be closer to Hell for the seventeen year old rich kid. The ship is commanded by an old and worn out captain and the midshipmen are dominated by a psychopath named Simpson (Dorian Healy).  He makes it his objective to make Hornblower’s life as miserable as possible.  It gets so bad that Hornblower challenges Simpson to a duel.  However, another midshipman named Clayton (Duncan Bell) takes Hornblower’s place, so the rivalry continues.  Hornblower gets transferred to the HMS Indefatigable, which is commanded by the no nonsense Captain Edward Pellew (Robert Lindsay).  He forbids Hornblower to fight any more duels.  Hornblower is given command of a gun crew.  It is motley.  He will have to earn the tars’ respect.  And get on the good side of the captain.  Luckily, he is a quick study and a born leader.  The movie is episodic after the build-up.  Hornblower has a time dealing with a French prize ship.  Hornblower leads a boarding party that cuts out a French warship.  Hornblower rescues the Indy from attack by three corvettes.  The movie culminates with the return match with the dastardly Simpson.  Hornblower gets killed and the series ends with just one episode.  Just kidding.

ACTING:                     A-

ACTION:                     B  (7/10)

ACCURACY:                N/A

PLOT:                            A

REALISM:                      A

CINEMATOGRAPHY:   B

SCORE:                          A

SCENE:  the capture of the French ship

QUOTE:  Capt. Pellew:  Damn your impudence, sir!

                “Hornblower:  The Duel” was a big budget production and it showed.  The Indefatigable is actually the Grand Turk (a replica of the HMS Blandford) which is a 22-gun corvette with twelve pound guns.  It is supposed to represent a 44-gun frigate with twenty-four pounders.  The film is lensed so the action appears to be on a larger ship.  The exteriors and interiors allow the movie to be nicely instructive on shipboard life.  The below deck set is authentic.  You can learn a lot about what is was like to serve on a British warship in the age of fighting sail.  The plot manages to hit on midshipmen training, burial at sea, firing sequence, boarding, women below decks in port, and of course, dueling.  But this is not a documentary.  The story is entertaining and the characters are intriguing.  The story revolves around two themes.  One is Hornblower’s growth as a leader.  The other is his conflict with Simpson.  The first follows a traditional arc, the second is what sets the movie apart.  Simpson is one of the greatest war movie villains.  The final duel closes the movie with a cherry on top.  The casting director deserved a bonus.  The actors are all perfect in their roles.  Hornblower dominates, but it is truly an ensemble movie. The movie launched Gruffudd to stardom and just like Bean as Sharpe, it is impossible to imagine anyone else playing the role.  Healy is not a cartoon villain and he makes his character’s death very fulfilling. Lindsay’s Pellew ranks among the great cinematic ship captains. And he gives life to one of the greatest Royal Navy heroes.  There is nothing TV about the production.  The dialogue is excellent.  The music fits nicely.  The sound effects make you feel you are on the ship.

                The story is fictional, but Edward Pellew is based on the famous English sea captain. Pellew took part in the American Revolutionary War and was with Burgoyne’s army when it surrendered at Saratoga. In the war with France, he took the first French warship.He led the boarding party.  In 1795, he was given command of the HMS Indefatigable. He had such success that he became famous. He rose to admiral and was made a noble. He was commander-in-chief of the Mediterranean fleet from 1811-1816. While fictional, the movie is very realistic about life aboard an English frigate.

                Here are things you will learn from the movie:

1.        dunnage – a sailor’s sea chest

2.        when a ship was in port, some captains allowed women on board (below deck)

3.        the sailors slept on hammocks

4.        the lowest rank of officer was midshipman

5.        vittles -  food

6.        cut a rill – dance

7.        time was kept by bells

8.        rigging -  the rope used with the sails

9.        press gang – the forceable enlisting of civilians into the Royal Navy

10.    prize money – when an enemy ship was captured, the officers and crew shared in the value of the ship; usually a portion of the crew (prize crew) were put on board to sail the ship to an English port

11.   rat baiting – a gambling game where the sailor tries to kill as many rats by biting them in a certain amount of time

12.    one type of punishment was to be tied to the rigging