Showing posts with label Battle of the Bulge. Show all posts
Showing posts with label Battle of the Bulge. Show all posts

Friday, July 10, 2026

De Vijanden (1968)


            The movie was directed by Hugo Claus (“The Lion of Flanders”). It takes place during the Battle of the Bulge. Since I strongly suggest you don’t watch it, I will summarize what you should avoid. An American platoon pulls back because of the German offensive, but they forget to wake one of the men.  Harrison hooks up with a boy named Richard and an old Belgian named Alfonzo. They are making their way to American lines while trying to avoid the krauts. It is a war road trip picture. On the way, the meet a mother who Harrison rapes after she flirts with him and then has a change of mind. Harrison is something of a dick. Richard talks the daughter into showing her breasts. There are no heroes in this film. There are some fake German tanks they have to survive. They end up being captured by a rogue American group led by a woman. At one point, Harrison shoots a dogs and they eat it. By this time, you won’t care what happens to them.

            This is one terrible movie. Its 5.8 rating on IMDB might have been inflated by perverts. Much of the actions by the characters is ridiculous. It does have a lot of unintentional laughs. The battle scenes are surprisingly big for such a miniscule budget. There are even some flamethrowers which would have been used better to incinerate the film. The characters are all unlikeable and very poorly acted. Rivet counters will have heart attacks if they take the movie seriously. Insomniacs might like it. The only thing I can say positive about my experience is that it lasted only 1 hour and 31 minutes. However, I was begging for it to end before the hour mark.

GRADE  =  F-

Saturday, June 27, 2026

LUCKY STRIKE (2026)


            “Lucky Strike” is a caught behind the lines movie set in the Battle of the Bulge. It was directed and co-written by Rob Laurie (“The Outpost”).  He is a West Point graduate. It was filmed at a studio in Bulgaria.

            The film uses the flashback method to tell the story. A Captain (now Colonel) Castle arrives at the home of a Mrs. Caldwell (Aunjanue Ellis-Taylor). Right off the bat, we know the main character is going to survive. No surprise for a movie like this. (Also, this means you  won’t have to yell at the screen when he shows off his wife’s picture.) Caldwell is bitter because the Army has been holding back her dead husband’s pension. Then its back to the Ardennes Forest for the Battle of the Bulge. It’s the fourth day. You’ll have to take their word for it. If you’re expecting hordes of German tanks, think again. A truckload of black G.I.s is ambushed by a German tank. How is this going to connect to Castle’s story? Wait. Castle is the commander of an engineer company. He is tasked with holding a key crossroads to prevent the Germans from getting to an American fuel depot. He leaves with five men. That’s one small company. And they don’t go to a crossroads, they just sabotage some trees along the road. Bada bing, bada boom, now Castle is on his own far from home. Luckily, he has his trusty “walkie-talkie” which is named “Lassie”. The movie informs the audience that the 1st SS Panzer Division are a bunch of cold-blooded killers. Do you think Castle will have some encounters with them? Give yourself a cookie if you answered “yes”.

The rest of the film is an odyssey (ironic because one of the previews before the movie was for “The Odyssey”). Castle has a series of vignettes between radio talks to his pessimistic headquarters. Most of those discussions involve the guy on the other end saying “Look, buddy, it’s Hitler’s great offensive. We got bigger problems than rescuing one G.I., even if he is Clint Eastwood’s son.” So, lucky for us, Castle will have to trek to friendly lines. And with a bullet in his thigh. These vignettes include a tragic encounter with a friendly Belgian family, stealing a tank, playing dead, a visit to the truck with the all but one dead black G.I., being chased by artillery, and meeting a another caught behind the lines victim. And then we return to Mrs. Caldwell’s apartment for a twist I bet none of you will see coming. (Try not to laugh, the old people in the theater might be offended.”

            “Lucky Strike” is a WWII movie that would be more comfortable in the 20th Century. Castle is far from an anti-hero. This is a patriotic film and it finishes with a treacly song written by the director. However, the patriotism is not overdone. Although, the anti-Nazi theme is a bit much. Hell, Castle gets peed on by an SS soldier. It’s low budget, but that mainly applies to the cast. Besides Eastwood, the only actor that most people would recognize is Colin Hanks and he appears for about two minutes. Most of the cast do not have Wikipedia pages. However, the acting is not cringe and Eastwood does fine in a one-dimensional role. He’s stoical and handles wounds like his father. Actually, the movie is the story of a threesome – Castle, a Motorola SCR-300, and Lucky Strikes cigarettes. Cigarettes were a fixture in classic movies, especially WWII movies. It seems anachronistic to feature them in a 21st Century war movie. And especially odd to feature a specific brand. I did some research and found out Lucky Strikes were one of ten brands (the two others I recognized were Camels and Chesterfields). Before you sniff at this, it turns out the cigarettes play a major role in the plot, albeit a silly one. The cigarettes are in the plot for a twist. The Motorola SCR-100 is in it for the adulation. It was a back-pack style radio with a telephone-style receiver. The movie is meant to give credit to the walkie-talkie (it was the first radio to be called that), but I did not pick up on that since all the radio does is tell Castle to make it on his own. 

            “Lucky Strike” leads with the tried and truthy “inspired by a true story”. As in, there WAS a Battle of the Bulge and there WERE soldiers in it. Several of the vignettes are laughable if you have seen a lot of war movies. I won’t give away those highlights, but you’ll know them when you see them. It was heavily researched by its technical advisor, who served in Iraq and Afghanistan.  He apparently insisted there be snow. However, he had less success on insisting on realism. Could an American soldier drive a German tank? Possibly. Would a soldier in a low budget action film be able to? Of course!

            Eastwood was probably paid more than half the budget, but the movie does not look cheap. The German vehicles will pass muster for all but the most fanatical rivet-counters. There is a column of tanks that does not look CGI. The cinematography is fine. The music does not bombast. And the dialogue is satisfactorily bland. That all spells an average movie. You’ll enjoy it if you don’t want above average. And you don’t have a reaction to Lucky Strike cigarettes. I’m not easily influenced, but I did stop at the concession stand on the way out to ask for a pack of Lucky Strikes. They didn’t have any. Poor marketing.

GRADE = C-

Spoiler alert: I researched the crucial plot point that G.I.s would always light their Lucky Strike from the side with the label. You didn’t want to let the Germans know the campsite was American. My research found that this was one version of the Lucky Strike story. G.I.s would open a pack and immediately turn all the butts around except one.  Thus they lit the label end first to burn it away. They left the last one with the label at the other end as a “give me the luck to get to this one, oh great god of cigarettes.” Another version was they did this just to remind themselves when they got to the last one. If you made it, you had survived for that one pack o time. And later died in bed of lung cancer. 


           

 

Sunday, December 21, 2025

The Wereth Eleven (2011)

 

              “The Wereth Eleven” is a docudrama that tells the story of eleven African-American soldiers who were murdered by the SS during the Battle of the Bulge. It uses CGI to recreate some of the incidents and archival footage, including from the Germans. There are also scenes using actors.  One of the unit’s veterans is interviewed as well as a son of one of the eleven and the son of a Belgian family that tried to give them refuge. There is extensive narration.

              The Wereth Eleven were eleven members of the 333rd Field Artillery Battalion which was overrun on the second day of the battle. Unlike the whites from Battery B of the 285th Field Artillery Observation Battalion that were taken prisoner that same day at Malmedy and then executed, the members of the 333rd were taken prisoner and made it to German prison camps. There is a clip from a German propaganda film that includes members of the 333rd being marched to Germany. The Wereth Eleven members were the exceptions to that because unfortunately they avoided capture at first. I have recently been researching the Battle of the Bulge and ran across this story. The fact that I was not familiar with it shows how unknown the story is. The movie attempts to rectify that and does a good job of it.

Thankfully, the producers decided to go a different route than movies like “Miracle at St. Anna”. Sincere efforts like that are often hurt by poor acting and dialogue. This movie avoids that by using a minimum of recreations and they are not laughable. For instance, the deaths are not the hilarious ones associated with low budget films, and even some big budget ones like “Battle of the Bulge”. The blend of CGI, footage, and real actors works. The narration is often, but adds to the story. The film has time and place for some of the scenes, but maps would have been nice. The interviewees are good and the one veteran of the battalion, George Shomo, is outstanding.

Docudramas do not get the love that some of them deserve. I would rather see a CGI Tiger tank then another tank mocked up as one. It is often the best way to tell a true war story. A good docudrama avoids the historical fiction that creeps in when you have a screenplay, actors, and limited authentic gear, weapons, and vehicles. And it avoids a big problem in low budget WWII films. They often use overage, overweight reenactors. “The Wereth Eleven” uses a trip to the Ardennes by the son of one of the Eleven and an executive producer who is an older white man wearing a uniform. It’s almost as though the movie is asking us, “would you prefer to see this guy acting in the movie?”

What “The Wereth Eleven” does, it does well, but it does not tell the whole story. Clocking in at just over an hour, it could have used more time to flesh out the discrimination the unit faced starting in boot camp and how it earned respect in France. The film briefly mentions an incident when the battalion provided very accurate fire to aid a white unit, but it does not add more depth to their evolution. It also does not do a good job fleshing out the situation they were in during the first half of December in 1944. It uses a postscript to explain the lack of an investigation and the failure to bring anyone to justice for the execution. However, those caveats aside, it does an admirable job of bringing a forgotten story to light.

GRADE =  B

Here is the story I posted about the real Wereth Eleven, don’t read on if you want to avoid spoilers.  THE WERETH 11 -  The 333rd Field Artillery Battalion was an African-American (“colored”) unit that landed at Utah Beach in July, 1944. It was commanded by Lt. Col. Harmon Kelsey. Kelsey was not happy with the assignment and was sure the unit would never see combat because it was incompetent blacks. He was wrong on both counts. It first saw combat in Normandy when it was tasked with destroying a church steeple that was being used to snipe at 82nd Airborne paratroopers and for artillery spotting. The men got to work, chanting their unit song – “Stand Back! Ready! Rommel count your men! Fire! Rommel, how many men you got now?”  Within minutes the steeple was destroyed, along with the Germans in it. The unit gradually  gained a reputation for being quicker and more accurate than white artillery units. In the siege of Brest, it fired 1,500 rounds in one day. An article in Yank magazine made the unit famous in the American army. It ended up being assigned to Troy Middleton’s VIII Corps. In the Ardennes, it was located near Schonberg in support of the 2nd and 106th Divisions. When the Battle of the Bulge began, Schonberg fell on Dec. 17, 1944. Most of the battalion was taken prisoner. 11 men escaped into the countryside. They tried to make it to American lines. They ended up knocking on the door of the Langer family. The Langers were anti-German in a small community that was mainly pro-German. They were hiding two Belgians escaping German conscription. Unfortunately, one of their neighbors ratted them out and Germans from the 1st SS Panzer Division arrived and the Americans were take without a fight. They were led to a field where they were tortured, mutilated, and murdered. They were treated much worse than the white soldiers executed at Malmedy.  The culprits were never brought to justice.

Saturday, July 27, 2024

100 BEST WAR MOVIES: 51. A Midnight Clear (1992)

 

               “A Midnight Clear” was released in 1992.  Its cast consisted of several up and coming actors like Ethan Hawke, Peter Berg, Kevin Dillon, John McGinley, Frank Whaley, and Gary Sinise (his film debut).  The ensemble cast is strong and the movie is a little gem that is not well-known.  It cost less than $5 million to produce and made less than $2 million.  It is based on the novel by William Wharton. It follows the novel closely and includes a lot of dialogue from it.

            The movie is set in the Ardennes Forest before or during the Battle of the Bulge.  It is not a big picture movie.  You get no idea how the battle is going.  There is a “fog of war” surrounding the intelligence squad that is sent out to observe enemy movements from an abandoned mansion.  The mission is seemingly suicidal and their ex-mortician Major Griffin (McGinley) has a habit of putting them in precarious positions. The squad settles in and although they are away from strict discipline, they are very vulnerable should the Germans attack. They encounter some Germans who have the drop on them, but don’t open fire. The Germans come to the chalet to throw snow balls and serenade the Americans with Christmas carols. “A Midnight Clear” is one of the rare war movies that references Christmas. It turns out the Germans are a squad of young soldiers with an aged officer. They know the war is lost and they want to surrender. They ask the Gis to make it look like they put up a fight.  The best laid plans.

ACTING:                     A

ACTION:                     N/A

ACCURACY:                A  - it follows the novel very closely

PLOT:                            A

REALISM:                      B

CINEMATOGRAPHY:   A

SCORE:                          B

 

QUOTE:  Speaking of a previous patrol, Will (the narrator Ethan Hawke) makes the following telling remark:  “We lost half of our squad attempting one of [Griffin’s] map-inspired, ill-conceived recon patrols.  When I say ‘lost’, I mean ‘killed’.  Nobody in the Army ever admits that someone on our side is killed.  They’re either ‘lost’ like Christopher Robin… ‘hit’, as in a batter hit by a pitched ball… or get ‘it’ like in hide and go seek.  Or maybe they “get it”, as with an ambiguous joke.”

                  We get to know the squad well.  They are typically heterogeneous except there is no country hick because this is an “intelligence” squad, literally and figuratively. They care about each other, but there is some dysfunction. There is a flashback scene from boot camp as several of the boys attempt to lose their virginity with a good girl down on her luck.  It is a sweet scene and tastefully done. The men are united in their hatred for Major Griffin.

            The setting and mood of the movie could have easily fit a horror movie.  On the way to the mansion, they come upon the corpses of a G.I. and a German in a death embrace. Their encounter with the Germans is the opposite of that.  The chalet is eerie.  It is empty except for a deer. This is a very snowy movie.  Watch it with a mug of hot chocolate by a fire place if you can.  It was shot in Utah and the temperatures at night were frigid.  The cinematography is crisp and clear like the locale.

            This is a remarkable movie.  It is unlike any other war movie I have seen.  It is spiritual (helped by the New Age musical score) and has a heart-tugging scene involving the bathing of a dead comrade that is hard to forget..  It is also overtly religious in spots.  Although a Christmas movie, there is also a strong reference to the Crucifixion.  Some will not like this aspect of the movie, but I found it refreshing.  Keep in mind that soldiers tend to be religious for obvious reasons, so why shouldn’t war movies occasionally have religious themes?

              The movie is very well acted.  The squad is likeable and relateable.  Each has a distinct personality.  Each actor gets a chance to shine.  No one dominates.  The small unit dynamics are realistic.  Their behavior rings true.  McGinley is appropriately loathsome as the clichéd commanding officer.   (By the way, McGinley and Dillon went on to appear in another great small unit movie – “Platoon”.)  The Germans are shown in a sympathetic light.  What happens to them is truly tragic. However, the film does not end the tragedy. It goes on to an inspirational conclusion.  All good war movies (except comedies) should by anti-war. “A Midnight Clear” is a movie that leaves no doubt that war sucks. Knott (Ethan Hawke) narrates.  He is cynical and critical of officers. He reminds of Joker in “Apocalypse Now.”

            “A Midnight Clear” is a movie that did not make a big splash when it was released. It has something of a cult status now. It is a must-see for war movie buffs. Watch it with your wife or girlfriend. It is one of the rare date war movies.  Pair it up with "Joyeux Noel". Both have a Christmas theme and are inspired by the Christmas Truce of WWI. 



Thursday, December 23, 2021

A Christmas Truce (2015)

 

                    It’s the holidays so everyone’s thoughts turn to war Christmas movies.  Well, mine do.  There aren’t that many of them and I’ve reviewed the most significant ones:  A Midnight Clear, Joyeux NoelSilent Night, and Battleground.  So, I went on Google to see if there were any I was missing.  It’s a pretty thin list and most of them are military movies more than war movies.  But one is set in the Battle of the Bulge, which happens to be the setting for all the big four except Joyeux Noel. 

                    The premise of "A Christmas Truce" is that the German’s have launched the Ardennes Offensive and a Belgium town is back in German hands.  There is a question of whether they should hold their annual Christmas celebration.  Into this, four Allied soldiers fall when their transport plane is shot down.  In the first omen of what the movie is going to be like, the four land within ten yards of each other!  Realism is not going to be a strength of this movie.  Their mission is to blow up a bridge, but first they need shelter.  They find it in the home of Alina (Ali Liebert) and her mother.  Not that we need clues, but Alina and Capt. Myers (Craig Olegnik) are mooning at each other immediately.  And then they have a long dialogue scene that establishes that they are both literary (Myers is writing a book) and both know the language of love.  The title of the movie comes from an agreement between Myers and the German commander when the Germans capture two of the Americans, but Myers saves the German’s wife and child.  It is a ludicrous scene and started my uncontrolled chuckling for the rest of the movie.  It’s not a rom-com, it’s a rom-bomb.  I won’t spoil what happens, but I don’t have to because anyone can guess the rest.  Including the schmaltzy conclusion that wraps the movie is a nice Christmas bow.  On a box that you don’t need to shake because you know what’s inside.

                    Twenty minutes in, I told my wife that Hallmark must have let this script slip through its fingers.  Twenty minutes later, I realized why Hallmark passed on it.  It looks like a Hallmark movie, but it is worse.  The budget is actually lower.  They didn’t have to pay Candace Cameron Bure’s salary.  In fact, her salary could probably cover this entire cast.  They are sincere, too sincere.  The best I can say is my wife thought Olegnik was hot and he did take his shirt off in the trope of the girl spying her future beau with his shirt off.  This comes soon after he chops wood for her.  Jeez, get a room.  There’s also a local suitor (who looks about ten years older than Alina).  This is one weak love triangle.  Liebert is comely and she does have some chemistry with Olegnik.  Their dialogues, which are frequent, are not going to make you spit out your egg nog.  Instead, you’ll want to drink more (and add some liquor) because their intelligent discussions of Poe and Hemingway are swamped by a ridiculous plot that has Myers returning twice to Alina when he has a crucial mission to blow up a bridge.  I guess he expects the German panzers to wait for love. 

                    So, I watched it so you don’t have to.  You’re welcome.  However, I did enjoy it for its camp value.  Sometimes the unintentionally funny movies can leave you with a smile on your face.  It will certainly appeal to your significant other more than to a war movie fan, so you can get some brownie points.  Try to keep your snickering quiet.  And then go back to your man cave and watch “Black Hawk Down”.  It’s called cleansing.

 

GRADE  =  D-