Showing posts with label IED. Show all posts
Showing posts with label IED. Show all posts

Tuesday, June 13, 2017

NOW SHOWING: Megan Leavey (2017)



“Megan Leavey” is this summer’s feel-good war dog movie.  In a summer full of super heroes, we have here a real hero.  And heroine.  The movie is “’based on a true story” about a Marine Corporal and her Military Police K9 dog.  It was directed by Gabrilla Cowperthwaite.  It took four screenwriters to finish the script which is never a good sign.  However, that is not likely to discourage the viewing public.

The movie opens in New York state in 2001.  Megan Leavey (Kate Mara) is living a dead-end life after the death of her best friend.  Her family life is a mess and then one day she gets a wild hair and joins the Marines.  It’s off to Parris Island for a short training montage.  A graduation celebratory pee in the bushes gets the PFC put on a **** detail which is literal because she has to clean out the kennels of the K9 unit.  There she meets a dog named Rex who is not looking to make any friends.  As in most cinematic romances, you just know these two will get together.  Thankfully the movie eschews the lover’s triangle.  Before you know it, the duo is off to Iraq.  After a couple of routine missions to establish the resumé of a military working dog, Meagan and Rex reach their epiphany by way of an IED.  Is this the end of a great friendship?

I wanted to like “Megan Leavey”.  I love war movies and I love dogs, so it seemed like a natural fit for me.  And I am not saying I disliked it.  It is a nice little movie and deserves to do well at the box office.  My problem is that it has an unsatisfactory feel to it.  The word that comes to mind is “shallow”.  Although it clocks in at almost two hours, parts of it seem cursory.  Even the montages are truncated.  Megan develops a reputation as a problem with no evidence presented.  Megan bonds with Rex with little difficulty.  Training is barely touched on.  The divorced parents pop up to assure us that Megan is better off risking her life in Iraq than being around them.  In Iraq, we get only brief tastes of the hazardous duties of Megan and Rex.  The movie has some giant time jumps that give the false impression that war for a bomb-sniffing dog team is long stretches between cinematic-worthy suspense.  To tell you the truth, the movie does not make a strong case for Megan and/or Rex being a hero.   The movie throws in a romantic interest for Megan which is perfunctory.  I could best describe the movie as the Cliff’s Notes version of the story.

I’m not trying to be the grinch who stole your feel-good movie of the summer.  The movie is nicely made with decent acting.  Obviously,  Kate Mara is solid and the unidentified dog actor is fine.  Does it make sense to say they lacked chemistry?  Rex usually appears less than thrilled to see her.  Probably that soldier thing where they don’t want to get too invested in a friendship.  The cast is fine, but wastes three as the father, mother, and stepfather (Bradley Whitford, Edie Falco, and Will Patton).  More time with the dog and less with the glum-inflictors would have been a good decision.  The dialogue does not stand out and there are no memorable lines.  However, the movie is not schmaltzy and does not jerk tears.  It certainly had the potential to require tissues if it had carried the “true story” to its completion (see below).   While I am not a big fan of tearjerkers, this movie would have been better if it stuck to the true story better.  Or fleshed out what it decided to cover.

Take a break from the usual bombastic summer fare and you’ll leave the theater feeling good.  Just don’t expect an Academy Award nominations.  And don’t go home and shame your dog.  

GRADE  =  C

HISTORICAL ACCURACY: Megan Leavey did not escape a dead-end life by joining the Marines.  She was not depressed over the loss of her best friend.  In fact, she was in college when she was inspired by 9/11 to serve her country.  She was not punished by being sent to the K9 unit.  She volunteered for the Military Police and was assigned Rex.  He was not a problem dog.  He had already been to Iraq with his original handler.  Sgt. Mike Dowling took Rex to Iraq in the first deployment of military dogs since the Vietnam War.  He later wrote a well-received book entitled Sergeant Rex:  The Unbreakable Bond Between a Marine and his Military Working Dog.  The book chronicles their adventures In Iraq and covers how Dowding helped Rex overcome his fear of explosions and gunfire.  (Although Dowling has publicly expressed his support for the movie, I have to wonder about his feelings about being written out of it.)   I am unclear how Leavey became the dog’s handler, but she must have taken over in Iraq.  They did not meet when Leavey was training to be a dog handler.  The two spent two tours together.  First in Fallujah in 2005 and the second in Ramadi in 2006.  The IED incident occurred during the second tour.  The movie accurate depicts it.  Leavey and Rex both took about a year to recover.  Leavey decided not to reenlist and wanted to adopt Rex at this point, but the Marines logically turned her down because Rex had recovered to the point where he could resume his duties.  The adoption was not foiled by a bitchy veterinarian as shown in the movie.  Several years passed (much longer than the movie implies) and Rex developed a facial palsy that ended his working career.  It was at this point that Leavey reinitiated her adoption attempts.  She did contact Sen. Schumer from New York, although not personally as shown in the movie.  The Senator did facilitate the reunion.  Leavey and Rex made the national news and were honored at Yankee Stadium.  Unfortunately, they had only a few months together before Rex passed away in 2012.  Now you can break out those hankies.

I think most would agree that the movie would have been better if it had adhered to the real story.  Remove the lame plotting about Leavey escaping her crappy family and substitute her having to take over a dog that was already bonded to a male handler.  I think that cinematic dynamic would have worked better.  And add more from the one hundred plus missions the trio did in Iraq.  Close with the big finish of Rex dying.  Not a dry eye in the house.


Saturday, August 20, 2016

The Hurt Locker (2008)



       “The Hurt Locker” was the last war movie to win the Best Picture Oscar.  It continued a long tradition of war movies being honored by the Academy Awards.  The other winners were “Wings”, “All Quiet”, “Mrs. Miniver”, “Casablanca”, “Best Years of Our Lives”, “From Here to Eternity”, “Bridge on the River Kwai”, “Lawrence of Arabia”, “Patton”, “Deer Hunter”, “Platoon”, “Schindler’s List”, “Braveheart”, and “The English Patient”.  That’s a lot more war movies than comedies or horror movies.  It took a war movie to give a female the first Best Director award.  Kathryn Bigelow achieved this first with her direction.  The idea and screenplay came from her friend Mark Boal.  Boal had been embedded with a bomb disposal unit in Iraq and the movie was based on incidents and individuals from his experience.  He won the Best Original Screenplay.  The pair teamed up again for “Zero Dark Thirty”.  The title was used by bomb disposal teams to mean being wounded or in bad shape (it goes back to the Vietnam War).

                “The Hurt Locker” has one of the greatest openings of any war movie.  The theme is set by a quote from Chris Hedges who wrote War Is a Force That Gives Us Meaning.  “The rush of battle is often a potent and lethal addiction, for war is a drug.”  We are dropped onto a Baghdad street for the disposal of a IED made from a 155 mm howitzer shell.  You know you are watching a special movie when one of the marquee actors does not survive the opening scene.  It’s a very suspenseful scene that culminates with an incredible explosion effect.  The replacement is Sgt. First Class James (Jeremy Renner).  He is a veteran who has disarmed 873 devices, but he is not stressed out about it.  In truth, he is an adrenalin junkie, gambler, and a loose cannon.  In other words, he is our anti-hero.  The rest of the trio consists of Sgt. Sanborn (Anthony Mackie) and Specialist Eldridge (Brian Geraghty).  Sanborn is a by the book type who just wants to get through his tour and return home.  Eldridge is the youngster who is open to a new leadership style.  Once this dynamic is established, the movie becomes very episodic.  I have decided it would be appropriate to deal with each in order.

1.  James uncovers six artillery shells are rigged to one primacord.  Since he’s a maverick, he doesn’t just cut the cord.  GRADE  =  A

2.  James is confronted with a car bomb.  He treats it like a puzzle.  GRADE  =  B

3.  The trio hook up with a band of mercenaries and they get ambushed by some insurgents.  There is a sniper duel between an insurgent and Sanborn.  GRADE  =  B

4.  They are sent in to a bomb factory.  A corpse was being prepared as an IED.  James recognizes the corpse as a boy he had befriended.  GRADE  =  B

5.  James makes a foray into town seeking revenge for the boy.  GRADE  =  D

6.  There is an explosion in the Green Zone at night.  James gets a wild hair and convinces the others to split up and rove the alleyways.  He don’t need no stinkin’ standard operating procedures.  GRADE  =  B-

7.  James has to deal with a human bomb.  An innocent civilian has been rigged with explosives and needs a reckless, but insanely lucky expert.  GRADE  =  A+

                “The Hurt Locker” is the type of movie where the screenwriter can claim that all of the incidents happened, but of course, not to one person.  It is also the type of movie, like “Platoon”, that enhances the incidents to advance the theme.  In this case the theme is clear.  War is addictive.  This is not exactly news.  However, it has not really become an American phenomenon until relatively recently.  It was commonly mentioned in oral histories from the Vietnam War.  It explains why some grunts re-upped.  And many had trouble adjusting to the boredom of the home front.  (That’s why the grocery store cereal aisle scene is the most iconic from the movie.)  Our recent wars in the Middle East have had a similar vibe, except that our video game generation actively seeks the thrill of combat.  “Generation Kill” does an excellent job with this.  “The Hurt Locker”  is probably the best movie set in the Iraqi War, but “Generation Kill” is the go-to source for the soldier experience.  James is thankfully not a realistic portrayal of a typical soldier.  This is a problem because he fits comfortably into our anti-hero tradition, but the audience might get the impression he is a typical bomb disposal tech.  In fact, many actual experts were offended by the portrayal.  James is a Hollywood character and the liberties are justified.  However, just be aware that James does several silly things and much of his actions would never be allowed.  Our anti-heroes are expected to rock the boat, but they usually are not a-holes.  James is grade A.  Kudos to Boal, but  I wonder if the audience gets this.  Especially the current generation.  It doesn’t help that the last incident humanizes him.  The real heroes are Sanborn and Eldridge.  The guys who seriously considered fragging James and perhaps should have.

                “The Hurt Locker” is very competently done. Bigelow certainly deserved the accolades.  For a relatively low budget film, it has big production values. It was filmed in the heat of Jordan which added to the verisimilitude.  The cinematography is visceral.  The movie features multiple perspectives.  There is some strategic use of POV.  The opening explosion is special and sets the tone of danger for the rest of the film.  The movie is well-acted by an outstanding cast.  It’s basically a three man show and all are strong.  Renner was nominated for Best Actor and he is great.  He is perfect as the unlikeable James.  Mackie and Geraghty stay with him.  The dynamics between the trio are the foundation of the movie.  There is not a lot of dialogue, but what they say is true to soldier talk.  But it’s their interaction that is key.  Sanborn represents proper procedure and clashes with the rule-breaking James.  The bemused Eldridge is caught in the middle and is the designated PTSD casualty.  It is refreshing that he sides mostly with Sanborn.

                Surprisingly, “The Hurt Locker” is not really anti-war.  Bigelow and Boal were not interested in weighing in on the war.  The movie concentrates on the effects of war on men.  The only way to comprehend James is to go back to the opening quote.  What keeps the movie from being great is the impression that an Explosive Ordinance Disposal Team leader could get away with flouting the rules like James does.  What revs up the entertainment for the mass audience reduces it for a war movie fan that can discern bull crap when he sees it.


GRADE  =  A-