Showing posts with label rules of engagement. Show all posts
Showing posts with label rules of engagement. Show all posts

Friday, March 22, 2024

THE 100 BEST WAR MOVIES #69. A War (2015)

 



                        “A War” is a Danish war movie.  In Danish it is titled “Krigen”.  It was directed by Tobias Lindhoum (“April 9th”).  It was nominated for the Best Foreign Language Film at the Academy Awards.  It lost to “Son of Saul”, so there’s no shame there.  Some actual Danish soldiers who served in Afghanistan are in the cast.

                  The movie opens with a patrol in Helmund province in Afghanistan.  An IED kills a soldier.  His commander, Claus Pedersen (Pilou Asbaek), can do nothing to save the man as the movie intercuts to him at headquarters.  War can be very frustrating.  And the home front can be frustrating.  The movie covers Claus’ wife Maria (Tuva Novotny) as she raises three young children without her husband.  It ain’t easy.  One of them is acting out at school.   Back in Afghanistan, Claus decides to lead every patrol himself.  He is a great leader and empathetic towards his men and the civilians they encounter.  Claus tells his men that their mission is give the civilians a better life.  That’s nice, but the rules constrain him from doing everything possible for the poor people caught between the NATO forces and the Taliban.  He makes a terrible decision regarding a family asking for refuge and this starts dominoes falling.  When he leads a patrol to the family’s village, he decides to overlook the rules of engagement in order to avoid casualties like the soldier killed by the IED.  The incident results in him being accused of a war crime and sent back to Denmark for trial.  The second half of the film deals with military justice. His lawyer tells him he will have to lie and even then the evidence against him is damning.  He has to decide between telling a lie and losing his family or telling the truth and losing his honor.  And his men have to decide whether to tell the truth about the incident or support their commander.

ACTING:                      A

ACTION:                      N/A

ACCURACY:               N/A

PLOT:                           A

REALISM:                   A+

CINEMATOGRAPHY:     A

SCORE:                        not much; electronic; subtle 

BEST SCENE:  Butcher’s testimony

                        I was surprised at how good this movie is.  You would not expect a movie about Danish soldiers in Afghanistan to be one of the best movies about that conflict.  Hell, how many Americans even know that Denmark had troops in Afghanistan?  Americans need to broaden their horizons by watching more foreign war movies.  It doesn’t have to be American-made to be entertaining.  There have been movies that have dealt with war crimes in Iraq or Afghanistan, like “Battle for Haditha” and “The Mark of Cain”.   None are as good as this.  The acting is top notch.  This is the fourth time Asbaek has worked with Lindhoum.  As Claus, Asbaek is perfect as the man torn between his duty to protect his men and the rules of war.  He is also torn between his job as a soldier and his job as a husband and father.  Tuva Novotny turns in a strong performance as his wife.  It could be argued that she is the stronger of the two. The movie balances the stress of combat with the stress of raising a family by yourself.  The scenes from the home front and the combat zone have a different pace to them. The cinematography for the soldiers is all hand-held. It has an embed feel to it, similar to “Restrepo”. 

                  The movie is not a typical small unit film.  There is no dysfunction in the unit and Claus is a bit too perfect, but that probably reflects most Danish officers.  Although a Danish film, it could easily pass for an American movie and it does give Americans an accurate depiction of the confusing nature of the war in Afghanistan. It leads off with the loss of a 19-year-old on a patrol.  You have to wonder what was the purpose of the patrol. It is in daytime, so there is no chance they will run into the Taliban. If it is to reassure the villagers, they know that come dark or simply once the Danish are gone, the Taliban will be back and retaliating for any cooperation with the Danish. The movie is not meant to be a criticism of tactics in the war, but you can read between the lines and make your own judgment.   

                  The war crime could easily have happened to an American unit.  Our rules of engagement are similar.  The central question is one that American soldiers face, too.  Should the rules of engagement be overlooked in order to save soldiers’ lives?  That question hangs over the trial, even though the official answer is no.  The trial is the climax to this basic question of modern wars.  This type of trial would never have occurred in WWII and probably not in Vietnam. Ironically, when Claus adheres to the rules, it results in tragedy for a civilian family. It is unclear if the movie meant to signal that Danish officers sometimes bent the rules to protect their men, but not to protect the civilians that they were there to protect.  

                  The movie is thought provoking.  It has a “what would I have done?” vibe to it.  It does not take sides in the war.  It does not answer that central question.  It is up to you to decide if Claus did the right thing and whether you would have done the same.  Just remember for some veterans who have returned from Iraq and Afghanistan, the question that plagues them is “what should I have done?”

Wednesday, March 23, 2016

CRACKER? Rules of Engagement (2000)



                “Rules of Engagement” is a military courtroom drama directed by William Friedkin (his only war movie).  The story originated with decorated Marine veteran and U.S. Senator James Webb.  Friedkin had problems with Webb’s screenplay and someone else had to write the script that was used.  Webb was so resentful of this turn of events that he tried to prevent Pentagon cooperation on the film.  Later, after seeing the movie, Webb complimented the finished product.  The movie was partly filmed in Morocco.  The movie was criticized for its treatment of Arab Muslims.  The American-Arab Anti-Discrimination Committee claimed that the movie was the most racist movie ever made concerning Arabs.

                The movie begins in Vietnam in 1968.  The 54 year old Tommy Lee Jones plays 2nd Lt. Hays Hodges and the 52 year old Samuel L. Jackson plays his best friend 2nd Lt. Terry Childers.  (They couldn’t make these two old coots Captains?)  When Hodges’ platoon is ambushed, Childers executes an enemy prisoner to force a North Vietnamese officer to call off the dogs.  Twenty-eight years later, Hodges is preparing to retire from his job with JAG.  Childers is head of a Marine unit that is sent to defend the U.S. embassy in Yemen.  In the process of evacuating Ambassador Mourain (Ben Kingsley) and his family, the Marines take fire from snipers.  A mob has gathered outside the embassy and when Childers gets a view from the roof he sees people in the crowd firing at his men.  He orders his men to “waste the motherfuckers” and 83 Arabs end up dead, including women and children.  In the aftermath, no weapons are found and of course the world assumes Childers has perpetrated a war crime.  National Security Adviser Bill Sokal (Bruce Greenwood) decides to throw Childers under to bus to appease the Arab world.  Guess who Childers insists on for his lawyer?  He does not mind that Hodges is a bad lawyer and an alcoholic who has no self-esteem.  Time to return the favor.  The prosecuting attorney Maj. Biggs (Guy Pearce) is the usual overconfident hot shot.  And why shouldn’t he be? Hodges is guilty of firing on a crowd instead of the snipers who had actually killed some of his men.  But wait, that doesn’t make for a satisfying movie.
the two oldest grunts in Vietnam
                Sokal turns out to be a slimy politician who is willing to destroy evidence and bribe witnesses – for the good of the country, of course.  And for plot purposes.  Hodges starts the trial by telling the jury that he sucks as a lawyer and then proceeds to do nothing to disprove this.  The deck is stacked against Childers since no one is willing to testify that they saw weapons in the crowd.  And there is no tape to prove what Childers insists he saw.  Since this is a courtroom drama, there has to be a surprise witness and this one is a doozy.  Biggs brings in the NVA officer that Childers had atrocitized (I know there is no such word).  Hodges closing argument is: “It’s not murder, it's combat.”
damn, these dudes don't look a day older than when
they were in Vietnam 30 years earlier
                Maybe Friedkin should have stuck with Webb’s original script.  It could not have been worse than what he ended up with.  The movie is full of clichés and plot developments that make little sense.  The troubled, alcoholic lawyer who has one last chance to prove himself is not exactly original (see Paul Newman in “The Verdict”).  Neither is the corrupt politician who railroads a hero.  The script even throws in the old daddy issues trope.  Hodges never lived up to his father’s standards, but earns a hug and “atta boy” in the end.  The clichés are to be expected, it’s the ridiculous plot points that are troubling.  For instance, it makes no sense for Sokal to withhold evidence that would exonerate an American from an accusation of a war crime.  Why would Childers being found guilty be better than showing the world that his men were being fired on by the crowd?  As it is, without the tape, Childers is totally guilty and clearly violated the rules of engagement.  I read where Friedkin’s intention was to leave Childers’ actions ambiguous, but test audiences insisted on Jackson’s character being innocent so they had to add a scene where we see the tape showing people in the crowd firing weapons.  Nothing shown up to then had backed his claim.  Earlier in the movie, the same scene showed no weapons.  To make matters worse, the movie throws in a fact-finding trip to Yemen by Hodges to introduce a wounded girl who then appears firing a weapon on the tape.  Talk about jumping the shark!
 
                The movie is not a total disaster. The acting is fine and the only reason to watch it.  But Jones and Jackson are sufficient reason to watch any movie.  It’s a shame they weren’t given something better to work with.  By the way, if you are keeping track, Jackson says his first “motherfucker” at the five-minute mark.  Pearce is fine, but distractingly decided to adopt a weird accent.  Greenwood is appropriately slimy, but Kingsley looks lost.  The combat scene is well done and realistically chaotic.  Unfortunately, the trial itself lacks suspense.  Again I want to emphasize that this is because Childers is guilty.  I have to add that I  did not find the movie to be racist.

                It’s possible to make a good military courtroom drama.  “A Few Good Men” is an example of this.  “Rules of Engagement” is not in a league with that film.  The script is the weakness.  Maybe if they had not wimped out on the weapons in the crowd scenario.  However, who wants to see a movie where an American soldier fires on a crowd of innocent Muslims?  No American soldier would do that.  Even a soldier who once shot a prisoner in the head.       

GRADE  =  C-  




Friday, May 30, 2014

DOCUDRAMA or PROPAGANDA: The Battle for Haditha (2007)


SPOILER ALERT:  Because of the nature of this post (comparing the movie to the actual facts), I will cover the whole plot of the movie.


                “The Battle for Haditha” is misnamed as it is actually about the Haditha Incident (alternately called the Haditha Massacre or Haditha Killings).  It was probably the most infamous atrocity (or so it was claimed) of the Iraqi War.  The reenactment was filmed in documentary style by British filmmaker Nick Broomfield.  Broomfield cut his teeth on documentaries and used the minimalist approach for his second feature film.  He produced, directed, and co-wrote the movie.  Broomfield filmed in the city of Jerash, Jordan and used some ex-Marines in the cast and Iraqi refugees.  The cast was allowed to improvise some of their lines.  The finished product is controversial, to say the least.
                The film opens with a montage of several Marines describing their feelings about being in Iraq.  One says he’s only interested in surviving and does not know what he is there for.  Another mentions the problem of having civilians turn into combatants.  A third likens the situation to being similar to hunting because you have to think like the enemy.  Cpl. Ramirez (Elliott Ruiz) likens Iraq to the asshole of the world and the insurgents are like dingleberries.
                Words on the screen preview that the movie is about an incident in 2005 that involved an IED (improvised explosive device) killing a Marine and then subsequently the Marines killed 24 civilians.  (The perceptive viewer gets an inkling of what is to come by noting that the word “marines” is not capitalized.)  The Marines of Kilo Company, 3rd Battalion, 1st Marines are young and immature.  They listen to heavy metal in their Humvees and delight in pranking each other.  The barracks banter feels authentic.  The video game generation goes to war. 
                The movie has three threads.  The second revolves around Ahmad (Falah Flayla) who is a disgruntled Iraqi Army vet who is now unemployed.  He does not like the foreign Al Qaeda jihadists, but agrees to plant a command-detonated IED for $500.  He is assisted by a younger man who is just as immature as the Marines.  They plant the bomb in broad daylight along a road.
                The other thread follows a typical Iraqi family that is preparing to celebrate a toddler’s circumcision.  Hiba (Yasmine Hanani) is pregnant and in love with Rasheid.  The family and neighbors are aware of the bomb, but try to go about their lives and do not take sides.  One remarks that if they tell the Americans about the bomb, the jihadists will kill them.  If they don’t tell, the Americans will blame them.  Spoken like a South Vietnamese civilian.  The party is a good taste of Iraqi culture, but there is a heavy layer of dread.
                On Nov. 9, 2005, Ramirez’s squad of eleven Marines in four Humvees are hit by the IED.  The last Humvee is destroyed and a Marine is killed.  At the same time a white car is stopped on the other side of the road.  Ramirez, who is deeply affected by the death of his mate, executes the occupants.  A relative of the men opens fire from a nearby home.  Ramirez is given permission to take out the house, but it’s not the house the fire came from.  He interprets the “Rules of Engagement” to justify shooting first and asking questions later. 
                House 1 is greeted with a fragmentation grenade.  Ramirez and a few comrades indiscriminately kill most of the occupants although they are clearly noncombatants and none are armed.  Hiba and her boyfriend survive by hiding behind a chest.  The Marines move on to House 2 with similar results.  The “battle” is being monitored back at headquarters where a colonel orders a helicopter strike on a group of individuals walking together.  Hibas’ boyfriend is shot by a sniper because he is running (as per the ROEs = rules of engagement).  He high-fives his mates.  House 3 yields prisoners, but the killing is finally over.  A captain arrives and in a prayer for Cpl. Terrazas mentions the battle they have won.  He gives Ruiz a field promotion and recommends him for a Bronze Star.
                The Marine Corps issues a press release that 15 civilians were killed by the IED and another 8 were insurgents that opened fire on the convoy.  The story drew little media attention until a video made by the jihadists was released.  It contains eyewitness accounts which force the military to investigate.  Ramirez and three others are charged with murder.
                Taken at face value the movie is entertaining.  It’s definitely low budget, but Broomfield overcomes the vibe by giving it a vibrant documentary feel.  This is through mostly hand-held cinematography.  The negative side of this is some might swallow all of it as a factual documentary, although I am not accusing Broomfield of trying to put something over on the audience.  However, it is clearly apparent that Broomfield is offering an alternative view to the Marine Corps version.  The movie is obviously pro-Iraqi and anti-Marine Corps, but it is somewhat balanced.  Ramirez is depicted as suffering from stress and the rest of his squad are not evil.  The acting is adequate and does not get in the way of the story.  Ruiz is good, if a bit too earnest.  Hanani seems to have a future in the business.
                The movie has some noteworthy themes that could be enlightening to anyone with little knowledge  of the Iraqi War.  Civilians get caught in the crossfire in a conflict like this.  Rules end up being bent sometimes in stressful combat situations.  Atrocities happen.  Young Americans who view war as a game sometimes react outside the rules when confronted with its realities.
                I spent the whole movie wondering how much was true and looking forward to finding out.  It had some head-scratching moments like the planting of the bomb in plain sight.  Earlier, the bombers had gone through a check point without the Marines bothering to check the back of the truck where the bomb was hidden.  I suppose that was possible.  When running away from the scene, the bombers open fire for no good reason.  There is a scene where Ramirez goes to his commanding officer to admit to stress and ask to see a doctor.  The officer denies the request and cites Marine Corps policy.  I could not determine if this was factual, but it does not seem so. 
                I did a lot of research on the Haditha Incident and still cannot say definitively where the truth lies.  Although it is compared to the My Lai Massacre, it is a lot less clear exactly what happened here.  The movie presents the Iraqi version of what happened.  The American version goes something like this.  Ramirez represents Frank Wuterich.  The IED explosion is the same in both versions, but from there the stories diverge.  When the white car is stopped it is suspected of being involved in the ambush.  One of the men runs so Wuterich shoots him and then proceeds to shoot the others. Fire comes from the direction of House 1 and Wuterich leads a fire team in.  He did apparently tell them to shoot first, but it was dark and confusing inside.  It was unclear the victims were unarmed and supposedly an AK-47 was heard being “racked”.  The second house was taken because it was assumed someone from the first house ran there.  The group admitted to firing through the door which happened to have a man on the other side.  The situation inside this house was basically a replay of the first.  Only prisoners were taken in House 3 ( as per the film ).  At House 4, two men with AKs were shot and two others that were using the house as a refuge.  This incident was surprisingly not depicted in the film, but the Iraqi version contends that the four were innocent and were executed.
                The film adds a few things that even the Iraqis don’t claim.  The bombers were fictionalized.  There was no helicopter strike on a group.  No one was shot by a sniper while running.  The video was not by jihadists, it was done by a journalism student (who granted may have sympathized with the insurgents).
                At the time the film was made the latest development was the charging of Wuterich and three others for murder and the charging of several higher officers for a cover-up and non-investigation.  In the subsequent trial, all but Wuterich got off.  He was found guilty of a much lesser charge and basically given a slap on the wrist.  This lack of justice aggravated many, but NCIS did put 65 agents on the case and although the prosecution may have done a less than stellar job, it was understandably difficult to prove a case like this.  For instance, no Iraqis would testify.  Forensics tended to disprove the two execution scenarios and lenient interpretation of the ROEs left reasonable doubt as to premeditation or revenge.  It is instructive to note that the military tightened up the Rules of Engagement after this to no longer condone shooting of clearly unarmed civilians.
                So who is telling the truth – Broomfield and the liberal press or the military and Fox News?  As usual in cases like this the truth is somewhere in between.  Although I cannot discount the possibility that Broomfield is accurate,   I lean towards the Marine version.  With that said, I do not feel that even under a flexible interpretation of the ROEs, what happened in Houses 1 &2 and with the white car was justified.  Like an ex-Marine said, the Marines were the baddest asses in this situation and they should have been capable of asking questions first and then shooting.  To shoot civilians in two houses where they had not taken any fire from within indicated either payback or the desire to take no chances whatsoever.  As far as the white car, it seems logical that confronted with a group of very pissed off Americans, one might run and Wuterich would have snapped.  I do feel Wuterich got off easy.  In this respect he reminds of Lt. Calley.  The coverup also is reminiscent of My Lai and again the higher ups got off.  The press release was ridiculously false and there was no attempt to get to the truth until Time magazine broke the story.
                  So, what to make of the film?  I recommend it provided you realize it is one point of view about an historical incident.  I also suggest that you watch the Front Line documentary "Rules of Engagement" afterwards.  Then keep in mind that the truth is somewhere in the middle and we may never know what actually happened that day.

GRADE  =  B
the trailer

the whole film