On the third day of Christmas, my
true love gave to me… three Cain-marked Brits
“The Mark of Cain” is “based on
extensive research, but is a dramatic work of fiction.” I assume the research was about Abu
Ghraib and similar incidents. The made-for-TV British drama
won a BAFTA and Amnesty International recognized it as a “Movie That
Matters”. It is a tale set in Basra,
Iraq and then back home in Britain.
When Mark (Gerard Kearns) and
his buddy Shane (Matthew McNulty) arrive in Iraq, they and the other newbies
are counseled on the need to avoid violations of the rules of war. Their commander states that any unjustifiable
killing of civilians will result in the “mark of Cain”. A well-staged ambush results in the fiery
death of their commander. Vengeance is
in the air and a “search and detain vigorously” raid nabs some suspects. Cpl. Gant (Shaun Dooley) tells the men to lay
off the detainees, but has a change of heart and leads the
“interrogation”. The reluctant Mark is
peer pressured into joining in the “fun”.
Shane is a picture-taking participant.
Upon return to Britain, Mark
suffers from PTSD and guilt feelings which result in convenient
flash-backs. Shane suffers from picture
showing-off and a snitching girl friend.
The two and Gant are charged with war crimes. Gant and everyone up the chain of command
scapegoat the two privates. Mark admits
he was caught between moral courage (the ability to report atrocities) and
loyalty to his unit mates. He now feels
he chose unwisely and is torn apart by it.
Shane eventually comes to this conclusion as well. He is pressured to plead guilty at his
court-martial and take one for the team.
What will he do?
The film is meant to be
thought-provoking and basically succeeds although how we are to think is pretty
much shoved down your throat. Anyone
unaware of the Abu Ghraib-type activities would be informed by this movie. I think that was the point. (What I learned was that the Brits pointed at
wieners, too.) It is not as heavy-handed
as the Amnesty International endorsement would imply.
The movie is balanced cinematically. The ambush scene is of the new school
variety. Hand-held. Quick cuts.
Realistic soldier reactions (ex.
one guy freezes). The movie does
a fine job setting up the torture by showing the stress (e.g., that coke can could be
an IED) and fog of war (is having a lot of cash proof of insurgency?) the
soldiers went through. You are forced to
wonder how you would have reacted if some of your mates were killed by faceless
insurgents. Iraq = Vietnam. The home front scenes are also
realistic. Mark and Shane represent two extremes
of soldier post-combat reactions.
The movie is well made,
especially for a TV production. The
cinematography is interesting. The
flashbacks work in teasing out the torture.
The acting is fine. The three
leads are effective although Gant’s switch from warning against atrocities to
leading them is implausible. Dooley does
play slime-ball well. Kearns is
particularly poignant as the tortured torturer.
The movie attacks some easy targets. The military has a code of silence similar to
the police. Young men do bad things
under war stress. Military authorities
tend to cover up crimes that they encouraged. Hey British society, you have the mark of
Cain. Ours is way bigger than yours,
however. USA! USA!
USA!
Good gift? Sure, and
it’s so Christmasy. Actually I should
throw in a Genesis reference here.
Grade = B-
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