VS.
DIALOGUE: “Run Silent, Run Deep” gave us the famous line “dive, dive!” which
Richardson repeats numerous times during drills. The dialogue is good and there are some tense
exchanges between the two superstar actors.
The crew banter is fine and is helped by the debut of Don Rickles. He probably wrote some of his lines. In spite of his involvement, the movie lacks
a sense of humor. There are few
memorable lines, but it’s a manly movie and doesn’t need any. GRADE = B
“Operation Pacific” has an awkward romance
and the dialogue that goes with it.
There is little on sailor behavior so we don’t get much banter. This is a very officer-centric film. The only notable lines are some shots at the
movie they watch on board – “Destination Tokyo”. The movie is not overtly patriotic in its
dialogue. GRADE = C
FIRST QUARTER SCORE: Run Silent
= 8
Operation
Pacific = 6
ACTION: “Run Silent” has three convoy attacks, two destroyer sinkings, a sub
duel, and two airplane attacks. And a
brewing mutiny. There is plenty of
action, even if much of it is ridiculous.
GRADE = B
“Operation Pacific” has an average amount of
action. The love triangle and the
torpedo testing takes up a good amount of the plot. There is an encounter with a Q-ship, a brief
encounter with an enemy sub, and a convoy battle. None of it is believable. GRADE = D
HALFTIME SCORE: Run Silent
= 16
Operation
Pacific = 11
SPECIAL EFFECTS: “Run Silent” has some decent effects. The Navy assisted in the production
(surprising due to the mutinous plot) so there are a lot of surface shots of
subs. For the rare times that the USS
Nerka is submerged, the model in a swimming pool technique is used. The depth chargings are typical of the
genre. As usual, they are too
accurate. In WWII Pacific submarine
movies, Japanese escorts never miss by much, but seldom sink their prey. The sound effects are noteworthily
outstanding. GRADE = B
“Operation Pacific” has cheesy special
effects. The underwater shots are very
fake and there are some hilarious shots of torpedoes boinking off ship
hulls. The sub looks like a model in an
aquarium. In fact, the Pacific Ocean
looks about as deep as an aquarium. GRADE
= D
THIRD QUARTER SCORE: Run Silent
= 24
Operation Pacific = 16
ACCURACY: “Run Silent” has some of the most accurate firing sequence scenes in
sub movie history. This includes use of
the Target Bearing Transmitter for surface attacks. While being technically accurate, the movie
comes up short in historical accuracy.
“Down the throat” shots that the movie is predicated on were rarely
accomplished (or attempted) in the war. Subs
fighting each other submerged is virtually unheard of. The legendary ability of Bungo Pete flies in
the face of the established ineptitude of Japanese escorts. GRADE = C
“Operation Pacific” deserves credit for
depicting two historical incidents.
There was a significant problem with the Mark 14 torpedoes. The torpedoes frustrated the submarine effort
for the first two years of the war.
There was a problem with both the magnetic detonator and the firing pin
of the contact detonator. The movie
highlights the solution to the firing pin problem. The torpedoes were tested by dropping them
from a crane as depicted by the movie, but this was not done by a sub
crew. It is instructive of how Hollywood
deals with submarine warfare that most Pacific war movies do not allude to the
torpedo problems. In most films, every
shot is deadly. The death of Commander
Perry (Ward Bond) is based on the death of Commander Howard Gilmore (probably
the most famous submariner loss for the US Navy). The USS Growler was making a surface attack
when a patrol vessel attempted to ram.
The Growler rammed it instead, possibly in its attempt to avoid being
rammed. Gilmore was wounded by machine
gun fire from the wounded escort and famously ordered “take her down!” to save
the boat. He was awarded the Medal of
Honor posthumously. The sighting of the
Japanese fleet may have been inspired by the efforts of the Dace and Darter in
the Battle of Leyte Gulf. When the
Thunderfish picks up downed fliers (although this is done purely to facilitate
the lame love triangle), it accurately reflects a role subs played in the war
in the Pacific. GRADE = A
FINAL SCORE: Run Silent
= 30
Operation
Pacific = 25
ANALYSIS: “Run Silent” is considered the greatest American submarine
movie. Although overrated, it is
certainly better than a movie that relies on John Wayne to make a splash. “Operation Pacific” may do a service to the
silent service by bringing to light a significant problem and a laud-worthy
hero, but it is done in the guise of a “Destination Tokyo” wannabe. “Run Silent” has two John Wayne’s and the
tension between them. It is even more
far-fetched than “Operation Pacific”, but more entertaining.
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