Showing posts with label Go Tell the Spartans. Show all posts
Showing posts with label Go Tell the Spartans. Show all posts

Thursday, April 17, 2014

HAMBURGER HILL (1) vs. UNDER HEAVY FIRE (16)

 



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***  THIS MATCH SLIPPED THROUGH THE CRACKS.  I BET EVERYONE WAS WONDERING WHO HAD WON THIS MATCH.

 
 
 ACTING

“Hamburger Hill” has a cast of actors who were unknown at the time, but some were at the start of significant careers. The cast is likeable and does not perform like a bunch of rookies. They are a bit too sincere in spots and their line readings sometimes indicate they do not understand the slang they have memorized. Although there was no Dale Dyeish “boot camp”, they do not look like actors playing soldier. Dylan McDermott is good as the sergeant who leads by example on and off the battlefield. His contract specifically mentioned “don’t touch the hair”. The standout in the cast is Courtney Vance as Doc. He chews a little, but it is a memorable performance. It was the first significant film role for both as well as the underused Don Cheadle. The only weak performance is Steven Weber as the platoon sergeant. B

“Under Heavy Fire” has a similar cast of unknowns, but they will remain that way. The “big” star is Casper Van Dien as the troubled, but ruggedly handsome Capt. Ramsey. You know you are in trouble when you wish that Casper would have given the others acting lessons. Carre Otis, as a documentary film bunny, succumbs to his charms. She is also ruggedly handsome. The rest of the cast should have gone to acting camp. They are typically sincere, but fortunately they save the foaming for the end. D

FIRST QUARTER SCORE
Hamburger Hill = 8
Under Heavy Fire = 6


PLOT

HH is a battle film that has two distinct parts. The first half deals with character development and tutoring the audience on what the soldiers had to go through. We are supposed to relate to the five FNGs and empathize with them. The second half is the payoff with the battle. Intense action interspersed with soldier campfire banter and bitching. The expository moments advance the theme that the home front can kiss these soldiers’ asses. The movie is clearly anti-anti-Vietnam War (as opposed to pro-war). The plot is the standard “who will survive?” variety. Don’t get too attached to the men. B

UHF has a daring plot. It starts twenty years after the war with a group of vets returning to Vietnam with a documentarian in tow. Meeting them there is their ex-commander who went from “Most Likely to Succeed” to “Most Likely to Make Us Bleed” during their time together. The first scene introduces us to a friendly fire episode for which Ramsey is blamed. The film effectively uses flashbacks to gradually flesh out the arc that led to the unit dysfunctionality. This builds to … a reenactment of the friendly fire incident! The movie closes poorly. B

HALF TIME SCORE
Hamburger Hill = 16
Under Heavy Fire = 14


COMBAT

HH has a high quantity of combat. It reminds a lot of “Pork Chop Hill”. There is an intense opening combat scene and then a patrol mission, but the core of the movie is the sequence of frontal assaults up the titular hill. The violence is graphic and the deaths are random and unpredictable. There is some pretty gory stuff, including decapitations. The film manages to avoid being repetitive. Probably only “We Were Soldiers” has higher quality and that could partly be explained by the higher budget. A

UHF does a good job with combat considering the production values. One thing you can be sure of – if it’s a flashback, there is going to be some action. The incidents portrayed are a greatest hits compilation. For instance, there’s a patrol with the trio of mortars incoming, spider holes, and a sniper. There is a briskly paced tunnel scene. The big set piece is in Hue during the Tet Offensive. The urban combat is pretty good and leads to an atrocity that sets up the full circle return to the friendly fire incident. There is little shooting from the hip and few hands thrown up in the air deaths. B

THIRD QUARTER SCORE
Hamburger Hill = 25
Under Heavy Fire = 22


REALISM

HH is one of the more realistic Vietnam War movies. The soldier behavior and camaraderie is on target for the army midway through the war. The bonding versus racial tensions is well played. The only discordant note comes from the dialogue put in the actors’ mouths. The screenwriter uses every slang term ever uttered in the Nam to the point that the dialogue feels forced. The battle is one of the more famous ones from the war and the movie is solid in its realistic depiction of it. One could complain about the exaggerated mortality rate, but that’s a war movie sort of thing that will always be with us. Besides, the actual battle did have a high casualty rate (just not Hollywood high). B

UHF has some problems with reality. Some of the combat scenes evidence either an ignorance of combat or more likely a disregard of reality for entertainment purposes. For example, when confronted by an NVA tank, Ramsey calls for a Skyraider to drop its fuel tank which the unit fires at causing an explosion that destroys the target! The behavior of the main characters both in the war and upon their return is the biggest problem. They are too melodramatic and one dimensional in response to the stresses they encounter. This leads to the laughable reenactment scene which degenerates into a cartoonish standoff. By the way, when you are shot an inch above the heart, you don’t run around unaffected like Ramsey does. D

FINAL SCORE
Hamburger Hill = 33
Under Heavy Fire = 28


ANALYSIS

This match was a lot closer than I anticipated. I had never seen “Under Heavy Fire” before and assumed that it’s seeding at #16 meant it was the worst movie in the tournament. It by no means is a good movie, but it does take a different approach to the war. Unfortunately, friendly fire was a fact of life in Vietnam (“Hamburger Hill” has a scene where American helicopters fire on their own men) and to use an incident as the framework for a military mystery was intriguing. Of course, with the low budget and the poor actors, the idea did not match the execution, but it was a nice try. The categories used for this match-up did not lend itself to the strength of UHF. It uses a lot of POV footage which is overdone, but still effective. As far as HH, it may not deserve the #1 seed (which is based on generic movie reviewers), but it is still one of the more highly thought of Vietnam War movies. It has no spectacular elements like “Apocalypse Now”, “Full Metal Jacket”, or “Platoon”, but it also does not have some glaring weaknesses. It is a balanced movie overall.
 
 

Saturday, April 5, 2014

HAMBURGER HILL (1) vs. GO TELL THE SPARTANS (9)

          The first round is completed and we have 8 movies moving on. There were no major upsets, but the upcoming matchups look intriguing.

Hamburger Hill (1)
Go Tell the Spartans (9)

The Deer Hunter (4)
Platoon (5)

Apocalypse Now (2)
84 Charlie Mopic (7)

Full Metal Jacket (3)
Casualties of War (6)
 
 
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CHARACTERS
“Hamburger Hill” is balanced in its characters. There is a good mix of whites and blacks, veterans and replacements. The unit is heterogeneous, but not in a blatantly clichéd way like you see in 1940s and 1950s WWII movIes. No one is from Brooklyn. The movie concentrates on the five cherries, but the rest of the men are developed fairly well. Sgt. Frantz (McDermott) exemplifies the leadership of most Vietnam War sergeants. Doc aptly represents the stressed out medics who had to contend with the horrors inflicted on their charges. Biletsky is the FNG who has to grow up fast tempered by the cauldron of combat. A

“Go Tell the Spartans” is also a small heterogeneous unit movie, but it is much more clichéd. Col. Barker (Lancaster) is one of the top ten Vietnam War characters. He is the grizzled colonel who is a great leader, but not adept at playing the promotion game. Courcey is an interesting figure. He starts off as an enigmatic intellectual who appears to be out of place, then he goes native, but turns out to be a competent warrior. The rest of the men are stereotypes and badly written ones at that. The green, gung-ho LT, the druggie medic, the burned out vet. The most intriguing character is Cowboy – an ARVN corporal who is ruthless in dealing with any Vietnamese he assumes are VC. The twist to this odious guy is he is usually right. He is a portent to how Americans will come to view VC suspects”. C

FIRST QUARTER SCORE
Hamburger Hill = 9
Go Tell the Spartans = 7


SOLDIER BEHAVIOR

HH tries hard to be realistic in its portrayal of soldier life. The movie uses the replacements to tutor the audience in Vietnam War 101. The dialogue tries too hard to jam slang into every conversation. The unit dynamics are a strength. The movie has a good feel for black/white relations in a combat unit. There is tension, but they realize they depend on each other in the bush. The men evidence a fatalism that is reflected in the unit’s pet phrase: “It don’t mean nothing.” The men are not enthusiastic about the war, but they do their jobs. B

GTS is a bit anachronistic. Set in 1964, the attitudes of most of the main characters are more appropriate for later in the war. Barker is too pessimistic about the war, for instance. It is also jarring to have a drug addict in the unit. Lt. Hamilton does behave like the typical shavetail who thinks what he was taught in Officers Training School actually could be applied to that unconventional war. The film does not overdo the slang. C

HALF TIME SCORE
Hamburger Hill = 17
Go Tell the Spartans = 14


WEAPONS AND TACTICS

HH is based on an actual battle in Vietnam in 1969. The movie equips the actors with appropriate weapons, but several are armed with a later model of the M-16 than was available in the battle. Others are armed with M-60s and M-79 grenade launchers. The enemy are armed with AK-47s. There are no recoilless rifles even though in the actual battle they were keys to neutralizing the enemy bunkers. As far as tactics, the film is true to the frontal attacks that were forced by the American general that insisted on capturing the hill in spite of the fact that the terrain negated American mobility and fire support. B

GTS is not based on a real battle. The weaponry is circa 1964. Lt. Hamilton carries a Thompson, as do some of the ARVN. Barker is armed with a M3 grease gun. Most of the Americans have M1 Carbines and the ARVN mostly use M1 Garands. These weapons appear to be spot on (although I question the Thompsons in the hands of Vietnamese grunts). One discrepancy is the use of mortars to hit targets ten yards away. The movie makes a point of questioning American tactics explicitly (unlike the implicit criticism of HH). Barker is flummoxed by higher command’s desire to garrison an unimportant base in the middle of enemy controlled territory. The tactics used in defending the outpost are simplistically depicted, but not far off. Patrols are sent out and the enemy assault is a typical frontal attack at night that is defeated by firepower. C

THIRD QUARTER SCORE
Hamburger Hil =l 25
Go Tell the Spartans = 21


ACCURACY

HH is a micro view of the Battle of Ap Bia Mountain (Hill 937). The movie does not try to give the big picture and the audience is left in the dark about the strategy necessitating what is depicted on the screen. The recreation of the battle is as close as you could ask for. It even has one (there were at least three) of the friendly fire by choppers incidents (although in reality the fire was rockets, not machine guns and less men were killed). Although the movie exaggerates the death rate (what war movie doesn’t?), the battle was actually very brutal and costly. One inaccuracy is between assaults, the men sit around in safety when in reality the battle was noted for having no front line and the enemy did a lot of infiltrating. B

GTS attempts to replicate the advisory period of U.S. involvement. It is based on a novel which was written by a war correspondent who was in S. Vietnam during the time period. He went on a mission to evacuate a village which was discovered to be abandoned and then imagined what it would have been like if the village had been converted into an outpost and had then come under enemy attack. One can question the accuracy of the attitudes at this stage of the war. The U.S. was arming and training the ARVN and local defense militias were incorporated. The corruption of S.V. high command is accurate as is the overconfidence of American leadership. The big problem is that the attitudes of most of the Americans is more appropriate for 1968 than 1964. C

FINAL SCORE

Hamburger Hill = 33
Go Tell the Spartans = 28


ANALYSIS

“Go Tell the Spartans” is a movie that was overshadowed by two other Vietnam War movies when it came out in 1978 (“The Deer Hunter” and “Coming Home”). It could definitely be argued that it is superior to those two bloated epics. It is hampered by its low budget and some shoddy acting, but its heart is in the right place and has a cogent comment to make about the quick sand that the war devolved into. “Hamburger Hill” is the better movie overall because of superior acting, action, and accuracy. Interestingly, HH is more graphic in its combat, but less anti-war than GTS. By going micro, it fails to illuminate the misguided strategy involved in the battle. In this respect, it fumbled the chance to be an “after” to GTS’s “before” perspective.
 
 

Saturday, March 22, 2014

MARCH MADNESS 2014: Vietnam War Movies


 
 
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                This year’s March Madness tournament is to determine the best Vietnam War movie.  In order to fairly judge the competitors, I limited the field to movies that have some combat in them.  This left out films like “Coming Home” and other mainly home front films.  Some other logical choices like “Rumor of War” were left out because I have no easy, legal access to them.  The seeding is based on their Rotten Tomatoes rating.  If they are too obscure to have a rating, I used my best judgment to seed them.  Here is the bracket:

1 -   Hamburger Hill

16 -  Under Heavy Fire


9 -   Go Tell the Spartans

8 -   Bat-21

 
4 -   The Deer Hunter

13 -  The Green Berets

 
12 -  Siege of Firebase Gloria

5 -    Platoon

 
5 -   Apocalypse Now

15 – The Tunnel Rats

 
10 -  We Were Soldiers

7 -    84 Charlie Mopic

 
3 -   Full Metal Jacket

14 -  Platoon Leader

 
11 -  Boys in Company C

6 -    Casualties of War

As usual, each matchup is divided into four quarters with each quarter being a different category where the film is judged on a scale of 1-10.  By the way, to prepare for the tournament I read the excellent book “Red Thunder, Black Lightning” by Eric Bergerud.  It is a study of the experiences of American soldiers in Vietnam concentrating on the 25th Infantry Division (the unit portrayed in “Platoon”).  There is a lot of oral history in it.  I also watched “The Anderson Platoon” documentary.  Although I have read extensively on Vietnam War fiction and nonfiction, I wanted to be on as solid ground as possible in analyzing how realistic the movies are.

Let the tournament begin and may the best film win!

Bat-21  (9)  vs.  Go Tell the Spartans  (8)

ACTING:

                “Bat-21” is based on the true story of the rescue of a downed SAM countermeasure expert in the closing days of America’s involvement in the Vietnam War.  It is essentially a two actor movie with Gene Hackman playing Lt. Col. Hambleton and Danny Glover playing FAC Lt. Clark.  When Hambleton parachutes into enemy territory, Clark in his Skymaster (a propeller plane used for forward air control) maintains contact with him and aids in his rescue.  The two leads are their usual dependable selves although the characters are stock.  Hambleton is the REMF who wants a taste of action and Clark is the underappreciated, but dedicated trooper.  Jerry Reed has a good turn as Clark’s commanding officer who has to juggle common sense caution with the desire to turn Clark loose.  The rest of the cast is adequate with a grating performance by David Grant as Clark’s dauntless search and rescue chopper buddy.  B

                “Go Tell the Spartans” is a fictional tale of American military advisers in 1964.  A squad of Americans are ordered to take a small force of ARVN and local militia to garrison a supposedly strategic outpost in the middle of enemy territory.  The acting is a mixed bag.  A 65 year old Burt Lancaster, who was fully invested in the project (literally), has one of his best performances as the weary and cynical Lt. Col. Barker.  He dominates the movie.  The rest of the cast is an ensemble of thought-they-would-bes.  The performances vary from cringe-inducing to sincere, but forgettable.  Craig Wasson does a much better job one year removed from “The Boys in Company C” as the idealistic draftee that goes native.  C 

FIRST QUARTER:

Bat-21                                    8                             

Go Tell the Spartans           7

PLOT

                “Bat-21” is based on the remarkably resource intense, but wasteful rescue of Lt. Col. Hambleton.  The plot is very predictable.  You never doubt Hambleton will survive and Clark will be responsible for his rescue almost singlehandedly.  There is a character that is dead meat from the moment he enters.  The movie features the tired old trope of the brass holding back the seasoned vet (Clark).  Although surprisingly accurate in spots, the movie has the feel of implausibility throughout.  It has some good action and lots of low budget pyrotechnics.  The plot is obviously designed to evoke admiration for the spirit of American soldiers and does not question the war.  C

                “Go Tell the Spartans” is based on a novel entitled “Incident at Muc Wa”.  Although fictional, the plot fits American involvement in Vietnam in 1964.  The plot is cynical and anti-war.  Of course, in 1978 hindsight was easy, but the plot does accurately reflect the quagmire we were entering.  The ending is predictable, but the route to get there is not.  The movie deftly juggles the headquarters scenes with the scenes at the outpost.  B

HALFTIME SCORE

Bat-21                                    15

Go Tell the Spartans            15

COMBAT
 
                “Bat-21” has a surprising amount of action considering it is basically a rescue movie.  For example, Hambleton is forced to kill a civilian.  The big set piece involves two helicopters and a “deserted” ville that is laying in wait for them.  We get the unique view of a chopper dropping mines, which figure in the death of a main character, of course.  Much of the combat consists of air strikes by a Skymaster firing rockets and two F-5s (doing a poor imitation of F-4 Phantoms) dropping bombs they clearly do not have.  With that said, the film is much more a study of search and rescue than a film about combat in Vietnam.  D

                “Go Tell the Spartans” is low budget so the combat reflects this.  It does have more action than most Vietnam War movies.  There are a couple of night patrols that result in ambushes.  There is a big night assault by the Viet Cong on the outpost that expends a lot of blanks and explosions.  Air support is brought in.  It was too dark for me to tell if the fighters were actually carrying bombs.  The battle results in the usual extremely high percentage of dead to simply wounded.  There is also a melee as the survivors try to break out of the surrounded outpost.  C

 THIRD QUARTER SCORE

Bat-21                                    21

Go Tell the Spartans            22

REALISM
 
                For a movie based on a true story that is packed with the potential to be a great movie, “Bat-21” fumbles the premise by throwing in the usual Hollywood bull crap.  In order to concentrate on the relationship between Hambleton and Clark (which in reality did not exist), the movie gets overly melodramatic and features long dialogues presumably to give the enemy time to zero in on the transmissions.  Surprisingly, the movie tones down the effort to rescue Hambleton.  In reality, the military went to extraordinary measures to rescue downed air men and his is a classic case.  C

                “Go Tell the Spartans” is the most realistic take on the military advisers’ stage of U.S. involvement in Vietnam.  The characters may be stereotypes, but the scenario is true to the hair-pulling nature of the war.  For example, Barker has to bribe a corrupt ARVN general to get artillery support.  His commanding officer orders him to garrison an untenable location, confident that Americans can’t lose.  The movie is excellent in depicting the confusion of who the enemy was.  There is even a humorous dig at the McNamara-inspired use of statistics to determine enemy intentions.  The downbeat ending is realistic considering the situation.  B

FINAL SCORE

Bat – 21                                28

Go Tell the Spartans          30

ANALYSIS
 
            This was an interesting matchup between two movies set at opposite ends of the American experience in Vietnam.  The tone is also totally the opposite.  “Bat-21” is extolling the spirit of the American warrior and the comradeship of our soldiers.  Its central theme is how we would do almost anything to rescue our own.  It is an optimistic film.  “Go Tell the Spartans” has a cynical, we should have known better attitude.  Considering the nature of the war, it is more true to the war than “Bat-21”.  Simply put, “Go Tell the Spartans” is a better and certainly more important Vietnam War movie.