#2 Run Silent, Run Deep vs. Hellcats of the Navy

VS.

PLOT:  “Run Silent, Run Deep” is a movie based on the most famous submarine novel.  The author was a sub skipper named Edward Beach, Jr.  He was not happy with the adaptation of his novel.  Commander Richardson (Clark Gable) is obsessed with getting revenge on a Japanese escort destroyer called “Bungo Pete”.  He is given command of the Nerka which is awkward because its exec named Bledsoe (and the crew) was expecting him to be promoted to commander.  Richardson drills the crew on a crash dive and shot up the bow on his great white whale.  When Richardson reinterprets their orders and heads for Bungo Strait, he butts heads with his exec.  Mutiny is in the air.  The plot took a great novel and ruined it.  There is little in the movie that makes sense even for fiction.  Richardson (Gable) is supposed to be your classic crazy like a fox, but he is just crazy, if you know submarine warfare.  Critics and audiences don’t.  GRADE  =  C

If “Run Silent” is dumb, “Hellcats” is dumber.  It has a similar command dysfunction theme.  Commander Abbott (Ronald Reagan) abandons a frogman when a Japanese destroyer comes along.  His exec Lt. Cmdr. Landon has a problem with that decision and because he is a wimp, Abbott puts the kibosh on him getting his own boat.  They stay together for the next patrol so we can have some tension.  They go on a mission to land commandoes to blow up stuff on a Japanese island.  Later, they are part of a wolfpack (the Navy called them Hellcats) sent to Japanese waters.  As though the plot is not bad enough with its ridiculous developments, the script throws in a clumsy romance between the future President and First Lady.  GRADE  =  F

FIRST QUARTER SCORE:  Run Silent  =  6

                                             Hellcats  =  4

ACTING:  “Run Silent” is overrated mainly because of the casting of Gable and Lancaster.  And the script gives them the conflict you want from two alpha males.  Both are great and the supporting cast is fine.  Don Rickles made his film debut and brings some comedy relief.  Jack Warden and Brad Dexter are also on board and have their own conflict going on as surrogates for Richardson and Bledsoe.  GRADE  =  A

“Hellcats” has B-List actors doing their thing.  Reagan was on the downhill of his career and it shows.  He is wooden and his scenes with Nancy are excruciating.   He does manage to keep a straight face through scenes like where he (as the freaking captain) goes over the side to clear a net from the propeller and proceeds to get caught in the net.  If you drink enough, the movie has its hilarious moments.  GRADE  =  D

HALFTIME SCORE:  Run Silent  =  15

                                   Hellcats  =  9

TACTICS:  For the definitive American WWII submarine movie, “Run Sllent” is surprisingly bad on tactics.  This is mainly because Richardson is bat-shit crazy.  His “move” is to bait a destroyer into charging at his sub, then crash diving and shooting at the destroyer’s bow.  Why would you wait to crash dive?  Because it’s exciting, I guess.  Hell, the dude stays on the surface even when radar picks up aircraft.  The director obviously did not know how to film after dark because the Nerka does all its attacking on the surface.  As an equal opportunity offender, the movie also screws up the Japanese tactics.  They have a sub doing escort duty.  The Japanese actually pigheadedly insisted on concentrating their subs on going after capital ships.  The movie features the very rare duel between two subs.  They both submerge and when the Nerka comes back up, the Japanese boat does too!  To top it off, the Nerka sinks the enemy boat by firing under a Japanese freighter!  That was one deep draft sub!  GRADE  =  F

“Hellcats” is equally head-scratching, but it has the excuse of “what do you expect?”  To tell the truth I expect better from a movie that had Vice Admiral Charles Lockwood (the initiator of the Hellcat wolfpacks) as technical adviser.  He must have been asleep on the set.  Abbott sneaks into a Japanese harbor and then surfaces during the day time.  Sound familiar?  Stick around.  A Japanese sub surfaces to fire at him.  Later, Landon dives and sinks a destroyer.  I guess he should have been the captain all along.  GRADE  =  D

THIRD QUARTER SCORE:  Run Silent  =  19

                                              Hellcats  =  14

CLICHES:  “Run Silent” set the standard for the command dysfunction.  Not only does the exec resent the outsider coming in over his rightful promotion, but they disagree on philosophy and tactics.  A mutiny results.  A crew member is left on deck during a dive.  There is a black mess mate.  During a depth charging, they release debris and bodies.  The depth charges are incredibly accurate.  A destroyer is sunk by a bow shot.  The crew listens to “Tokyo Rose”.  GRADE  =  D

“Hellcats” also has a crew member left behind in a dive.  This actually happens twice!  The command dysfunction is of the type where the captain blackballs his exec (like in “Torpedo Run”).  There is a commando raid.  The Starfish follows a freighter through a mine field.  Later, they go through another mine field and have a mine cable scrape their side.  A depth charging is very accurate.  Landon sinks a destroyer with a bow shot.  GRADE  =  D

FINAL SCORE:  Run Silent, Run Deep  =  24

                           Hellcats of the Navy  =  19

ANALYSIS:  As you can tell, I am not a big fan of “Run Silent”.  I am a big fan of the book, but the movie is full of clichés and flaky tactics.  The central conflict between Richardson and Bledsoe is entertaining, but its resolution is unsatisfactory.  While “Hellcats” has several truncated scenes, “Run Silent” has a bizarrely abrupt ending.  In many ways the movies are similar with “Run Silent” having the advantage of star power and a bigger budget.  “Hellcats” looks cheap in every aspect.  

SUB MOVIE: Hellcats of the Navy

  

                “Hellcats of the Navy” claims to be based on the nonfiction book by ComSubPac Charles Lockwood and Hans Christian Adamson.  The book is about Operation Barney which was the attempted infiltration of Japanese waters with the American equivalent of a wolfpack.  The movie is loosely based on the mission. It was directed by Nathan Juran and starred Ronald Reagan in his second to last movie role.  The movie is famous for the pairing of Reagan and his second wife Nancy (billed as Nancy Davis).  It was their only movie together.  The screenplay was by blacklisted Bernard Gordon, which is ironic considering Reagan’s pro-blacklist stance.  The production had the full cooperation of the Navy.  It was allowed to film at the San Diego naval base and on board a submarine.  To emphasize the cooperation, Chester Nimitz introduces the film with some vague reference to America taking the war to Japanese home waters. 

                The USS Starfish is off the coast of Japan on a mission to disarm a mine and bring it back.  A frogman named Barton (Harry Lauter) is abandoned when Commander Abbott (Reagan) has to crash dive because of a Japanese destroyer.  It’s the right decision, but it is complicated by the fact that Lauter was putting the moves on Abbott’s ex-girlfriend.  The exec, Lt. Commander Landon (Arthur Franz), feels Abbott was personally motivated by his decision to leave Lauter.   When they return to Guam, Abbott is reunited with nurse Helen (Nancy) who is not upset that her new beau is gone.  She prefers the mule to the wolf.  The Starfish’s next mission is to take out an island via commando raid.  Ridiculous explosions ensue.  Explosions for explosions sake. They have an ill-fated encounter with a Japanese sub, but Abbott manages to bring back charts of a mine field so it’s all good.  Back at base, Abbott turns in a scathing fitness report that wrecks Landon’s career due to the belief that he is a wimp who cannot make tough decisions.  This from the man who just lost his boat and sixteen men because he disobeyed orders.  In spite of the bad blood, Landon will continue as his exec so he can redeem himself. 

                The brass sends a trio of three-sub wolfpacks to Japan’s inner waters.  Abbott’s sub traverses a mine field with the obligatory cable scraping.  He sinks seven ships in five minutes in a harbor.  Elect this guy President!  But wait, there’s more.  On the way out, the boat gets a net wrapped around the propeller.  Guess who strips down to untangle the net?  And yet Nancy has to keep her starched white nurse’s uniform buttoned to the chin throughout the movie (and probably through the production).   While Ronnie may have thought of himself as being the equivalent of Burt Lancaster, he would be damned if Nancy was going to be Deborah Kerr.  In one of the silliest scenes in war movie history, Abbott gets caught in the net.  An approaching destroyer gives Landon the chance to redeem himself by diving with Abbott still entangled.  Just doing what you dared me to do, skipper.  Plus payback, sweet!  In a “screw you, cliché” development, Abbott survives to continue his zombielike romance with Helen.  Hurray?

                In my recent binging of sub movies, I have come to the conclusion that the percentage of sub movies that are below average war movies is very high.  This is surprising because you would think the cramped confines of a sub would lend themselves to dramatic tension, character development, and ensemble acting.  Interiors should be relatively easy to recreate, although filming in cramped quarters can be hell.  The special effects are a problem and it is difficult to avoid the look of fakery, but the audience is usually understanding of that.  The subgenre lends itself well to the action followed by exposition format of many war movies.  It has the advantage of combining the visceral thrill of sneaking up on an enemy and stabbing them by way of a torpedo and land combat in the form of commando raids. In other words, you can see ships blow up and stuff blow up.  And depth chargings work much better for drama than artillery bombardments.  And yet, so many sub movies blow it.  Since there are so many well-established clichés, it is difficult for a sub movie to be original and high quality.  Most sub movies do not achieve either of these. “Hellcats of the Pacific” is especially bad because it does not even try to be creative or top-notch.

                There is nothing quality about the film.  If not for the pairing of the Reagans, it would be totally forgettable.  The acting is terrible.  Reagan is stiff and Nancy matches him.  You can see why Helen was attracted to Barton, but not what he saw in her.  This love triangle is reminiscent of the equally lame one in “Operation Pacific”. The Reagans’ scenes together are hard to bear.  The dialogue is atrocious.  The plot makes little sense.  In this case, the movie cribs from “Torpedo Run”.  Don’t ask why you would want to steal from two bad sub movies.  The effects fit the film well.  They are terrible, too.  The models are particularly fake looking.   As usual, the depth charges are incredibly accurate.  They result in “Star Trek” type jostling of the crew.

                There would be some compensation if the movie was historically accurate.  You would think the involvement of Lockwood as technical adviser would have insured an acceptable degree of accuracy.  Not to  mention the rare appearance of Chester Nimitz himself.  So how accurate is it?  There was an Operation Barney.  In July, 1943, Lockwood sent three subs in to the La Perouse Strait and then into the Sea of Japan.  They charted the mine fields, but did not find much to hunt.  Later the acclaimed Wahoo under the command of the famous “Mush” Morton was sunk in the area.  It was assumed the loss was due to a mine.  Lockwood vowed revenge and put Operation Barney into motion.  Hydeman’s Hellcats (a trio of three-sub wolfpacks) would take advantage of the new FM sonar tech that allowed them to detect mines.  The operation took place in June, 1945 and resulted in a disappointingly low total of 28 Japanese ships sunk.  One sub, the Bonefish, was lost.   As you can deduce, the movie is not exactly a documentary. 

  

                If you have not seen “Hellcats of the Navy”, only watch it if you are insane enough to try to watch every sub movie.  Who would do something like that?  You might also watch it if you want to get drunk.  Take a drink every time you groan.

GRADE  =  F

YOU WANT SUBMARINE CLICHES? U-571 (2000)

                If you want to see every WWII submarine movie wrapped into one, you should watch “U-571” and you will be an expert on the subgenre.  Released in 2000, the screenwriters must have thought the time was right for a summary of all the clichés that had accumulated in this type of war film since the first WWII sub movie came out during the war.  It was directed by Jonathan Mostow who wrote the story and was one of the screenwriters.  The film was shot in the Mediterranean near Malta and Rome.  It did pretty well at the box office and with the American critics (we’ll talk about the British critics later).  It won the Academy Award for Sound Editing.

Cliché ahead!

                The movie begins with a crawl informing us that it is 1942 and u-boats are threatening to cut the Atlantic supply lines.  It essential that the German naval code be broken and that means stealing an Enigma machine.  One becomes available when U-571 sinks a cargo ship, but gets damaged by the subsequent depth charging and signals for a supply/repair sub.  The SOS is intercepted and a special mission is planned to take the u-boat and thus acquire an Enigma machine.  Meanwhile the sub resurfaces and the captain orders the machine-gunning of survivors from the cargo ship.  He is an evil Nazi.

                The obsolescent S-33 is given the task.  4  It is disguised to pass for the supply u-boat and a special operative named Maj. Coonan (David Keith) is added to lead the boarding party.  The captain of the sub is Lt. Commander Dahlgren (Bill Paxton).  There is a command conflict because he squelched his exec Lt. Tyler’s (Matthew McConaughey) promotion because he believes Tyler cares too much about the crew and would not be willing to sacrifice lives.  1

                The S-33 arrives at the site of U-571 on a dark, rainy night.  Coonan and his boarders are disguised as German sailors.  He takes the sonar man, the executive officer, the chief of the boat, and the radio man with him.  (You know, all the essential personnel that Dahlgren can’t afford to lose.)  The capture of the u-boat goes smoothly.  Just kidding.  The taking of the u-boat is action-packed and well-staged.  The Enigma machine (an actual one) is acquired.  Ensign Larson is killed because he wrote a letter to his new wife and had a portrait of her.  (Not just a sub cliché.)  The boarding team is headed back to the S-33 when the real supply u-boat arrives and without bothering to identify either sub, puts a torpedo into the S-33.  It blows up real good.  Tyler and the surviving boarders return to U-571 and he dives the boat as Dahlgren urges him to be a man and sacrifice his floating comrades.  3 Tough way to gain a job referral.

                Tyler and his intrepid band are able to operate the u-boat and win an underwater duel with the German boat that includes a torpedo that scrapes the side of U-571.  You don’t get any closer than that.  Tyler resurfaces to look for survivors and they pick up two – the black mess mate  7  and the German captain masquerading as an ordinary seaman.  Tyler has a little trouble adjusting to Dahlgren’s admonition that a good captain has to be a horse’s ass.  Seaman Mazzola (Erik Palladino) questions Tyler’s authority and encourages firing on an ME-109 that is scoping them out.  Don’t ask what a short range fighter is doing in the middle of the Atlantic because then you will have to ask what that German destroyer is doing out there.

                They take out the German destroyers radio antenna with an incredibly accurate deck gun shot and then dive under the ship missing the keel by inches (at least they didn’t scrape by).  Here comes the depth charging.  This is one of the best of this trope.  Intense with good effects.  We get to know all their facial features.  It’s quality plus quantity as the Germans drop about eighty explosives and at one point about twenty explode in a ten second span.  Many of them right alongside the hull.  They are forced down below “hull crush depth”, but that German engineering belies that depth gauge.  2  That doesn’t mean we don’t get leaks and rivets popping to make us wonder.  To throw off the Germans, Tyler has the corpse of Mazzola (conveniently killed by the German captain) and debris fired out of a torpedo tube.  5

                Tyler orders “Trigger” (Tom Guiry) to sacrifice himself for the good of the boat.  Now he really is a skipper and a damned good one.  When the sub resurfaces, the destroyer is chasing and straddling the sub with each salvo.  Apparently trying to sink the sub by swamping it.  There’s only one chance and it’s a one in a million bow shot with their last torpedo.  If they don’t hit their target, the Enigma machine will be lost and so will the war.  We’re here today so guess what happens.

                “U-571” is historically inaccurate in an offensive way.  The movie assigns credit for getting the Enigma machine to the U.S. Navy because an American audience would never see a movie where the heroes are not American, right?  Like “Braveheart”, “Breaker Morant”, “Cross of Iron”, “The Train”, “Schindler’s List”, etc.  At least William Wallace was Scottish.  Here are the facts.  The first naval Enigma machine was captured by the HMS Bulldog from U-110 in May, 1941.  In 1942, additional Enigma code books were taken from U-559 by HMS Petard.  Neither incident involved Americans.  If the producers thought noone would notice, they did not take into account people like me and the entire Royal Navy.  Even Prime Minister Tony Blair called it an affront to British sailors, which was an accurate statement.  The outcry caused the studio to add a postscript crediting the Bulldog and the Petard.  U-571 did exist and was sunk by a depth charge dropped by a plane.  S-33 was stationed in the Pacific.

                There are a few “based on an actual incident” fudges in the film.  There was one example of a sub torpedoing another submerged sub, but that was one incident in the entire war.  There was also one incident where a German u-boat attacked survivors from a Greek ship, but that sort of atrocity was extremely rare.

                The movie assumes the viewers do not care about historical accuracy and that they have not seen very many submarine movies.  The ridiculous pile of clichés might seem fresh to non-war movie buffs, but if you’ve seen more than a few WWII submarine movies, you’ve seen this movie.  There are also a lot of implausibilities that are grating, starting with that supply u-boat arriving in the middle of the Atlantic at just the right moment and then firing a torpedo (that it did not have because those type of subs were not armed with them) under one sub to sink another.  However, if you are of a generation that did not grow up with the Old School WWII movies, “U-571” is a nice throwback.  The acting is good.  McConaughey is solid and the supporting cast led by Harvey Keitel as the chief is fine.  Not counting Jon Bon Jovi.  The action is consistent and suspenseful.  It has a kitchen sink aspect to it.  It is technically proficient with great sound and good special effects.  The interiors are authentic looking.  The plot tries to class up the action with the theme of Tyler growing into command and the sacrifices a commander must make.

Band of Brothers - they ain't

                “U-571” is the “Memphis Belle” of submarine movies.  In both cases, you can see an entire subgenre of clichés in one viewing.  It has a record 7 out of my nine (see below).  This is okay if you don’t watch many war movies and you like your entertainment brainless with hunks (Jon Bon Jovi / Harry Connick, Jr.)  Here’s another movie of that ilk – “Fly Boys”.  If you liked two out of those three – see the other one!

grade =  C+

WWII SUBMARINE MOVIE CLICHES

1.  There are two strong personalities on board that butt heads.  Usually it’s the captain and his exec.

2.  The sub has to go below the “hull crush depth” causing leaks and rivets to pop.

3.  Someone gets left on deck when the sub has to make an emergency dive.  Usually it’s the captain who is wounded and. orders the boat to dive.

4.  The sub is sent on an emergency operation.

5.  The boat releases oil, debris, and/or a corpse to make the enemy think it has been sunk.

6.  The captain is an Ahab who is obsessed with a certain target.

7.  There is one black on board – he is a mess mate.

8.  The sub undergoes a depth charging.  Often the depth charges explode right alongside the sub, but never crush the walls of the sub.

9.  The sub lands commandoes.   Usually this results in things being blown up.

10.  The sub captain attains redemption for a previous action that haunts him.

OTHER WWII SUB MOVIES

UP PERISCOPE  (1959)   The mission is to land a frogman on a Japanese island to steal a code book.  4  The captain is not thrilled to have the commando on board  and is a by the book type.  He does not want to risk the boat by taking dangerous risks.  1  On the way there, the sub is strafed and the exec is caught on deck, wounded, and orders the boat to dive.  3  When a destroyer chases them, the captain releases diesel oil and bubbles to fool their sonar.  5  The frogman swims ashore and steals the codes.  9  There  is a black mess mate on                                    board.  7   # of clichés =  6   grade =  C

TORPEDO RUN  (1958)  A captain whose family was left in the Philippines is sent to sink a Japanese aircraft carrier.  When the carrier is spotted, a ship carrying his family is screening it.  He takes the shot anyway.  6  He and his exec disagree about how far he should go to carry out a mission.  1  The captain gets a second crack at the carrier in Tokyo Bay, but fails again.  There is a black mess mate.  7  When the carrier is spotted in the Aleutians, the sub is sent on an emergency mission to get it.  4  Number of depth chargings = 3.  # of clichés = 5  grade =  C-

WE DIVE AT DAWN  (1958)  A British sub crew is recalled early to track down a German battleship.  4  During a depth charging, they release a dead German corpse, oil, and debris.  3  They sink the battleship, but have to go ashore to get fuel and food and to blow things up.  9   One depth charging.  # of clichés =  4  grade =  B-

CRASH DIVE  (1943)   The mission is to land a commando team to destroy a Japanese Q-Ship base.  9  The confict between the captain and the exec is due to the exec putting the moves on the captain’s fiancé.  1  There is a black mess mate on board.  7  During a depth charging, the captain releases debris.  5  When the periscope gets hit, the captain stays on deck to act as the eyes of the sub.  3  Number of depth chargings = 1   # of clichés =  6    grade =  D+

HELLCATS OF THE NAVY  (1959)  The captain has to dive while a frogman is still missing.  The frogman was dating the captain’s girl, so the exec and the crew suspect ulterior motives.  The mission is to launch a commando raid on a Japanese island.  9  When they return to base, the captain gives his exec a bad evaluation because he feels he is not willing to make tough decisions.  1  The next mission is to join a wolf pack going into the Sea of Japan.  When the sub’s propellers get caught in a net, the captain goes to release them and orders the sub to dive when it is threatened.  3  Number of depth chargings = 2.  # of clichés =  4   grade =  F

RUN SILENT, RUN DEEP  (1955)  A desk captain is placed over an exec who was expecting to be promoted to command of the sub.  1  The captain is obsessed with getting a Japanese destroyer called Bungo Pete which had earlier sunk his sub.  6  A crew member is left on deck during an emergency dive.  3  There is a black mess mate.  7  During a depth charging, they release debris and bodies.  5  They sink Bungo Pete and then duel a Japanese sub.  Number of depth chargings =  2  # of clichés =  6   grade =  C

OPERATION PACIFIC  (1951)  The captain is wounded by a Q-Ship and orders a dive while sacrificing his life so John Wayne (his exec) can take command of the sub and the movie.  3  The sub has to deal with the problem of faulty torpedoes.  They work to fix this problem.  They participate in the Battle of Leyte Gulf where they are tasked to rescue downed pilots, but also get to sing some ships.  Number of depth chargings =  2.  # of clichés =  2  grade =  C

DESTINATION TOKYO  (1943)  The emergency mission is to drop off a commando team to report on weather conditions for the Doolittle Raid.  4 / 9  They sink an aircraft carrier that is launching planes to attack the Raiders.  They survive a depth charging.  8  A bow shot sinks a chasing destroyer.  # of clichés =  3  grade =  C 

SUBMARINE COMMAND (1951)  A sub skipper is torn by the loss of his previous commander at teh end of WWII in the Pacific, but gets a chance for redemption on a commando raid in the Korean War.   3  The captain is left on deck by the exec in an emergency dive.  4  The sub is part of an operation to liberate a POW camp.  7  There is a black messmate, but he has a small role.  9  The sub lands two commando teams to take out phone and radar stations.  10  The commander gets a chance to sacrifice his sub instead of a crew member.  Number of depth chargings = 1  # of cliches =  5 
grade =  C     

I know I have not included "Das Boot".  It's upcoming as one of the top ten.