#7 Crash Dive vs. #10 Operation Pacific

VS.

PLOT:  “Crash Dive” is a love triangle set around a submarine movie.  Hot shot PT-boat ace Lt. Stewart (Tyrone Powers) is transferred to the silent service.  He is exec to Lt. Commander Dewey (Dana Andrews).  In an awkward development, the wolfish Stewart stalks a comely school teacher named Jean (Anne Baxter) who coincidentally is engaged to Dewey.  The USS Corsair patrols the North Atlantic and encounters a Q-ship.  Later, they are sent on a special mission to destroy the Q-ship base.  The plot is heavily tilted to the 1940s style triangle which is very predictable.  The sea scenes are trite and not instructive of life on a submarine.  The big action scene at the base is blustery and unbelievable.  GRADE  =  D

“Operation Pacific” is a John Wayne movie.  Wayne is exec on the USS Thunderfish.  The love triangle in this movie involves his ex-wife being wooed by his captain’s brother.  Wayne wants her back and so does everyone else (including the captain!).  The Thunderfish also has an encounter with a Q-ship which results in Wayne taking command.  In between patrols, the movie takes on the problems that plagued American torpedoes in the first half of the war.  On a later mission, his sub runs into an entire Japanese fleet, including an aircraft carrier.   The plot is weak with its lame romance and everything else is equally predictable.  There are several action sequences that are laughably unrealistic.  GRADE  =  C

FIRST QUARTER SCORE:  Crash Dive  =  5

                                             Operation Pacific  =  6

ACTING:   “Crash Dive” is a three person affair.   The cast is a good one with Powers playing the wolf but laying it on a bit thick.  Baxter is lovely and manages to gloss over the fact that she is a sl**.  Andrews has to play morose cuckold and is a bit wooden.  The crew contains the usual crusty chief, but gives the obligatory black steward a bit more to do than serve food.  He is not a caricature.  The acting is formulaic to match the movie.  GRADE  =  C

Wayne is Wayne and I don’t have to tell you that romance was not his forte.  He and Patricia Neal had no chemistry (maybe because they did not get along on the set).  Ward Bond is good while he lasts.  Philip Carey acts like a man who is competing against John Wayne for the same woman.  In other words, hopeless.  The supporting cast is nondescript.  GRADE  =  C

HALFTIME SCORE:  Crash Dive  =  11

                                   Operation Pacific  =  12

TACTICS:  The encounter with the Q-ship is problematical as the Corsair comes up on the surface to inspect it and is totally taken by surprise.  One torpedo would have easily taken care of the problem.  The egress from the Q-ship base is done partially submerged with the captain guiding the sub past shore batteries that should have easily sunk it.  It’s an exciting image if you can see it through your tears of laughter.  GRADE  =  D

“Operation Pacific” is just as hazy on tactics.  They spot an aircraft carrier and fire only two torpedoes instead of the usual six.  In their encounter with their Q-ship, they fall for a white flag and surface.  They end up ramming the Japanese ship which is pretty ridiculous.  Once they solve the torpedo problem, they have no trouble sinking ships with little firing solution efforts.  GRADE  =  D

THIRD QUARTER SCORE:  Crash Dive  =  16

                                               Operation Pacific  =  17

CLICHES:  In “Crash Dive”, the sub is sent on a special mission to destroy an enemy base.  This involves landing a commando group.  They blow lots of things up.  There is dysfunction between the CO and the exec over a girl.  There is a black mess mate on board.  He goes on the raid.  When the periscope gets hit, the captain stays on deck to guide the boat.  During a depth charging they release debris to fool the pursuers.  The sub follows a ship through both an anti-submarine net and a mine field.  GRADE  =  D

In “Operation Pacific”, the captain gets left on deck when he is wounded by the Q-ship.  Wayne gets redemption for his decision to dive with his captain left on deck.  They fix the problem with the torpedoes, although this is done ashore.  They survive a depth charging that is incredibly accurate, but does not do much damage.  GRADE  =  B

FINAL SCORE:  Crash Dive  =  21

                           Operation Pacific  =  25

ANALYSIS:  I did not plan this matchup.  It’s just a coincidence both involve love triangles which is not shocking considering how common this trope is in war movies (although not that common in sub movies).  The scenes involving Q-ships are bizarre, however.  Truthfully, neither movie is in the upper level of submarine movies.  “Operation Pacific” is the winner mainly based on its surprising lack of clichés.  It is also a slightly more realistic look at submarine operations.  Both have lame romances, but at least “Operation Pacific” does not make it the main raison d’etre.  Plus, it has John Wayne, even it is not one of his stellar performances.

SUB MOVIE: Crash Dive (1943)

                “Crash Dive” is a mid-WWII sub movie directed by Archie Mayo (his only war movie).  It starred Tyrone Power who had enlisted in the Marine Corps.  His trip to boot camp was delayed so he could finish the film.  He did not make another movie until 1946.  The sacrifices women had to make for the war effort!   Power would eventually retire as a Major in the Marine Corps Reserve.  The movie had the full cooperation of the Pentagon which hoped for a recruiting boost from it.  Mayo was allowed to film at New London Submarine Base, but no newer subs were allowed to appear on film.  The film was made in technicolor, which indicates its importance as far as the studio was concerned.

                The movie raises a red flag immediately when it plops a PT boat in the middle of the Atlantic.  Lt. Stuart (Power) picks up survivors of a u-boat sinking, spots the u-boat, and sinks it with depth charges.  None of those things happened in the Atlantic during the entire war.  Stuart is a huge fan of PT boats.  If he could, he would marry one.  However, his admiral uncle persuades him (for the good of recruitment) to join the silent service.  He is sent to New London, Connecticut and assigned exec to Lt. Commander Dewey Connors (Dana Andrews).  While on leave he puts the moves on a teacher named Jean (Anne Baxter) who is taking some girls on a field trip to Washington.  At first, Jean is turned off by the wolfish Stuart, but he persists in a predatory way.  He is so successful that the school marm goes out on the town with him, leaving the girls alone in a hotel room.  Then she guiltily rushes home, thus ending the girls’ trip early.  Did I mention she is engaged to Connors?  That’s right, she’s a slutty school teacher.  Stuart may be a sexual predator, but at least he does not know that Jean is engaged to his CO.

                The USS Corsair (with black mess mate on board) goes on patrol in the Atlantic.  Apparently it is the entire Atlantic sub fleet as every other boat should be in the Pacific.  They encounter a Swedish freighter, but it opens fire.  It’s a Q-ship!  Those dastardly Nazis.  Luckily, the Q-ship is a terrible shot and cannot hit a stationary sub before it crash dives.  Instead of putting a torpedo in the helpless ship, Connors hides on the bottom.  He uses the classic expelling debris trickery to escape.  He and Stuart bond through the depth charge experience.  They are best friends when they return to base for a binge of fruits, vegetables, and milk!  This all becomes awkward when they found out that they have something in common – Jean.  She’s in love with Stuart by now, for plot purposes.  The command dysfunction cliché kicks in just in time for their special mission to destroy the Q-ship base.  If you think the love triangle is ridiculous, wait for one of the most ludicrous commando raids in sub movie history.  Try to stick around for Stuart’s paean to every type of ship in the US Navy.  Young men, I may love PT-boats and submarines, but there are other options.  Buy war bonds!

                “Crash Dive” is a propaganda and patriotic soufflé.  It is very fluffy and looks good in its glorious technicolor, but it is not very filling.  In fact, the technicolor is the only thing that stands out.  Everything else is second-rate.  The script could hardly have been worse.  It attaches the dusty love triangle to unbelievable sub action.  It does reinvent the love triangle a bit by having the female be the weak leg and having all three legs intact at the end.  I do not think the screenwriters (and most of the audience) bothered to consider that Jean betrays Connors for a man that manipulated her and she falls in love with that guy.  But he’s Tyrone Power, so it’s okay.  Even Connors accepts that fact.  With the love triangle sucking the air out of the movie, there is no room for depiction of sailor life.  The film does develop an interesting relationship between the black steward and the crusty Chief.  And it gives the steward some action.  This for a 1943 movie.  Kudos!  The acting is not a detriment.  Power, Baxter, and Andrews are solid, although Power is forced to give that gag-inducing speech at the end. 

                “Crash Dive” is in the “one Oscar club” of sub movies along with “The Enemy Below”, “Torpedo Run”, “U-571”, and “Hunt for Red October”.  In this case the award was for Best Visual Effects and maybe they were awesome in 1943, but they are underawesome today.  The Q-ship base set is particularly fake-looking.  And the raid on that base is so full of pyrotechnics and expenditure of ammo that you would swear you were watching a John Woo film.  A bad John Woo film.  The fire and explosions build to one of the most laughable scenes in sub movie history as Connors pilots the semi-submerged sub past a shore battery.  Try not to chortle.  And try not to believe that anything in the movie is historically accurate.  The movie insults my intelligence.  Why place PT-boats and subs in the Atlantic?  I can understand putting the smoochy stuff in New London, but all oceans look alike so why isn’t the Corsair in the Pacific with its brethren?  The Germans had Q-ships, but so did the Japanese and the idea of an island base in the Atlantic is crazy.  I can only assume the studio felt the public wanted roasted Nazis more than dead Japs in 1943.

GRADE  =  D

YOU WANT SUBMARINE CLICHES? U-571 (2000)

                If you want to see every WWII submarine movie wrapped into one, you should watch “U-571” and you will be an expert on the subgenre.  Released in 2000, the screenwriters must have thought the time was right for a summary of all the clichés that had accumulated in this type of war film since the first WWII sub movie came out during the war.  It was directed by Jonathan Mostow who wrote the story and was one of the screenwriters.  The film was shot in the Mediterranean near Malta and Rome.  It did pretty well at the box office and with the American critics (we’ll talk about the British critics later).  It won the Academy Award for Sound Editing.

Cliché ahead!

                The movie begins with a crawl informing us that it is 1942 and u-boats are threatening to cut the Atlantic supply lines.  It essential that the German naval code be broken and that means stealing an Enigma machine.  One becomes available when U-571 sinks a cargo ship, but gets damaged by the subsequent depth charging and signals for a supply/repair sub.  The SOS is intercepted and a special mission is planned to take the u-boat and thus acquire an Enigma machine.  Meanwhile the sub resurfaces and the captain orders the machine-gunning of survivors from the cargo ship.  He is an evil Nazi.

                The obsolescent S-33 is given the task.  4  It is disguised to pass for the supply u-boat and a special operative named Maj. Coonan (David Keith) is added to lead the boarding party.  The captain of the sub is Lt. Commander Dahlgren (Bill Paxton).  There is a command conflict because he squelched his exec Lt. Tyler’s (Matthew McConaughey) promotion because he believes Tyler cares too much about the crew and would not be willing to sacrifice lives.  1

                The S-33 arrives at the site of U-571 on a dark, rainy night.  Coonan and his boarders are disguised as German sailors.  He takes the sonar man, the executive officer, the chief of the boat, and the radio man with him.  (You know, all the essential personnel that Dahlgren can’t afford to lose.)  The capture of the u-boat goes smoothly.  Just kidding.  The taking of the u-boat is action-packed and well-staged.  The Enigma machine (an actual one) is acquired.  Ensign Larson is killed because he wrote a letter to his new wife and had a portrait of her.  (Not just a sub cliché.)  The boarding team is headed back to the S-33 when the real supply u-boat arrives and without bothering to identify either sub, puts a torpedo into the S-33.  It blows up real good.  Tyler and the surviving boarders return to U-571 and he dives the boat as Dahlgren urges him to be a man and sacrifice his floating comrades.  3 Tough way to gain a job referral.

                Tyler and his intrepid band are able to operate the u-boat and win an underwater duel with the German boat that includes a torpedo that scrapes the side of U-571.  You don’t get any closer than that.  Tyler resurfaces to look for survivors and they pick up two – the black mess mate  7  and the German captain masquerading as an ordinary seaman.  Tyler has a little trouble adjusting to Dahlgren’s admonition that a good captain has to be a horse’s ass.  Seaman Mazzola (Erik Palladino) questions Tyler’s authority and encourages firing on an ME-109 that is scoping them out.  Don’t ask what a short range fighter is doing in the middle of the Atlantic because then you will have to ask what that German destroyer is doing out there.

                They take out the German destroyers radio antenna with an incredibly accurate deck gun shot and then dive under the ship missing the keel by inches (at least they didn’t scrape by).  Here comes the depth charging.  This is one of the best of this trope.  Intense with good effects.  We get to know all their facial features.  It’s quality plus quantity as the Germans drop about eighty explosives and at one point about twenty explode in a ten second span.  Many of them right alongside the hull.  They are forced down below “hull crush depth”, but that German engineering belies that depth gauge.  2  That doesn’t mean we don’t get leaks and rivets popping to make us wonder.  To throw off the Germans, Tyler has the corpse of Mazzola (conveniently killed by the German captain) and debris fired out of a torpedo tube.  5

                Tyler orders “Trigger” (Tom Guiry) to sacrifice himself for the good of the boat.  Now he really is a skipper and a damned good one.  When the sub resurfaces, the destroyer is chasing and straddling the sub with each salvo.  Apparently trying to sink the sub by swamping it.  There’s only one chance and it’s a one in a million bow shot with their last torpedo.  If they don’t hit their target, the Enigma machine will be lost and so will the war.  We’re here today so guess what happens.

                “U-571” is historically inaccurate in an offensive way.  The movie assigns credit for getting the Enigma machine to the U.S. Navy because an American audience would never see a movie where the heroes are not American, right?  Like “Braveheart”, “Breaker Morant”, “Cross of Iron”, “The Train”, “Schindler’s List”, etc.  At least William Wallace was Scottish.  Here are the facts.  The first naval Enigma machine was captured by the HMS Bulldog from U-110 in May, 1941.  In 1942, additional Enigma code books were taken from U-559 by HMS Petard.  Neither incident involved Americans.  If the producers thought noone would notice, they did not take into account people like me and the entire Royal Navy.  Even Prime Minister Tony Blair called it an affront to British sailors, which was an accurate statement.  The outcry caused the studio to add a postscript crediting the Bulldog and the Petard.  U-571 did exist and was sunk by a depth charge dropped by a plane.  S-33 was stationed in the Pacific.

                There are a few “based on an actual incident” fudges in the film.  There was one example of a sub torpedoing another submerged sub, but that was one incident in the entire war.  There was also one incident where a German u-boat attacked survivors from a Greek ship, but that sort of atrocity was extremely rare.

                The movie assumes the viewers do not care about historical accuracy and that they have not seen very many submarine movies.  The ridiculous pile of clichés might seem fresh to non-war movie buffs, but if you’ve seen more than a few WWII submarine movies, you’ve seen this movie.  There are also a lot of implausibilities that are grating, starting with that supply u-boat arriving in the middle of the Atlantic at just the right moment and then firing a torpedo (that it did not have because those type of subs were not armed with them) under one sub to sink another.  However, if you are of a generation that did not grow up with the Old School WWII movies, “U-571” is a nice throwback.  The acting is good.  McConaughey is solid and the supporting cast led by Harvey Keitel as the chief is fine.  Not counting Jon Bon Jovi.  The action is consistent and suspenseful.  It has a kitchen sink aspect to it.  It is technically proficient with great sound and good special effects.  The interiors are authentic looking.  The plot tries to class up the action with the theme of Tyler growing into command and the sacrifices a commander must make.

Band of Brothers - they ain't

                “U-571” is the “Memphis Belle” of submarine movies.  In both cases, you can see an entire subgenre of clichés in one viewing.  It has a record 7 out of my nine (see below).  This is okay if you don’t watch many war movies and you like your entertainment brainless with hunks (Jon Bon Jovi / Harry Connick, Jr.)  Here’s another movie of that ilk – “Fly Boys”.  If you liked two out of those three – see the other one!

grade =  C+

WWII SUBMARINE MOVIE CLICHES

1.  There are two strong personalities on board that butt heads.  Usually it’s the captain and his exec.

2.  The sub has to go below the “hull crush depth” causing leaks and rivets to pop.

3.  Someone gets left on deck when the sub has to make an emergency dive.  Usually it’s the captain who is wounded and. orders the boat to dive.

4.  The sub is sent on an emergency operation.

5.  The boat releases oil, debris, and/or a corpse to make the enemy think it has been sunk.

6.  The captain is an Ahab who is obsessed with a certain target.

7.  There is one black on board – he is a mess mate.

8.  The sub undergoes a depth charging.  Often the depth charges explode right alongside the sub, but never crush the walls of the sub.

9.  The sub lands commandoes.   Usually this results in things being blown up.

10.  The sub captain attains redemption for a previous action that haunts him.

OTHER WWII SUB MOVIES

UP PERISCOPE  (1959)   The mission is to land a frogman on a Japanese island to steal a code book.  4  The captain is not thrilled to have the commando on board  and is a by the book type.  He does not want to risk the boat by taking dangerous risks.  1  On the way there, the sub is strafed and the exec is caught on deck, wounded, and orders the boat to dive.  3  When a destroyer chases them, the captain releases diesel oil and bubbles to fool their sonar.  5  The frogman swims ashore and steals the codes.  9  There  is a black mess mate on                                    board.  7   # of clichés =  6   grade =  C

TORPEDO RUN  (1958)  A captain whose family was left in the Philippines is sent to sink a Japanese aircraft carrier.  When the carrier is spotted, a ship carrying his family is screening it.  He takes the shot anyway.  6  He and his exec disagree about how far he should go to carry out a mission.  1  The captain gets a second crack at the carrier in Tokyo Bay, but fails again.  There is a black mess mate.  7  When the carrier is spotted in the Aleutians, the sub is sent on an emergency mission to get it.  4  Number of depth chargings = 3.  # of clichés = 5  grade =  C-

WE DIVE AT DAWN  (1958)  A British sub crew is recalled early to track down a German battleship.  4  During a depth charging, they release a dead German corpse, oil, and debris.  3  They sink the battleship, but have to go ashore to get fuel and food and to blow things up.  9   One depth charging.  # of clichés =  4  grade =  B-

CRASH DIVE  (1943)   The mission is to land a commando team to destroy a Japanese Q-Ship base.  9  The confict between the captain and the exec is due to the exec putting the moves on the captain’s fiancé.  1  There is a black mess mate on board.  7  During a depth charging, the captain releases debris.  5  When the periscope gets hit, the captain stays on deck to act as the eyes of the sub.  3  Number of depth chargings = 1   # of clichés =  6    grade =  D+

HELLCATS OF THE NAVY  (1959)  The captain has to dive while a frogman is still missing.  The frogman was dating the captain’s girl, so the exec and the crew suspect ulterior motives.  The mission is to launch a commando raid on a Japanese island.  9  When they return to base, the captain gives his exec a bad evaluation because he feels he is not willing to make tough decisions.  1  The next mission is to join a wolf pack going into the Sea of Japan.  When the sub’s propellers get caught in a net, the captain goes to release them and orders the sub to dive when it is threatened.  3  Number of depth chargings = 2.  # of clichés =  4   grade =  F

RUN SILENT, RUN DEEP  (1955)  A desk captain is placed over an exec who was expecting to be promoted to command of the sub.  1  The captain is obsessed with getting a Japanese destroyer called Bungo Pete which had earlier sunk his sub.  6  A crew member is left on deck during an emergency dive.  3  There is a black mess mate.  7  During a depth charging, they release debris and bodies.  5  They sink Bungo Pete and then duel a Japanese sub.  Number of depth chargings =  2  # of clichés =  6   grade =  C

OPERATION PACIFIC  (1951)  The captain is wounded by a Q-Ship and orders a dive while sacrificing his life so John Wayne (his exec) can take command of the sub and the movie.  3  The sub has to deal with the problem of faulty torpedoes.  They work to fix this problem.  They participate in the Battle of Leyte Gulf where they are tasked to rescue downed pilots, but also get to sing some ships.  Number of depth chargings =  2.  # of clichés =  2  grade =  C

DESTINATION TOKYO  (1943)  The emergency mission is to drop off a commando team to report on weather conditions for the Doolittle Raid.  4 / 9  They sink an aircraft carrier that is launching planes to attack the Raiders.  They survive a depth charging.  8  A bow shot sinks a chasing destroyer.  # of clichés =  3  grade =  C 

SUBMARINE COMMAND (1951)  A sub skipper is torn by the loss of his previous commander at teh end of WWII in the Pacific, but gets a chance for redemption on a commando raid in the Korean War.   3  The captain is left on deck by the exec in an emergency dive.  4  The sub is part of an operation to liberate a POW camp.  7  There is a black messmate, but he has a small role.  9  The sub lands two commando teams to take out phone and radar stations.  10  The commander gets a chance to sacrifice his sub instead of a crew member.  Number of depth chargings = 1  # of cliches =  5 
grade =  C     

I know I have not included "Das Boot".  It's upcoming as one of the top ten.