Showing posts with label John Irvin. Show all posts
Showing posts with label John Irvin. Show all posts

Monday, December 21, 2015

BOOK / MOVIE: The Dogs of War (1974/1980)




                “The Dogs of War” is a movie by John Irvin (“Hamburger Hill”, “When Trumpets Fade”) based on the novel by John Forsyth.  The movie was filmed in Belize and is set in a fictional African nation of Zangaro.  It is a story of an attempted coup by mercenaries on behalf of a British corporation that wants mineral rights in the country.  It stars Christopher Walken, two years removed from “The Deer  Hunter”.

                The movie begins with our anti-heroes fleeing from a botched rebellion in some Central American nation.  Their leader, Cat Shannon (Walken), returns to his seedy apartment in New Jersey and tries to reconcile with his ex-wife.  He wants to settle down and move to Wyoming or some such place.  She and the audience say “sure!”  Oh well, back to work.  Shannon gets a job from a shady character named Endean (Hugh Millhis).  His boss is the CEO of a large corporation which wants a crazy African dictator named Kimba overthrown because the tycoon wants to spread democracy.  Just kidding, he wants the mineral rights so he can add that next billion to his wallet.  Being a mercenary, Shannon takes the job and reunites the band.  First, he has to reconnoiter the capital of Zangaro.  Two things of significance happen on the scouting expedition.  He meets a comely African lass who turns out to be Kimba’s mistress.  The second thing is that because of the girl he gets tortured by Kimba’s lackeys.  In prison he meets a kindly doctor who lost the election to Kimba.  Upon return to America, Shannon begins preparation for the coup.  After acquiring the necessary weapons (including a bad-ass gun called a XM-18) , Shannon and his four buddies take a freighter to Africa.  They are joined by some Africans who will serve as cannon fodder.  The plan is to assault the Presidential compound with extreme prejudice and then Endean will bring in an equally repulsive African general to become the new Idi Amin.  Except this monster will be in corporation’s pocket.

                “The Dogs of War” is one of the more famous mercenary movies.  It bears closest resemblance to “The Wild Geese” and is part of a subgenre that continues with the recent “Expendables” movies.  “Dogs” is an above average entry in the soldiers of fortune milieu.  Like most of them, it is low budget.  And the cast is actors who are either going to be famous, or more likely, on the downside of their careers.  Usually these movies are ensemble pieces, but “Dogs” is really a one man show.  Walken dominates with his smoldering intensity.  He must have intimidated the editor because his second in command Tom Berenger got left mostly on the cutting room floor. The rest of the cast is blah.  And we don’t care because there is virtually no character development.  Technically the movie is average.  The cinematography is nothing special.  Irvin is not trying to stand out from typical merc flicks in his first feature film.  The action sequences are pedestrian.  The tired, but trusted trope of good guys firing randomly to create fireworks.  The one outside the box move was to include the XM-18 which is a multi-barreled assault weapon that can fire a variety of ordinance such as fragmentation, grenades, anti-tank, and anti-personnel.  It really livens up the party. 

                The plot is predictable and cliché-ridden.  Shannon is a war –weary warrior who only knows how to do one thing.  Naturally he loses his wife over his avocation.  He may not be a lover, but he is a killer with a heart of gold (or in this case, platinum). Endean represents the evil, greedy tycoon who is more powerful than any politician.  The movie includes some twists that the average mercenary movie fan will be surprised by, but the average viewer will see coming from a mile away.  (Oops, I think I just questioned the intelligence of merc movie maniacs.  Sorry.  Don’t get your panties in a bunch.  Oops.)  It would have been nice if the dialogue was a little tongue in cheek (like “Expendables”), but this is the young Walken, not the SNL Walken.  In fact, the funniest moment comes when the four mercenaries enter the compound and pose for a kick-ass movie poster with guns a blazin’.  The big action set piece is entertaining in a mindless way, but the buildup is boring.

                As  I have mentioned before, my theory is that any competently made movie based on a book should be better than the source material.  The only excuse is if the technology or budget is not capable of replicating scenes from the book.  There is no excuse for the plot to be worse than the book.  In this case, the plots differ in substantial ways.  The book is in many ways a tutorial for anyone who wants to overthrow an African dictator.  Forsyth was familiar with mercenaries, arms dealers, and African coups.  He spends the vast majority of the book showing off his insider’s knowledge.  Thankfully the movie just alludes to all the details that go into overthrowing an African government.  I found all the jetting around by the various team members to put all the pieces together to be tedious.  Maybe if I wanted to be a soldier of fortune someday, but the truth is that I could care less about an “end user” certificate.

                Where the book is superior to the movie is in the set-up and pay-off.  The novel gives the background that the movie is obtuse about.  Forsyth covers the geologist discovering the platinum at a mountain in Zangara and Marson’s subsequent efforts to get a monopoly on the site.  We also learn how Shannon finds out that the mission is wealth dominated.  Part of this knowledge comes from an affair with Marson’s sluttish daughter.  The book does not have the wife subplot.  (We get Jo Beth Williams instead of Bo Derek.)  The battle is also quite different, but ends up in basically the same place.  It is more realistic tactically than the film, but not as entertaining.  The aftermath of the coup is better in the book.

MOVIE =  C

BOOK  =  D

Tuesday, January 28, 2014

When Trumpets Fade (1998)





                ‘’When Trumpets Fade” is the best movie ever made about the Battle of Hurtgen Forest.  It is also the only movie about the battle.  Anyone familiar with the battle knows it will be bleak if realistic.  That was one fucked up battle.  It is the type of movie that could not have been made before its time.  It is one of the best examples of what I call the VioLingo School of modern war movies.  Vio refers to realistic violence and Lingo refers to realistic soldier life and language.  This school also often features an anti-hero.  “When Trumpets Fade” has one of the most memorable.  The film was directed by John Irvin (“Hamburger Hill”) for HBO.  This was before HBO became the creative force that it is today.  The film was a preview of great things to come.

                The movie opens very strongly with Pvt. Manning (Ron Eldard) carrying a buddy through a burned out landscape on his back.  The mortally wounded soldier begs to be put out of his misery and Manning complies.  Manning is an odd mixture of Audie Murphy  and John Yossarian (“Catch-22”).  He may be a bit anachronistic because he realizes he is suffering from PTSD and is not ashamed to admit it.  When he tries to get a Section 8 (mentally unfit due to combat stress), Capt. Pritchett’s (Martin Donovan) counter offer is to promote him to squad leader and hand him replacements.  One of them is a fat guy with glasses named Sanderson (Zac Orth) who in a typical war movie is the deadest of meat.
If you are smoking a cigarette in a 1998 war
movie you are either bad or a badass

                On their first patrol, through a foggy forest, Manning puts Sanderson on point seemingly to get the cliché accomplished as fast as Gardner in “Platoon”.  Sanderson gets separated from the squad, but does encounter the face of Nazism in the form of a German sergeant.  Manning, ever the self-preservationist, leaves Sandy behind.  Sandy (having never seen a war movie) does the WTF move of surviving. 

                The big picture is the Americans have to take a bridge crossing “at all costs”.  The big push starts with the cannon fodder gingerly moving through the mine-laden forest until…  Plus the German artillery opens fire.  Tree bursts.  Graphic wounds.  Decapitations.  Chaos.  There are now some openings in command.  Manning keeps getting promoted in spite of himself.  You’ve heard of the Peter Principle, I suggest the Manning Principle defined as “being promoted despite not wanting it”.  Manning is promised his Section 8 if he takes out a battery of 88s.  When one of his charges panics and it catches, Manning shoots him. This is the right thing to do, but only adds to his reputation of being a dick.  Sandy goes all flame-thrower on the battery - mission accomplished.  Unfortunately, Pritchett has snapped due to a hellacious river crossing assault, so no deal.  In fact, how about another promotion?


                Manning has fought the system unsuccessfully and now it’s time to play the game.  He assembles a crack trio that includes Sanderson and the fighting medic Chamberlain (Frank Whaley).  The idea is to eliminate some German tanks so the next brainless frontal assault on the river crossing will succeed.  Better to die on a suicide mission.  Who will be the “Lone Survivor”?

                “When Trumpets Fade” is a great movie and yet relatively unknown.  It got lost in the tumult over “Saving Private Ryan” and “The Thin Red Line”.  While not as good as SPR, it is definitely superior to TRL.  Factor in the low budget and the film is amazing.  There are few war films that are this sincerely anti-war and anti-authority. 


The acting is outstanding with Eldard the quintessential anti-hero.  He could be the poster boy for the archetype.  He is dislikable and does not care.  Manning is in my top five all-time war characters.  Eldard does his best work as does Orth.  The supporting cast is eclectic and includes Dwight Yoakam as the loathsome Lt. Col. Rickman.  You know what kind of film it is when Manning’s buddy at the beginning is played by Jeffrey Donovan.  We also get Timothy Olyphant and Frank Whaley.  The film is the anti-all-star epic.  (I’m looking at you “Thin Red Line”.)  The cinematography is noteworthy with a blend of hand-held, low angle, and plenty of close-ups.  The colors are muted to fit the mood.  The action is much better than most war movies.  The film is violent, gritty, and graphic.  This is very much a guy movie (although I know at least one discerning female who loves it).  The soldier talk and behavior are authentic.  The men are scared, not confident, and clueless.  The movie admirably and surprisingly avoids clichés.  It is not really a small unit movie as the men aside from Manning and Sanderson are not developed much.  It sets up nodding expectations and then does not go there.  The only thing predictable is it will not have a happy ending.  The tactics are realistic for small units in WWII Europe.  The tactical decisions reflect the unfortunate lack of creativity that made the Battle of Hurtgen Forest such a tragedy.


As far as accuracy, the movie is dedicated to the American soldiers who went through the meat grinder of the Hurtgen Forest.  It was fought from September – December, 1944.  It was the longest battle in American History.  Although it resulted in 33,000 casualties, it has been completely overshadowed by the more glamorous Battle of the Bulge. However, it makes no attempt to instruct about the battle. In truth, the film could be about any WWII battle where the general decides to use frontal tactics to bludgeon his way to an objective.  In some ways, it reflects the “American way of war” as enacted by incompetent, uncreative leaders.  Not every American Army commander was George Patton.  Some were Courtney Hodges.  Hodges determined that the Hurtgen had to be taken at all costs to pin down German forces and to avoid a salient threatening his drive into Germany.  Any basic understanding of the principles of war would have called for by-passing the hellish terrain.  Any foot soldier (Manning) could see the tactics were futile.  The Germans could hardly believe anyone would launch an offensive through terrain that they had incorporated into the Siegfried Line and which was so densely forested that they could not even consider it for threatening the American drive on Germany.  The movie does a fair job of replicating the terrain, but the Hungarian locale is not quite as dense and creepy as the real deal.  With its low budget, it attempts to recreate the dragon’s teeth, but its low scale.  It is more realistic in the mud and grime department.  It also does a fair job with the tree bursts and mines.  I could find no evidence that what the characters in the movie went through was based on any particular part of the battle.  Their experiences were generic, but Hollywood enhanced.  Enhanced to the point where the movie is among the most anti-war films ever made.  What better battle to advance the theme that war is Hell?

In 1998, three significant war movies came out that were set in WWII.  “Saving Private Ryan” used the talents of Steven Spielberg to take war movie entertainment into the 21st Century.  “The Thin Red Line” brought  an environmental and philosophical approach to war plotting.  And “Where Trumpets Fade” helped develop the anti-hero, anti-cliché, truly anti-war film.  One of the trio is in the Greatest 100 and does not belong and one is unheralded and does belong among the best war movies ever made.  Guess which.

Cracker?  Hell, yes.  Possibly in the top twenty.

 grade =  A
 

 
Sabotan's "Unbreakable"