vs.
In the 1970s a pair of action
movies came out that dealt with obsessions to destroy a German warship. One is set in WWI Africa and the other is set
in WWII South America. Both are buddy
films.
“Shout at the Devil” was released in
1976 and is a typical 1970s action/adventure with comedy infused to match the
tastes of that decade. It’s a British
film directed by Peter R. Hunt. It
purports to be based on a remarkable true story. It is set in Zanzibar in 1913. It’s basically a buddy film starring Lee Marvin
and Roger Moore.
A British nobleman named
Sebastian Oldsmith (Moore) meets up with a hard-drinking American named Flynn
O’Flynn (Marvin) in tropical Africa.
Their relationship starts off rocky as O’Flynn steals all of Sebastian’s
money. O’Flynn is an ivory poacher who
is on the outs with the local German forces led by a commander named
Fleischer. When O’Flynn is ambushed by
the Germans, Sebastian rescues him from a crocodile. Yes, it’s that kind of movie. Later, O’Flynn’s boat is rammed by a German
warship named the Blucher. The two
buddies wash ashore and eventually reach O’Flynn’s daughter’s home. Rosa (Barbara Parkins) nurses the
malaria-suffering Sebastian back to health and they fall in love. Naturally, O’Flynn is opposed to the
relationship and a comical fistfight ensues.
O’Flynn is often drunk in the movie and one has to wonder if Marvin was
“acting” drunk. He is unable to prevent
the marriage and subsequently the Oldsmiths have a child.
Sebastian and Flynn discussing the
white man's burden
After raiding Fleischer’s camp,
the German retaliates by burning O’Flynn’s home while the men are away. The Germans kill the baby, but strangely
leave Rosa alive and vengeful. The trio
decide to aid the British Admiralty by sinking the Blucher. They hatch a plan to blow up the ship, but
complications arise. The movie builds to
a rousing finale.
“Shout at the Devil” is all over
the place. It has action, violence,
romance, humor, fistfights, explosions, villains, etc. Unfortunately, none of these elements are
special and the blend is uneven. The movie
does not know what it wants to be. The
first half is a farce, then the baby gets killed and it becomes a revenge
flick. Neither half is strong. The whole movie has a large amount of
silliness, mostly in the form of Marvin chewing the scenery (the movie does
have some awesome scenery, by the way).
I am a big Lee Marvin fan, but he looks like he did not take the
production seriously. You will enjoy the
movie more if you do like Marvin apparently did, drink heavily during it.
As far as the claim that it is
based on a true story, you better take that with a grain of salt. There was a Battle of Rufiji Delta in which a
German light cruiser the SMD Konigsberg was blockaded and then sunk by two
British monitors. This does not sound
anything like what happens in the movie.
“Murphy’s War” is a Peter Yates
film (his only war movie) and was released in 1971. It was set and filmed in Venezuela on the
Orinoco River. It stars Peter
O’Toole (three years after “The Lion in
Winter”). Murphy was a crewman on a
British freighter that is sunk on the river by a German u-boat (actually an American sub sold to the Venezuelan Navy). He was the sole survivor as the Germans
machine-gunned the crew. He recovers at
a nearby missionary settlement where he makes the acquaintance of a female
Quaker doctor named Hayden (Sien Phillips - O’Toole’s then wife). The pilot of a floatplane that had been shot
down by the sub washes ashore and is murdered by the u-boat captain when his
men raid the settlement. Murphy vows
revenge with the help of a handy man named Louis (Phillippe Noiret). They recover the plane and Murphy learns to
fly it. His plan is to drop some rather
large Molotov cocktails on the sub.
“Murphy’s War” is well
made. The cinematography is showy. The opening scene of the sinking of the ship
is very busy with quick cuts and some distorted POV from Murphy’s perspective
(O’Toole did his own stunts amidst the burning oil, explosions, and machine gun
bullets). The scene is quite effective
in establishing that the Nazis are evil and deserve vengeance. Another bravura scene is the one where Murphy
learns to fly the plane. I doubt he did
the stunt flying because it is pretty hairy.
It is an extended scene which is typical of a movie that takes its time
getting where it’s going. It is also
typical of the implausible nature of much of what happens in the plot. Cinematic baubles can only partly mask the
lack of reality evidenced in the movie.
To advance the obsessive revenge angle (and to get the movie to feature
length), the film has several plot developments that defy logic. Starting with what the hell is a u-boat doing
up a South American river in the last weeks of WWI? So turn your logic off and enjoy. There are some entertaining action sequences
that will leave war movie fans smiling (and shaking their heads). Accuracy is not a factor as it is obviously not based on a true story. In order to add the irony that the war is nearing an end and yet both the u-boat captain and Murphy are pursuing hostilities with avengeance, the movie has a u-boat operating in Venezuela. This would have been extremely unlikely since the u-boat fleet had been pulled back long before April, 1945.
O’Toole has a fun time and
reminds of Marvin (partly because I would not be surprised if his performance
was not alcohol-enhanced as well). An
interesting dimension to his character is there is an allusion to his having
been a poor crewman so his motivation is a bit puzzling. His wife is the rare strong female character
in a war movie. She is not in the movie
to be a bimbo. She represents sanity and
refers to the charming Murphy as a “mindless bastard”. Noiret is appealing as Murphy’s Sancho
Panza. The Germans are bland and the
captain is straight out of central casting – handsome, blond, and
malevolent. (He reminded me of the
u-boat captain from “The McKenzie Break”.) The reason to see the movie is not for the acting, it's for the three attempts on the sub. Each is as delirious as Murphy himself.
Which is the better movie? Clearly “Murphy’s War”. Sometimes one star is better than two.
Shout
at the Devil = D+
Murphy’s War
= B-
I've seen both of these over the years. Murphy's War is by far the better film. Better acting and obviously much bigger budget. Meant as a star vehicle for O'Toole who was still on a role. Shout is more of a straight pulp adventure and it works as such. I'm sure Wilber Smith's book on which its based is much better. Marvin could play his role in his sleep. I'm sure the ending of Murphy didn't help its box office but I liked it as it summed up the off the wall character. He won by losing. I hadn't thought about comparing these two, nice call. Oh, and they are both too long for their own good.
ReplyDeleteI had not seen Murphy's War since we were kids. I had done my review of Shout about a year ago and thought of the idea of pairing it with MW, but it was not available on Netflix so I put it on the back burner. Recently I saw it was on You Tube and it was full speed ahead (as Murphy would have said). I was surprised how well it held up and how good a match it was for Shout.
ReplyDeleteI have not seen either but I have always wanted to watch Murphy's War, just never got around to it. On a side note, I have found that many of the movies I review are greatly improved by alcohol, although it would be better to just not watch them in the first place.
ReplyDeleteThe question is: are the movies improved by the stars being drunk?
ReplyDeleteI have to theorize that your choices for reviews indicate sponsorship from a brewery.
I wish that I was sponsored by a nice craft brewery, my costs would decrease dramatically. Sadly, I am simply a completist, I feel bound to review everything for each era.
DeleteGood for you!
DeleteTo harp on your point: Do they ever explain why the German submarine was cruising the river? It seemed to be deliberately waiting for something rather than, say, holing up for refit and repairs, but there didn't seem to be anything of military value in the area. Sure, it makes for interesting scenes, but as Larry Niven (I think) said, Moby-Dick doesn't work as a metaphor for blah blah blah unless he also works as a whale.
ReplyDeleteYou make a good point. I think it was in the river, because the plot and production would not have worked on the ocean. No other reason than that.
Delete