I recently taught “The Iliad”
for the fortieth time in my Western Civilization class, so I decided to rewatch
“Troy” and review it with an eye to how close the movie retells the epic
poem. It seems appropriate that a web
site that reviews war movies should examine a movie based on the first war
story in Western literature. Before you
say “what took you so long?”, I want to point out that I did review the movie
as part of my Best War Movie of the 21st Century Tournament. (It defeated “The Last Samurai”, but lost to
“Master and Commander”.) This review will
concentrate on the plot. So if you haven’t read “The Iliad” - spoiler
alert. And, come on, get that off your
bucket list! And, if you think watching
this movie takes the place of reading Homer’s incredibly long poem, think
again. (But high school students trying
to avoid reading the poem and using my review instead, you’re welcome!)
“Troy” is actually the story of
the entire Trojan War whereas “The Iliad” covers just six months in the ninth
year. A title card introduces the movie
with background information pre-war.
King Agamemnon (Brian Cox) has united the Greek cities into a loose
alliance, except for Thessaly. His brother Menelaus (Brendan Gleeson) is
negotiating peace with Princes Hector (Eric Bana) and Paris (Orlando Bloom) of
Troy. While the King of Sparta is making peace, his brother is making war with
Thessaly. Instead of a bloody battle, it
is decided that each army will put up a champion for a duel. Agamemnon’s champ is Achilles (Brad Pitt), which
is awkward because they despise each other.
The duel ends with Achilles doing his signature move. Meanwhile, back in Sparta, Menelaus’ wife
Helen (Diane Kruger) is showing Paris more than the normal hospitality. This could end up ramming (this is Ancient
Greece) the peace treaty. Especially
when Helen elopes with Paris. When
Hector finds out, he decides bro and his ho before the entire population of
Troy. Menelaus goes crying to big
brother, who uses the cuckolding as an excuse to conquer Troy. If that is going to happen, the Greeks will
need their main man Achilles. Odysseus
(Sean Bean) convinces Achilles to accompany the expedition in spite of it being
suicidal for Achilles. Achilles’ mother
points out that it is better to die a glorious death and be remembered forever
than to provide her with grandchildren.
Odysseus points out that since he is being played by Sean Bean, he is
committing suicide also.
the move - as described by Homer |
Achilles leads the beach
assault. He and his Myrmidons avoid the
fire arrows by getting into a testudo.
Romans, take note. Achilles is a killing
machine and the entire Trojan army retreats from him. To add insult to injury, he desecrates the Temple
of Apollo. Hector rides to the rescue
and finds out why Achilles is the J.J. Watts of the Greek army. Achilles nobly spares Hector’s life because
it is too early in the movie for that duel.
Or as Achilles puts it: “It’s too
early in the day for killing princes”.
The victory celebration is marred by Achilles and Agamemnon debating who
deserves credit for the win. Agamemnon’s
argument is the king determines who gets the credit – and that would be
me. Achilles responds with: “War is young men dying and old men
talking”. Oh, snap! To emphasize where the power lies, Agamemnon
insists on taking a beautiful captive girl named Briseis (Rose Byrne – Angelina
Jolie not available?) away from Achilles and makes it clear she will not be
just dusting his tent. Achilles is so
upset he says “you sack of wine!” He’s
more of a physical fighter than a verbal taunter. Until his sex slave is returned, he will not
kill any more thousands of Trojans.
At a Trojan council meeting,
Paris stops the debating by proposing a duel with Menelaus to end the war. (The royal family rushes to place bets on
Menelaus.) The duel between the
vengeance-minded brute and the wimpy, ladies-man goes as you would expect. End of war and end of movie, right? Except that the winner dies and the war
continues with a phalanx battle. Trojan
archers from the city walls turn the tide and the Greeks retreat. This would never have happened if Achilles
were here, so Agamemnon returns Briseis who is so grateful to have that weight
lifted from her chest that she falls in love with Achilles. Good sex is not
enough to rekindle Achilles' blood-lust. A
night attack using fire-balls (Spartacus take note) puts the Greeks on the
brink of having to accept that a semi-hot chick might not be returning with
them.
When the daylight comes,
Achilles best buddy Patroclus (Garrett Hedlund) sneaks off in Achilles’ armor
and leads a counterattack. Like on a
playground, everyone gathers around for the duel between the faux Achilles and
Hector. Patroclus may look like
Achilles, but… Achilles is not going to
take this well. But on the plus side,
Achilles will stop his pouting and return to slaughtering. But first, he has some unfinished business
with Hector. Achilles calls Hector out
(literally) and they have the type of fight that you would expect from two
superstar actors who refuse to use stuntmen and rely on robotic
choreography. The duel turns when Hector
trips over the only rock located on the plain outside Troy. In a great act of poor sportsmanship, Achilles
drags the corpse back to the camp. ( I assume this
was not in the original script, but was an idea that came to the
ever-competitive Pitt.) Later, King
Priam (Peter O’Toole) comes to beg his son’s body back and prove that he can
still act circles around these young whippersnappers. Patroclus is cremated in the third funeral
pyre scene in the movie. At this rate
they are going to run out of coins to put on eyes. This, by the way, is where “The Iliad” ends,
but the movie goes on to conclude the war because too many theatergoers have
money riding on who wins the war.
ladies, he wants you |
Odysseus (Sean Bean is still
alive!) gets a bright idea for a way into the city. The horse does look like it was built from
ship timbers. Nice prop! Paris wants to burn it, but being the most unpopular
man in Troy, no one listens. During the
night, Achilles and other sneaky Greeks initiate the sack of Troy. Achilles is not interested in the fun stuff –
looting, raping, killing. He is on a
quest to rescue Briseis. Andromache and
Helen escape, along with Aeneas – a character introduced so intellectuals can
feel superior to the rest of the audience.
Google him. Agamemnon stabs Priam
in the back (literally). And as though
that does not bring enough hisses, he moves on to abusing Briseis. She stabs him in the neck. It’s like a gift for her boy-friend
Achilles. But before he can thank her,
Paris puts an arrow in his ankle. Lucky
inaccurate shot! The next three shots
are more accurate. Who wants to see
Achilles die from an errant arrow to the ankle?
Paris and Briseis escape. He
knows a way out – he would! Another
funeral pyre. Sean Bean survives! Maybe there will be a sequel featuring
Odysseus. Is there a story that could be
adapted into a screenplay?
a Trump rally |
My belief is that a movie should
improve upon the book it is based upon.
“Troy” is a mixed bag in that respect.
It jettisons the ridiculous role played by the gods in the war, but then
the screenplay changes the deaths of virtually every main character and messes
with the ending in a move purely aimed at satisfying the audience. In many ways the movie treats the audience as
dummies. This includes the simplistic
theme of glory equals immortality. This
differs from Homer’s theme of “the wrath of Achilles” because Brad Pitt can’t
be seen playing a jerk. In reality,
Achilles is one of the great heels in history.
The movie plays into the common ignorant belief that he was a hero. For this reason, Pitt’s Achilles does not
commit atrocities like cutting the throats of twelve prisoners at Patroclus’
funeral as he does in “The Iliad”. The
transformation of Achilles to an empathetic, lady-rescuer is laughable. Although Achilles is not quite the brute of
“The Iliad”, the other characters are spot on in their personalities. The movie insists on making Agamemnon into a
supervillain which is beyond Homer’s depiction of him as a dick. The cast is all-star and they do a good
job. At least the men do, the female
characters are weaker. The biggest
problem being the key role of Helen. A
little known Diane Kruger was cast and she is not up to playing the most
beautiful woman in the Ancient World.
(Why not the modern “face that launched a thousand ships” – Jennifer
Anniston? Another case of a Pitt veto?)
she's pretty, but a thousand ships? |
“Troy” has all the strengths and
weaknesses of an epic. Director Wolfgang
Petersen (“Das Boot”) knows how to make crowd-pleasing, big budget
blockbusters. He uses CGI well for the
fleet and army scenes, but there are still a lot of extras in the film. The sets are kitschy. Basically what a modern interior designer
imagined a Trojan palace would have looked like. The dialogue matches the look. It is pompous and heavy-handed. “I will remember your name”. (Because that is the theme of this
movie.) “I hate Achilles”. (In case my scowl is not clear enough.) The cinematography is showy. There is a tracking shot over the beach that
cribs from “The Longest Day”. There is a
sudden appearance of POV when Paris fights Menelaus. Petersen can’t force explosions in, but he
does manage to get rolling fire balls. (Fire – the go-to effect until Alfred Noble revolutionized action
movies.) The score is what you would
expect. James Horner took over after
test audiences found Gabriel Yared’s work too old-fashioned. I found Horner’s
work too “Enemy at the Gates”. Is it
okay to plagiarize from yourself? He
actually was accused by some critics of stealing from several classical
composers.
As a combat film, the movie is
visceral, but anachronistic. If you read
Homer, most of the fighting involves individual duels. The movie stops to reenact the key duels, but
the rest of the combat is basically a Hollywood melee. The Greeks did not fight this way at that
time. The movie also pays lip service to
the use of chariots, but in the “Iliad” every prominent warrior used a chariot
to move to and retreat from the battlefield.
The role of archery is ginned up because Hollywood loves blizzards. Hollywood also loves twists. This explains why the Homer-challenged are
fooled into thinking Hector has killed Achilles. One good thing about the combat is it is not
repetitive, like in Homer. Each battle
scene is different. And they are spaced
out so the movie does have a nice flow and no long boring stretches.
"it's not so bad - dying, the gods know I've done it enough times" |
“Troy” will not make my 100 Best
War Movies list. It is a great example
of how Hollywood tampers with classic literature to make it more appealing to
modern audiences. I will be doing a
“Homer vs. Hollywood” post in the future, but as a preview, “Troy” is far from
a Cliff Notes version of “The Iliad”.
Please do not watch it and then take reading “The Iliad” off your bucket
list.
GRADE = C
I've always thought Helen looked like a cross between Gene Tierney and Jacqueline Bissett.
ReplyDeleteI get that, but I wonder how many others do. I believe you are dating yourself there. Especially with Tierney.
DeleteI don't mind being dated. Liv Tyler as she looked in Lord of The Rings wouldn't be a bad Helen of Troy.
DeleteNot a bad suggestion, but I feel Helen has to be a blond.
DeleteThis movie sucked. I guess Peter O'Toole was cool.
ReplyDeleteI wish I could be as incisive! I bet my readers do too. Both of them.
DeleteI felt insulted by this movie and sure many greeks too
ReplyDeleteI felt insulted by this movie and sure many greeks too
ReplyDeletei enjoy troy for many reasons. achilles dragging hector'S body back behind the greeks' lines is part of the poem, tho.
ReplyDeleteGreat article. I enjoyed this movie a lot.
ReplyDeleteGreat movie, very entertaining
ReplyDeleteAll you wanna be historians that expect dead nuts on historical factually based films are dreamers, no one even knows the real "facts"....the Odyssey and ilead were transcribed from "facts"...get real and stop being so critical...enjoy the movie for what it is
ReplyDeleteI was not comparing it to history, I was comparing it to its sources.
Deletethis actually included many parts of the Iliad only to jettison them for... I don't know. The Paris/Menelaus duel goes pretty much the same as the book(kudos to Bloom for playing Paris as written until he becomes Legolas) and of course at least Ajax is in the film. Unfortunately Patroclus is not his older uncle but a youthful cousin. oh well and Paris and Helen get to flee.
ReplyDeleteI didn't go to see "Troy" expecting it to be faithful to the "Iliad". (No Hollywood director was going to leave out most of the Trojan War as Homer did, especially such irresistible set-pieces as the wooden horse, the death of Achilles, and the sack of Troy.) It's also worth remembering that the ancient Greeks themselves had different versions of their myths. In some texts, Agamemnon sacrifices his daughter Iphigenia to get a favorable wind for Troy; in others, Artemis snatches Iphigenia away at the last second, and replaces her with a deer. In some versions, Paris takes Helen (willingly or not) from Sparta to Troy; in others, what he takes is a phantom duplicate, while the real Helen is spirited away to Egypt, where she sits out the war, and is eventually reunited with Menelaus. As long as you put the "Iliad" out of your mind, "Troy" is a thoroughly entertaining film. The changes to Homer are almost minor, when one remembers that Hollywood is the place that gave us a "Pride and Prejudice" in 1940 in which the vile Lady Catherine de Bourgh turns into a sweetie-pie, not to mention a version of George Armstrong Custer's life in "They Died With Their Boots On", in which Custer (I swear I'm not making this up) is portrayed as a friend of the Indians. Ugh.
ReplyDeleteMaybe if they billed as 'inspired by something told somebody about something that was supposed to have happened a long time ago' it wouldn't have been so annoying. it's not bad as noted above and some of the acting is really enjoyable. Logan Roy, I mean , Brian Cox can chew scenary with the best when called upon
ReplyDeleteThe last three comments above make some good points. We are looking through layers of history:
ReplyDelete1. At the base, whatever actually happened, if anything, between Troy and the Achaeans;
2. Above that, the initial accounts (if any) that formed the shared history kept by the Greeks;
3. Homer's version of the story;
4. Shadings caused by subsequent legends or history (Troy is linked to the founding of Rome so Trojan soldiers are usually depicted as proto-Roman Legionnaires; Achilles' heel).
5. Influences from the sword-and-sandal movie genre ("Gladiator was big. Can we make another Gladiator?")
I would love to see how Homer imagined these battles were fought, and would be interested to know how how closely that matched the actual style of the pre-classical Greeks. Of course we don't know, so it would have to be an educated guess, and the strangeness of the fighting might confuse the audience, so ... I can understand why we are at level 5 and Homer is buried under so much flashy plot rubble, but I would welcome an attempt to give us a real cinematic Iliad.