Friday, December 9, 2022

LIFE AND FATE (television series)

 


                        “Life and Fate” is a Russian television series that is available on Amazon Prime.  It is based on the novel by Vasily Grossman.  Grossman, a Russian Jew, was a war correspondent during WWII.  He was an eyewitness to many battles, including Stalingrad.  The novel has been compared to “War and Peace”.  It is sprawling (871 pages) with many characters.  The novel was controversial because of its criticisms of the Stalinist system.  It equated Nazi totalitarianism with Soviet totalitarianism.   The KGB confiscated the manuscript and all his notes, but he had given copies to two friends and it was smuggled to the West where it was published in 1980.  (He had finished it in 1960.)  It was finally published in Russia in 1988 as part of Gorbachev’s glasnost policy. 

                        The series is twelve parts and does a good job covering the book.  The book has basically three threads:  a nuclear scientist and his work in the scientific community, Soviet soldiers in the Battle of Stalingrad, and life in the Nazi concentration camps and Soviet gulags.  The movie omits the concentration camp scenes.  The main character is Victor Shtrum who represents Grossman.  He is a nuclear physicist who is Jewish, but his brilliant theories cause his bosses to overlook that.  It’s his dedication to pure science over doctrinal science that gets him in trouble.  He is a pompous jerk, but a man of principle.  Most of the episodes jump back and forth between Shtrum, his family,  and science friends and the fighting men in Stalingrad.  Much of the Stalingrad scenes involve the defense of a house (probably based on Pavlov’s house).  The “house manager” is a rogue warrior named Grekov.  He butts heads with a commissar named Krymov.  Shtrum’s stepson is one of Grekov’s men.  There is a love triangle involving a pretty radio operator.  The house is surrounded by Germans and under constant attack.  Another main character is Novikov, who commands a tank battalion in the counteroffensive.  Both Krymov and Novikov will end up accused of being less than staunch Stalinists.  Their lack of guilt is a damning indictment of the military justice system.

                        I have recently been taking advantage of Amazon Prime’s stock of Russian war series.  Previously, I watched “The Dawns Here Are Quiet” and “Night Swallows”.  Those two evince the two extremes of quality in Russian TV productions.  “Life and Fate” is closer to “Dawns” and probably had a higher budget.  It looks like a lot of money and effort went into it.  This is especially true of the Stalingrad sets.  The rubble is impressive.  The action matches it as the combat scenes are exhilarating.  This is actually a weakness because when the series shifts from House 6/1 to the Shtrum’s family and friends, there is a let-down.  It is jarring to go from gritty war drama to soap opera.  Plus, Shtrum is not an appealing character.  (He was not meant to be.)  And the scientific discussions are dry.  There is a love affair involving Shtrum and the wife of his best friend, but it is tepid.  Midway through, Shtrum gets transferred back to Moscow and has conflicts with his doctrinaire bosses.  His thread becomes more interesting right around the time that House 6/1 falls and all the intriguing characters that make up Grekov’s unit leave the show.  The second half concentrates on politics as Shtrum, Krymov, and Novikov all run into problems with the authorities.  In the case of Krymov, this is dripping with irony as he is a hard-core communist.  Shtrum gets to stand up for his principles.  Novikov finds out that victory is trumped by stepping on apparatchik toes.

                        Having not read the doorstopper Russian novel, I can’t say how well the series mirrors the book.  It appears to tone down the anti-Stalinist theme.  In fact, Stalin comes riding to the rescue of Shtrum’s career at a moment when those pesky principles get him in trouble.  The movie is far from a comedy, but it is amusing to watch how the same people who were condemning Shtrum for his breakthrough theory being off the reservation suddenly become fawners when the phone call for the great leader becomes known.  It is equally ironic, but less amusing, to watch Krymov get tortured by his commissar peers. 

                        For war movie fans, the reason to watch is the sequences in Stalingrad.  The characters defending the house are intriguing and you care about their fates.  A miniseries based on Pavlov’s House would be great, thank you.   It is a microcosm of the battle and does an excellent job depicting the harshness of the combat and the living conditions.  You may not care what happens to some Soviet egg-heads, but you will care about what happens to the grunts.  The series pulls no punches.  It’s not combat porn, but it is visceral.  For instance, there is a scene where the Soviets bomb a German unit gathering for a ceremony.  The randomness of death is a focus of the series.

                        “Life and Fate” is not as good as “The Dawns Here Are Quiet”, but it is a cut above the usual Russian TV series.    It is an epic based on an epic.  The best thing about it is the next time you are invited to the Russian embassy for a formal dinner, you won’t have to read the book.  You can spend a lot less time and effort by watching the series and still hold an informed conversation about one of the most famous Russian novels of the 20th Century. Don’t just watch the combat scenes, you Neanderthal.

GRADE =  B-

Sunday, December 4, 2022

RESISTANCE MOVIE: Memoir of War (2017)

 


                        “Memoir of War” is a French war movie directed by Emmanuel Finkiel.  It is also known as “Memoir of Pain”.  It was submitted by France for Best Foreign Language Film for the Oscars, but not selected.  The title refers to a journal that the main character keeps.  The movie is set in occupied Paris in 1944-45.  Marguerite (Melanie Thierry) is alone due to her communist resistance husband Pierre who has been imprisoned by the Germans.  She meets a Gestapo collaborator named Pierre (Benoit Magimel) who offers to help her make contact with her husband and lighten his treatment.  He wants her to rat out the resistance cell she is involved with.  Their relationship is strange.  She refuses to give in to his advances, yet he does not get upset about this.  As time goes on and her husband’s plight becomes more dire, the pressure mounts for her to collaborate.

                        “Memoir of War” is dominated by Melanie Thierry.  The camera loves her. There is a lot of soft focus, or maybe it was the cigarette smoke.  There is a lot of smoking in this movie.  Thierry is good, but not great and the character is not particularly appealing.  You do feel for her as she waits for a husband who may not return.  The journal allows for some narration by Marguerite that is nicely literary.  It’s a long wait as the movie is overly long and tends to drag.  The Resistance can be fodder for a good story, but “Memoir” does not mine the subgenre for an intriguing tale.  Actually, it is not really a resistance movie.  Marguerite hangs around on the periphery of the cell.  She is not involved in any operations and the movie does not have any tense resistance operations.  Instead, it concentrates on her weird relationship with Pierre.  Unfortunately, the back and forth between them is unrealistic.  We are conditioned to look upon collaborators as either despicable villains or people who are forced into a despicable situation.  Pierre is neither.  He apparently is under no pressure from his Gestapo bosses.  He clearly wants to bed Marguerite, but not enough to push his weight around.  Even more bizarre, the cell knows about Marguerite/Pierre and does not seem too concerned.  She could get them all killed and they know she is desperate to help her husband.  That’s one trusting group.

                        “Memoir of War” is a decent movie if you want to watch a war movie with your girl-friend or wife.  It should provoke conversation along the lines of “what would you do if you were Marguerite?”  But you might also argue over whether her relationship with Pierre makes any sense.  It’s never good if people are leaving the theater shaking their heads.  Or squirming in their seats waiting for Robert to return, already!

GRADE  =  C

Thursday, December 1, 2022

The White Sun of the Desert (1970)  

 


            “The White Sun of the Desert” is one of the most beloved Soviet movies.  It was a big hit and even spawned a hit song (“Your Noble Highness Lady Fortune”).  Its soundtrack was also very popular.  It became a lucky ritual for cosmonauts to watch it before launching into space.  Director Vladimir Motyl said he was influenced by “Stagecoach” and “High Noon”.  He meant it to be a blend of a Western and a Russian folk tale.  It is sometimes referred to as an Eastern.

            The movie is set on the shore of the Caspian Sea.  Fyodor Sukhov (Anatoly Kuznetsov) is a soldier in the Russian Civil War who is returning home after fighting for several years.  He composes the first of his several letters to his wife which visualizes her in a verdant field.  His homeland is contrasted to the desert he is moving through.  He encounters a man buried up to his neck.  Sayid (Spartek Mishilin) will become his side-kick.  They run into a Red Army unit chasing a guerrilla leader named Abdullah.  Fyodor is given the job of watching over Abdullah’s harem of women.  He knows Abdullah is going to come back and boy will he be pissed, but meanwhile Fyodor tries to liberate the women and bring them into the modern world.  This leads to the part of the Western where the good guy and his buddy defend the women in the fort from attack by the Indians.

            “White Sun of the Desert” is not really a war movie.  It is closer to a spaghetti western or a samurai movie.  And like a spaghetti western it is infused with some humor, usually of the low-brow variety.  There is a lot of action of the unrealistic type.  Unlike a spaghetti western, it has some good lines and many have become iconic in Russia.  And I’m not talking about well-remembered quotes.  I mean lines that have entered Russian slang. For instance, the silly line (which was ad-libbed) “His grenades are the wrong caliber” became a way of saying someone’s excuse was pathetic.  A highlight of the template is Sukhov’s letters to his wife, which serve as narration.  “I’m writing to you again, dear Katarina Matveyevna” became an amusing way to open a letter that would have lots of details or was one of a series of letters. 

            The movie is entertaining, if you find spaghetti westerns to be entertaining (which I usually don’t).  Sukhov and Sayid are appealing characters.  Abdullah is one bad-ass villain.  You have to be impressed with the girls, not because of their looks (they wear burkas most of the time,) but because most were amateur actresses.  It is a fun little movie.  And by little, I mean 1:20.  Just the kind of light-weight movie you would want to watch before blasting into outer space.

GRADE  =  C