VS.
PLOT:
“Gallipoli”
is an Australian war film by Peter Weir.
He originally meant to cover the whole campaign, but decided to
concentrate on two blokes and one battle.
The two buddies are track stars who volunteer for the Light Horse and
are sent to Egypt for training and bonding with their mates and then it is off
to the Ottoman Empire. The battle they
participate in is your typical Sommelike suicide attack. The movie has clear themes of the naivete of
rookie warriors, the comradeship of soldiers, and the incompetence of
command. The plot flows smoothly to the
inevitable ending. The characters are
well-developed. Inexcusably for a director who intended to shed light on a
campaign, Weir takes some liberties with the facts that he later had to
apologize for. GRADE - B
“The Lost
Battalion” is the true story of an American unit that gets cut off from the
main American force during an attack in the Argonne Forest. The movie covers the entire incident from
planning through rescue. The plot
balances coverage of the officers (especially Col. Whittlesey) and his
men. There are some clichés and it cribs
from some other WWI movies like “Paths of Glory”. The plot is what you would expect from a
made-for-TV movie in that it is a straight-forward war tale with no frills. It is an outstanding history lesson and
covers its subject admirably. GRADE
- B
FIRST QUARTER SCORE: Gallipoli - 8 Lost Battalion - 8
ACTING: The cast in “Gallipoli” is average in make-up. The star is a young Mel Gibson (post-“Mad
Max”) and he does brash well. His
partner Mark Lee was making his film debut and he is shaky. It is clear which one of the leads would
become a superstar. The supporting
actors handle their stock characters adequately. GRADE - B
“The Lost
Battalion” has a made-for-TV cast. The
only recognizable face is Rick Schroder as Whittlesey. The second-billed Phil McKee has no
significant roles to his credit. Both
are excellent and get their historical persons pat. Schroder is especially impressive and reminds
of Matthew Broderick’s turn as Robert Shaw in “Glory”. The doughboys are amateurish, but
sincere. GRADE - B
HALFTIME SCORE: Gallipoli
- 16 Battalion
- 16
COMBAT: For a movie named after a battle, “Gallipoli” has very little
combat. The story builds to the
climactic attack, but the actual fighting lasts less than two minutes. It is a micro view and simply consists of men
going over the top to be slaughtered by machine guns. GRADE - D
“The Lost
Battalion” has some of the highest quantity and quality of combat of any WWI
movie. There is about 21 minutes of it. The opening attack across no man’s land into
the forest is a tour de force. It is
surprisingly graphic for a TV movie.
That scene is filmed in the “Saving Private Ryan” style. There is an intense bombardment where a main
character literally is blown apart.
There is also a variety of combat.
There is a lot of hand-to-hand combat with bayonets commonly used. The Germans even bring in flamethrowers. GRADE - A+
THIRD QUARTER SCORE: Battalion
- 26 Gallipoli
- 21
ANTI-WAR: “Gallipoli” builds to one of the most poignant anti-war
moments in war movie history. Weir
reenacts Robert Capa’s iconic photo from the Spanish Civil War entitled “The
Falling Soldier”. The movie is more
anti-British than anti-war. It’s the
pig-headed British colonel who orders the fatal attack. GRADE - A
“The Lost
Battalion” is aimed at lionizing a unit, not condemning the war that put them
in a sack. It has a happy ending, but
there are some heart-tugging deaths along the way. Similar to “Gallipoli”, it indicts
command. It is the rare WWI movie that you do not come away from thinking how horrible the
war was.
FINAL SCORE: Battalion
- 32
Gallipoli - 30
MATCH ANALYSIS: This result comes as no surprise to me. I have always felt “Gallipoli” is overrated,
but the tournament format hurt it. In
particular, in a tournament comparing combat movies, it just does not have much
combat. “The Lost Battalion” is a very
underrated movie. It is also not well
known. It is incredible to me that it
was made for TV. It has some of the most
kick-ass combat of any war movie. And it
honors a famous unit of heroes.
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