VS.
PLOT:
“Westfront
1918” is the story of four German soldiers in the closing days of the war. They are in the same unit and are stationed
on the Western Front. Two of them have
romantic scenarios. One falls in love
with a French mademoiselle and the other has wife problems when he returns home on
leave. The plot effectively depicts
soldier as well as civilian life It
includes the extended home front scene, a cabaret scene and several combat
scenes. It is unpredictable other than
the clear implication that things will not end well for the main
characters. Director Georg Pabst brings
a sober realism to his work. A fact that
was not appreciated by Joseph Goebbels. GRADE
= A
“Beneath
Hill 60” is the true story of Australian mining engineer Oliver Woodward and
his mining unit on the Western Front in 1916.
Their claustrophobic endeavor is to dig a tunnel under German lines to
literally blow a hole in the enemy defenses.
The movie features dueling arcs as we follow Woodward’s courtship of a
lass through flashbacks while the movie advances toward the climactic
explosion. Along the way, the small unit
of diggers is fleshed out and the soldier experience is realistically
portrayed. GRADE = A
FIRST QUARTER SCORE: Westfront
- 9 Beneath
- 9
ACTING: “Westfront” has a limited cast of solid German actors. There are really only four main roles in the
film and yet there is not a lot of character development for the actors to work
at. The acting is noted only for what it
is not. It is not the typical
scene-chewing style of the early talkies.
None of the performances are squirm-inducing. Karl the cuckold (Gustav Diessl) and the
jolly Bavarian (Fritz Kampers) stand out, but the acting is not what makes the
movie memorable. GRADE - C
“Beneath
Hill 60” is well acted, especially by Brendan Cowell as Woodward. He has a lot of charisma, but underplays the
role. He makes Woodward a likeable
character who has some tough decisions to make.
The supporting cast provides excellent work. You care about the men and some of the deaths
are powerful. GRADE - A
HALFTIME SCORE: Beneath
- 18 Westfront -
15
COMBAT: “Westfront” has about 13 minutes of
combat. There is a French raid on their
trench that has more grenades than any other WWI movie that I can recall. The masterpiece comes at the end of the movie
when the French make a major attack that goes on for over eight minutes. This scene has more grenades, but throws in
some lumbering tanks. It is
realistically chaotic and the shell-shock the lieutenant gets is well-earned. GRADE - A
“Beneath
Hill 60” also has 13 minutes of combat. Although the movie concentrates on the
tunnel construction, it does manage to get some action in. In fact, there is even some combat
underground as both sides are countermining.
The director throws in a nifty night raid on a German machine gun
position. GRADE - B-
THIRD QUARTER SCORE: Beneath - 25 Westfront - 24
ANTI-WAR: Goebbels’ banning it
should tell you something about “Westfront 1918”. It is one of the most anti-war movies ever
made. The death rate of the main
characters is very high. One of them is
killed in a man-to-man death match in a shell crater. When his body is later seen by his buddies,
all they see is one of his arms above ground.
They toss some dirt on it. The
movie gets bleaker as it moves along. Even the home front scene is
depressing. In the charnel house of a
hospital in the closing scene, a character sums up the horrific war with the
line: “It’s everyone’s fault.” GRADE
- A+
“Beneath Hill
60” is not designed as an overtly anti-war film. There are some heart-tugging deaths, but they
are not of the futile variety. The movie
is more anti-command, as it has the clueless general you see in so many WWI
movies. There are no suicidal attacks. GRADE - B-
FINAL SCORE: Westfront 1918 - 34 Beneath Hill
60 -
32
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