Well, we are now through the first round and there were some upsets. We have a #12 seed moving on - All Quiet (1979). Here are the second round match-ups.
#1 - All Quiet (1931)
#9 - Oh! What a Lovely War
#12 - All Quiet (1979)
#4 - Sergeant York
#11 - Lost Battalion
#3 - The Big Parade
#7 - Westfront, 1918
#2 - Paths of Glory
#1 - All Quiet (1931)
#9 - Oh! What a Lovely War
#12 - All Quiet (1979)
#4 - Sergeant York
#11 - Lost Battalion
#3 - The Big Parade
#7 - Westfront, 1918
#2 - Paths of Glory
VS.
REALISM: “The Big Parade” is weak on realism. The soldiers go through little hardship,
other than stale cake from home. The
first part of the combat payoff has the Americans advancing in lines through a
forest. This is actually a true
depiction of the naivete of the American army in its early battles. We had learned little from the experiences of
the British and French. And the
filmmakers had learned little of the effects of machine gun fire on lines of
men. The night attack is also shown in
lines which would have been appropriate even in crossing no man’s land, but it
is staged at night. This would have been
uncommon. The artillery fire is the most
realistic thing about the combat. GRADE:
Big Parade - C
“The Lost Battalion” is above average in realism. The weak moments can be attributed to its
made-for-TV nature. The trench and no
man’s land are authentic, but some of the fighting defies logic. For instance, in some of the fighting, the
Americans leave cover to confront the superior German forces in the open. During artillery bombardments, they do not
hunker down. There is more hand-to-hand
fighting than would have occurred. On
the other hand, the hardships the men went through are accurately
depicted. The film includes the lack of
food and ammunition and the suffering of the wounded. GRADE - B
FIRST
QUARTER SCORE: Battalion -
8 Parade - 6
DIALOGUE: Being a silent movie, the dialogue that makes the
title cards is sparse. Most of the
dialogue spoken by the actors must be inferred.
This is a good thing because I can guess that if we had to listen to all
of it, it would not be an improvement.
At least it is not flowery. It
just is not special. The attempts at
jokes are uniformly lame. GRADE
- C
“The Lost Battalion” throws in a lot of faux soldier
banter. The screenwriter picked up a
copy of “Early 20th Century Brooklyn Slang” and sprinkled his
research throughout the film. The
interchanges between Gaedecke and Rosen smack a lot of those between Rivera and
Friedman in “A Walk in the Sun”. The
combat may be R-rated, but the dialogue is decidedly PG-13. Much of it is pious. The words put in the German officer’s mouth
are what Hollywood can imagine a sympathetic German saying about the amazing
Americans. GRADE - B-
HALFTIME
SCORE: Battalion -
14 Parade - 13
SOLDIER
BEHAVIOR: “The Big Parade”
skips over training and plunks the trio on the Western Front. Their billeting at a French farm is all fun
and games. Like living in a frat house,
there are pranks and ribbing in a lame sort of way. Their naivete is not far
from the cluelessness of the newcomers from across the Atlantic. The movie gets the camaraderie right and the
way the war brought men of different backgrounds together. However, the film is
not really interested in giving the audience an accurate picture of what the
soldiers went through. Go to France,
make some friends, fall in love! GRADE
- C
“The Lost Battalion” does attempt to show how the
soldier’s lived. The movie splits time
between command decisions and soldier interaction before going full combat
mode. The comradeship is apparent. The movie makes a point of having the
veterans instruct the newbies. Much of
this is patronizing to anybody familiar with the AEF, but for the average
viewer it is instructive. The
screenwriter gets the brash attitude of the Yanks down. But some of the characters are not
gung-ho. GRADE - B
THIRD
QUARTER SCORE: Battalion -
22 Parade - 19
ENTERTAINMENT: “The Big Parade” is mainly a romance set in war with a
buddy picture aspect thrown in. It is
not aimed at the macho combat groupies.
It is pretty good entertainment for a silent movie that wants to please
both males and females. If the men can
sit through the character and relationships development, they get a fairly
kick-ass combat payoff. It holds up well
over the years, but it is not something you could show students with any
success whatsoever. You must like
classic films to like “The Big Parade”. GRADE
- B
“The Lost Battalion” is almost the exact opposite
movie from “The Big Parade”. For
instance, there is not a single female in the movie. It is definitely a movie
aimed at a male audience. Unless you are
a female who is hot for Rick Schroder.
Some of the movie comes close to combat porn. It is amazingly intense and graphic. If you enjoyed the opening to “Saving Private
Ryan”, you will enjoy much of “The Lost Battalion”. The fact that it is a true story accurately
rendered makes it more entertaining than it otherwise might be. GRADE - A
FINAL
SCORE: Lost Battalion - 31
Big Parade - 27
MATCH
ANALYSIS: I am a big fan of all
war movies, no matter the era. “The Big
Parade” is one of the best silent movies set in WWI. I was impressed with it the first time I saw
it, but it does not improve with repeat viewings. It is Old School which can be a good thing. However, since the plot is dusty, it has a
hard time going up against a modern war movie with a competent plot. A movie like “The Lost Battalion” (even one
with a made-for-TV budget and the constraints of that medium) has huge
advantages in cinematography and effects.
When you look at the quantity and quality of the combat and the
surprisingly good acting, it is not surprising that it won comfortably.
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