SYNOPSIS: "La Grande Illusion" is a WWI prisoner of war movie. It is a French film. The main characters are a debonnair knight of the air (Jean Gabin) who comes from the lower class and an upper crust staff officer (Marcel Dalio). They are held in a prison camp with a heterogeneous group of comrades and then are transferred to a castle where the commandant (Erich Von Stroheim) is an aristocratic ex-ace who bonds with the kindred noble - the staff officer. The hunky French pilot escapes with a Jewish prisoner and hook up with a German widow.
BACK-STORY: “The Grand Illusion” is a film by the acclaimed French director Jean Renoir, son of the famous Impressionist painter. He wrote the screenplay along with Charles Spaak. Renoir was inspired by his own experiences as a reconnaissance pilot in WWI, but the film is far from autobiographical. Von Stroheim wore Renoir’s uniform in the movie. The title of the film was influenced by the book “The Great Illusion” by British economist Norman Angell. Angell argued that war was useless because nations have common economic interests. Good call, Norm! The movie was famously banned in Italy and Germany. Goebbels even had Renoir labeled “Cinematic Enemy #1” and attempted to have all copies of the prints destroyed. Fortunately, a print was recovered by the U.S. Army (no, not by the Monuments Men) after the war and Renoir was able to accomplish a celebrated restoration.
TRIVIA: wikipedia, imdb, TCM
1. The title was a reference to a book called “The Great Illusion” by British journalist Norman Angelle. The theme of the book was that future wars would be idiotic because of the intermingling of international economies. Angelle won the Nobel Peace Prize in 1933.
2. The story originated with director Jean Renoir. He collaborated with Charles Spaak. They were sued for plagiarism by a WWI prisoner of war whose memoir had some similarities to the movie’s script.
3. It was the first foreign language film to be nominated for Best Picture by the Academy Awards.
4. It was the first movie in the Criterion Collection.
5. FDR was given a private screening.
6. Renoir and Erich von Stroheim clashed a lot at the beginning. After the latest disagreement, Renoir broke into tears and then von Stroheim did too. They hugged and cooperated from then on.
7. Jean Gabin was France’s greatest star for decades.
Belle and Blade = N/A
Brassey’s = 5.0
Video Hound = 5.0
War Movies = 5.0
Military History = #7
Channel 4 = #61
Film Site = yes
101 War Movies = yes
Rotten Tomatoes = #2
HISTORICAL ACCURACY: The movie is not based on a true story, so historical accuracy is not a factor. I was very curious about the portrayal of the prison camps because they were so different than what we are used to seeing in WWII POW movies. It turns out that the relatively cushy life in the camps shown in the movie is fairly representative of reality. The Germans did establish camps for officers (Offizierlagers) in castles, hotels, etc. The officers got much better treatment than the enlisted. They had more space, better food, and did not have to work. They were allowed recreational activities like theatricals. In some camps they were even allowed to go on walks outside the camp if they swore on their honor not to escape! The Germans also had “reprisal camps” designed partly to punish escapees. It seems likely that Marechal and Boldieu would have ended up in one of these instead of in the castle. Rauffenstein is representative of the fact that commandants were sometimes disabled officers. The camp guards did have a reputation for being humane so “Arthur” is typical.
The diet of the prisoners was poor. Not surprising because due to the Allied blockade the German people were suffering from malnutrition, too. The prisoners did get to supplement their food with parcels from home, but it seems highly unlikely that Rosenthal’s family could have sent enough parcels to allow the meals the crew routinely eats in the camp. Plus, the French prisoners were noted for receiving substantially less parcels than the British.
The reference to Fort Douaumont seems accurate. The fort did fall to the Germans in Feb., 1916 and then was recaptured by the French in Oct., 1916. The movie’s time frame must be actually referring to the French recapturing part of the fort in May which they held only temporarily.
OPINION: “Le Grande Illusion” is famous for its themes. Renoir was aiming at class divisions. Specifically, the gulf between the upper and lower classes. Marechal, a mechanic before the war, and Boeldieu, a nobleman, represent the opposing classes. Surprisingly, Renoir does not show the conflict between the classes. These characters do not even have a rocky start before developing their friendship. Even Rauffenstein treats the lower-class inmates with respect, if disdain. Renoir does not make the case that the two social classes can not live together, unless he is contrasting the egalitarian prison camp to peacetime society. Boeldieu blends in easily with his prison mates and only rolls his eyes occasionally. The Boldieu character is the least stereotyped in the movie. Second least is Rauffenstein. Stroheim had a reputation for playing villains so you do not expect him to be so humane. Hell, he did not even mean to kill Boeldieu – he was aiming at his leg. He is more stiffly (literally) upper class than the Frenchman, but only slightly so. He has to work harder to tolerate the commoners, but he is not a pompous ass. The subtheme is that the upper class sticks together. Boeldieu and Rauffenstein feel a kinship that goes beyond national boundaries. Renoir is making the case that in the future there will hopefully be no national boundaries and no class distinctions. The movie makes this prediction.
The movie has the technical hallmarks of a masterpiece. The cinematography is not overblown, but shows the ability of a master. He tends toward long takes with few cuts. In other words, the opposite of a modern war movie. When we are introduced to the first group of prisoners, they share a meal (food was important to Renoir) as the camera moves around the table. There is a nice tracking shot during the theater rehearsal. The camera pans over items in Raffenstein’s castle room to establish his Prussianness in the mise en scene. The dialogue is nothing special. You do not get the impression you are watching a play transferred to the cinema. The music did not make an impression on me other than to notice there were large stretches where there was no background music to set the mood of the scene.
The acting is a strength of the movie. The cast is appealing, which is not surprising since all the characters are appealing. Gabin has a lot of charisma – enough to get a German war widow (who he cannot communicate with) to fall in love with him in record time. Fresnay is not as wooden as Boeldieu could have (should have?) been. He does not twirl his mustache and his flute playing is transcendent. Stroheim is good in playing against his usual villainy. He had a lot of say in the character’s development. Dalio is fine as Rosenthal and does not ham up the Jewishness of the character. Rosenthal is an important cinematic figure given what was going on in Europe at the time.
In conclusion, when I first watched “Le Grande Illusion”, I wondered what the big deal was. Then I watched the movie again with the commentary track by a cinema expert and I wonder less, but still I don’t get what the big deal is. I understand what Renoir was trying to do, but I did not find it effective. It is not genius to point out there was a class problem in Europe. What is perplexing to me is why Renoir chose to make the upper-class characters likeable and why the two classes get along so well in movie. There is not a single negative character in this movie. There is zero dysfunction. How unrealistic! Speaking of lack of reality, I know the depiction of the camps was accurate in the basics, but to portray them as better than being home with the wife was implausible. I also found that the movie lacked suspense. They dig a tunnel and then don’t get to use it! They escape from the castle and there are no shots fired and no pursuit! They hide out in a German farm house and no one comes banging on the door! I know it’s not “that kind of movie”, but that does not make it great entertainment (as many claim). I suppose you could argue that it is a great movie, but I do not think it is a great war movie. There is no way in Hell that it belongs in the top ten.
