Someone finally had the nerve to try to bring Patrick O’Brian to the screen. For you non-literary types, O’Brian was an acclaimed writer of nautical fiction. He wrote a series of novels set in the Napoleonic Wars. The main characters were a British captain named Jack Aubrey and a ship’s doctor/espionage agent named Stephen Maturin. They are best friends although of very different personalities. In the novels, there relationship takes precedence over traditional plotting. O’Brian had a way with words that resulted in a legion of fans. Peter Weir (“Gallipoli”) took on the task of adapting O’Brian. He wisely decided to start in the middle of the series with book 10 – “The Far Side of the World”. He also wisely decided to stick to a traditional narrative structure.
The effort that went into the film is truly incredible. Weir was able to convince the studios to invest $150 million in a movie that had a sketchy market. In the cinematic world of “Fast and Furious”, who wanted to see a movie about fighting frigates? Thankfully, enough to make a profit, but not enough to warrant a sequel. Much of the cost went into Weir’s obsession with making the movie as perfect a depiction of Napoleonic naval warfare as possible. Weir bought a replica ship called the “Rose” for $1.5 million and then had extensive changes made to it to portray the HMS Surprise. It was used for the sailing scenes. A full scale model on a gimbal in a giant water tank (the same one used for “Titanic”) was also used in the filming. 27 miles of rope were on the model. The costume department made 1,900 pairs of shoes, over 2,000 costumes, and around 2,000 hats. The prop department was fixated with getting even the tiniest details accurate, including items that would not even make it onto film. The efforts paid off as the movie was rewarded with ten Academy Award nominations including Best Picture and Best Director. It won for Best Cinematography and Best Sound Editing.
“April, 1805, Napoleon Is master of Europe and only the British fleet stands before him – oceans are now battlefields.” The HMS Surprise is cruising off the coast of Brazil. It is a 28-gun frigate commanded by Capt. Jack Aubrey (Russell Crowe). His crew of 197 call him “Lucky Jack” because he has always brought them success. His mission is to intercept a French privateer named the Acheron which has been raiding British commerce. The French frigate is American made and has 44 guns. In naval combat, it was all about the number of guns and America made some very stout warships. For this reason, the Surprise is the underdog. It doesn’t help that in their first encounter the Acheron surprises its hunter and kicks its butt. This battle takes place within the first ten minutes of the movie. So much for developing the Aubrey/Maturin relationship. Weir will let us figure it out as we go along. One thing we learn early about Aubrey is he is not the type to give up after an ass-whipping. Instead of returning to port for repairs, they will continue pursuit and repair themselves along the way. As far as Maturin (Paul Bettany), we learn that he is a way better doctor than you would expect on a warship. (In other words, he is not a drunken hack.) He is also a man of the Enlightenment and not enamored with the ways of the Royal Navy. This is the key difference between him and his warrior best friend. The only thing they really have in common is love of music. Aubrey plays the violin and Maturin plays the cello.
The movie is not just a buddy film. It also has a touch of the chase film in it. You know the chase is going to end in a show-stopping duel, but to get to that scene we get some entertaining subplots. The Surprise survives a horrific storm, although not every character survives. Midshipman Hollum (Lee Ingleby) gets a reputation as a Jonah (the naval equivalent of a jinx) and this has to be resolved to continue the voyage. Maturin has to operate on himself after an accident on board. The operation takes place on the Galapagos Islands! Join the Royal Navy (or get impressed into it) and see the world. And kill people. That last is a reference to the climactic battle which is well worth the wait. And lasts seven minutes. That might not sound like a lot, but it is for war movie.
ACTING: A+
ACTION: A+ (7/10)
ACCURACY:N/A
PLOT: A
REALISM: A+
CINEMATOGRAPHY: A
SCORE: B
SCENE: the boarding
QUOTE: Capt. Aubrey: To wives and sweethearts.
Officers: To wives and sweethearts.
Capt. Jack Aubrey: May they never meet.
The attention to detail in “Master and Commander” is astounding. This is one movie that I have to praise the suits for allowing Weir to make the movie his way. I would guess the movie could have been made for $50 million less and still have been good. And much of this effort was to impress the rather small community of Napoleonic naval warfare nuts. It is a shame that the average viewer did not have a clue what went into making the film. Unless you did research, you would not have known that the movie used a replica, a full-scale model in a tank, and a smaller model. We just assume CGI these days. I defy you to tell which is which in the movie. The sets are authentic to the time period. The verisimilitude is noteworthy. This is especially true for below decks. (With one caveat, the ceilings were a lofty five feet, which was higher than on an actual frigate.)
The cast bought into Weir’s vision. They went through a two-week boot camp that included gun training, swordsmanship, and practice in working the ship. That included going up the rigging. The speaking roles were given to mostly British stage actors that Americans would not recognize, but they are uniformly excellent. (Weir’s decision to confine the movie to the ship resulted in no speaking roles for women. This is the rare nautical film with no romance.) The script gives fair treatment to the tars as well as the officers. Several characters get to shine, including two of the young midshipmen. Special mention must be made of the extras. The casting director combed the world for faces that would reflect the cosmopolitan nature of a British crew. They knew their roles as crewmen of a frigate and they knew their actions on the peripheries of scenes would enhance instead of detract from the authenticity of the movie. With this said, clearly the movie depends on the performances of the two leads.
Crowe was the perfect choice for Aubrey. He has the commanding presence of a captain. Aubrey is one of the great characters of literature and Crowe is up to it. (By the way, he does not look like the literary Lucky Jack.) I learned new respect for Crowe when I discovered he learned how to play the violin for his role. He has the physicality for the action scenes. Bettany is a match. Maturin is the more intriguing character as he is unique on board the ship. The man of science amongst the military men. The scenes in the officer’s mess are great for the banter of seamen, but also because Maturin squirms and sometimes makes cynical remarks about the military ethos. A subplot involves Aubrey and Maturin’s disagreement about the dictatorial nature of a captain’s power. The movie does take the time to provoke some thinking. As in the tradition of cinematic captains, is Aubrey too reckless? Bettany shines and gets some show-stopping scenes like when he traverses one of the Galapagos Island searching for specimens. (The movie was the first non-documentary to be allowed to film there.) He takes acting honors with his self-surgery for a bullet wound. (A scene that appears in the novel “HMS Surprise”.)
“Master and Commander” closes with one of the great combat scenes in war movie history. It is almost seven minutes of total mayhem. The exchange of cannonballs is followed by a boarding that is a melee. The choreography must have taken weeks. It’s all very believable and graphic. This is followed by a twisty ending that left fans expecting a sequel which has sadly not materialized.
